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Funky Find of the Week: Alberto Frias' Sleeping Pod

Alberto Frias' Transport- Illuminated sleeping pod!

Designed by Alberto Frias, this modern illuminated sleeping pod, called The Transport, uses led lights by Color Kinetics. It will be available at the CA Boom show in Santa Monica (see earlier post) for a mere 10,000$


To learn more about the Transport, click here.

Alberto Frias

Elephant Poo Paper Products For You!



While surfing the net, I found this unusual product via one of my favorite sites, Notcot.

Paper products actually made from Elephant Poo. That's right...Efelump Dung Journals and Notecards.

How do they do it?

The making of paper starts with the collection and processing of the dung pulp. Elephant dung is typically full of short to medium grained fibrous materials from the elephants diet which when processed makes excellent paper:

• We collect naturally dried elephant dung from elephant conservation parks and bring it back to our paper-making factory.

• We then pre-rinse the elephant dung with water, leaving only the fibrous materials from the grasses, bamboo & fruits they've eaten.

• Afterwards, we place the fibers into a giant pot of boiling water to ensure the fibers are super clean. After this thorough cleaning, any color that we may want to add can be added.

• Natural fibers from banana trees & pineapples are added to the dung mixture so the paper will be thicker & stronger.

• Once this is all mixed together, we separate the moist fibers into small “cakes' or “wafers” of about 300-400 grams each.
• The cakes are spread evenly over a mesh-bottomed tray measuring about 60cm by 90cm.

• The tray is leaned up against a tree, angled toward the sun and allowed to dry naturally for a few hours.

• Once dry, we peel the sheet of paper from the mesh tray and start making Poo Poo Paper products.

This is how we made the hand made paper stationary and our how to make recycled paper process!


above: Journals


above: Notecards

A Brief History Of The Elephant:
The elephant can be traced back 26 million years when there were many species that had similar characteristics as today's elephants. Today, only two living species remain: the African Elephant and the Asian Elephant.

Elephants have been used in various capacities by humans over the years. They wee used in the military and for heavy labor, such as uprooting trees and moving logs. They have also played a strong role in religion: a white elephant is considered holy in Thailand ; Ganesh, the Hindu God of wisdom, has an elephant's head.

Today, elephants are facing numerous threats: the disappearance of natural habitats due to human activity, and poaching for their ivory tusks, meats and hides, to name a few. Many experts believe there is little future for the elephant outside protected areas.

Elephants used to exist in great numbers across Africa and parts of Asia but today these gentle giants are endangered. Rampant ivory poaching from 1979-89 more than halved Africa 's wild elephant populations from 1.4 million to a mere 600,000. Today, numbers may be as low as 400,000. In Asia , it is estimated that no more than 40,000 Asian elephants remain in the wild.


above: Stationery

The answers to commonly asked questions:

Question #1: Do your products smell?

This is by far the most asked question we receive! Our products do not smell at all...not like poo anyways! Our products smell like normal stationery type products although we have been experiementing with adding some nice aromas to our poo papers. We've had requests from cinnamon, lemon and coffee scented papers......we're working in this!!!!!

Our products don't smell because we allow the fresh elephant poo poo to completely dry up first then we thoroughly rinse and wash the elephant dung and all we're really left with are the fibres from the vegetation that the elephant didn't digest. That stuff doesn't stink!

Question #2: How many journals can you make from an average piece of elephant poo?

We can make about 25 large sheets of paper from a single piece (or turd) of elephant poo poo!!! That translates into about 10 standard sized journals including the front and back covers! Neat, huh!?!?!?

Question #3: Do you have other types of products?

Currently, we have over 150 unique items in our collection. Most of those items you cannot see on our website and need to go to the stores that carry our products for you to purchase. These products also include picture frames, photo albums, book marks, small storage boxes for keepsakes, gift bags and wine bags in addition to the many styles of journals, noteboxes, greeting cards etc. that we make and sell. We have many new products coming down the chute over the next few months and into 2007 so check back here regularly!

Get it here. Your source for hand made paper stationary.

Design You Could Just Eat Up: New Plasticware For Spring

If it's hip, it's here.
Spring has sprung and that means it time for picnics and outdoor entertaining!

Good design has crept into the plasticware market and here are just a few fabulous finds.

Clockwise from upper left: Pandora Designs ornate plasticware, available in clear as well as other colors, Heavy Stainless-steel looking plasticware, Philipe Starck's fabulous new LUX dinnerware, and The Snap-a-Party by Fred.

Click on the item to be taken directly to the place of purchase.

Let Me Float This By You: Structures On Water



Okay, so the world is running out of room. Where to put the next wave of luxury hotels and offices? Why not afloat in the middle of our vast oceans?

Seems that the visionaries at Oceanic Creations already has this under development.

Temporarily named The Maya, this floating hotel is being built in Bulgaria and will be towed to Cancun. See the computer renderings below.


Above: The Maya Hotel as envisioned by OCCT

Above: The Maya Hotel at night

The following text is from their site:
"OCCT, Oceanic-Creations Composite Technology, is a State-of-the-Art Construction Technology exclusively developed for the Swedish Royal Navy by the best engineers and scientists available.

The Oceanic-Creations Composite Technology represents a new generation of technological evolution, as well as exciting new ways to apply well-proven construction technologies. Since it was originally developed for military use it has been tested for reliability, strength and safety far beyond what is required in the civilian market.

The products offered by Oceanic-Creations are constructed with a virtually non-ageing, environmentally neutral and inert Composite Material and therefore requires almost negligible maintenance.



Above: Floating Offices; the future as seen by OCCT

OCCT offers a considerable lower LCC (Life Cycle Cost) compared to traditional and old expensive constructions in steel and concrete.

Oceanic-Creations was formed in 1986 with the strive to secure the rights to use the revolutionary composite technology that now forms the base for the company.

Oceanic-Creations AB consists of business concept developers and likes to emphasize the fact that the company is a small size company with astonishing views, competence and integrity.


Above: Chairman of the board of OCCT, Prof. Christer Karlsson

The business profile of Oceanic-Creations reflects the ambition to maintain the efficiency of a small-scale organisation combined with the strength of a competent flexible international organisation, build network and international contacts.

Oceanic-Creations have striking visions and projects with large potentials, projects that lay a stable foundation for a long-term steady growth.

The activities are predominantly in the marine field but not only floating objects. The concepts and the business structures created by Oceanic-Creations are based on either unique knowledge, materials, innovations or a combination of one or more thereof.

Oceanic-Creations composite material is made of inert material and works in harmony with nature and will through Oceanic-Creations products through its technology will help protect people, properties and ecological values."

Wow, seems the future is here. (or maybe not. Since this post, the original Oceanic Creations has filed for bankruptcy).

Grand Canyon Skywalk Opens- You Ready?



By now, you've undoubtedly heard about the Grand Canyon Skywalk, a glass bridge that extends from the western rim and suspends you more than 4000 feet above the canyon! But in case you haven't, check this out. It opens next week!

And astronaut Buzz Aldrin (below) will be the first to walk upon it!


above: Buzz Aldrin now

March 28, 2007 - The Official Public Opening Of The Skywalk

Grand Canyon West, a destination owned and operated by the Hualapai Tribe at the Grand Canyon’s western rim, announces March 28, 2007 as the official public opening date of The Skywalk. The Skywalk will be the first-ever cantilever shaped glass walkway to suspend more than 4,000 feet above the canyon’s floor and extend 70 feet from the canyon’s rim.

Access to The Skywalk will run from dawn to dusk and will cost $25 per person in addition to the cost of a Grand Canyon West entrance package. One hundred and twenty people will be allowed on the bridge at a time. Admittance is first come, first serve for walk up visitors; however, reservations can be made. Guests will enter and exit the walkway via temporary buildings while the adjacent visitor’s center is being completed. Grand Canyon West plans to issue numbered shoe covers – in order to avoid scratches and slipping - to each visitor that enters the open-air walkway.



Prior to the public opening in March, Grand Canyon West will host a “First Walk” event for media and VIPs. The first public figure to step on The Skywalk will be Astronaut Buzz Aldrin (see below).


Above: Buzz Aldrin on the moon



The historical rollout of The Skywalk structure, with the glass in place, is scheduled for February 27 to March 2. The initial part of the rollout process involves jacking the structure up off of the supports and then subjecting the structure to several days of thorough tests that replicate the conditions of final placement. After the final testing is complete, the multi-million pound steel enforced structure will be rolled out across the canyon’s edge, which takes multiple days. Immediately after the structure is in position, it will be seated and attached to the foundation. Details for a media event during the rollout will be revealed closer to the event.


Above: rendering of Visitor Center

Located at Grand Canyon West’s Eagle Point, The Skywalk facility will also include a 6,000 square-foot visitor’s center on three levels – underground, first story and second story – which will contain a museum, movie theater, VIP lounge, gift shop, and several restaurants and bars, including a high-end restaurant called The Skywalk Café that will offer outdoor patio and rooftop seating on the edge of the canyon. The second story will be where visitors can access The Skywalk glass walkway. The visitor’s center will also offer private indoor and outdoor facilities for meetings, special events and weddings.


Above: under construction


Above: Almost finished

An amazing vision come to reality. But I must confess, I don't think I'd want to walk on it with hundreds of people. If they're willing to do private tours, count me in...

Karin Jurick Continues To Impress Me

Karin Jurick is not only one of my favorite painters, she's one of my favorite people.

A beautiful woman, both inside and out (she no longer posts her picture on her blog, but I've seen it and she's so pretty), Karin's work is increasing in popularity and critical acclaim. I simply needed to put this up because I was so touched by the gesture. Please keep in mind, I've never even met Karin in person, but have long been in touch with her via e-mails since discovering her fabulous work and becoming a collector. Once she read my blog and saw that my dog, Abbey, who was recently diagnosed as terminally ill, suffered a stroke a little over a week ago, and is now nearing the end of her 14 years, she actually painted a portrait of her and sent it to me as a gift!

 Look!



  I am touched beyond belief and wanted to share it with you all. It's people like Karin who make this world a better place, with both her work and her compassion.

Be sure to see her beautiful work at her site here

Menacing or Marketing? D&G's Controversial Ad



The ad that caused the controversy: Fantasy Gang Rape?


The ad they seem to be running instead


Below article reprinted from MSN NBC By Susanna Schrobsdorff, Newsweek

March 6, 2007 - The fashion design duo behind Dolce & Gabbana announced today that they are pulling a controversial print advertisement from publications worldwide following protests in Spain, and, egads, their home turf of Italy. The photo features a blank looking young woman in a bathing suit and high heels being pinned down by a glossy shirtless man while four other men look on.

Is the image glorifying gang rape or tapping into a sexual fantasy?
That may still be up for debate in some quarters. But Kim Gandy, president of the National Organization for Women says the ad indisputably promotes violence against women and has put it at the top of their Web site's page of offensive advertisements. Meanwhile, Stefano Gabbana says that he regrets the way the ad was perceived and insists that he and his partner Domenico Dolce were not intending to demean women. He adds that the image is artistic and was meant to "recall an erotic dream, a sexual game."

Provocative images have been a staple for D&G, whose other ads have featured sexy scenes including one of a nude man lying down while several other clothed men look on seductively. Another ad, which was pulled last year from British publications, featured women brandishing knives. The most recent controversy broke out last month when the Spanish government demanded that D&G's "fantasy rape" ads be withdrawn. The country was coping with a wave of crimes against women at the time and public outrage was high. The designers complied, but said that Spain was "behind the times." That claim got harder to maintain on Friday when 13 Italian senators also demanded that the photo be taken out of circulation. On Tuesday, Stefano Gabbana said that they did not mean to "cause controversy," and were pulling the ads. But when is an onslaught of attention ever bad for a company looking to stay on fashion's leading edge?

We asked Kim Gandy at NOW in Washington and Stefano Gabbana in Milan, Italy, about the ad and about that elusive line between sexy and exploitative. (Gabbana responded via e-mail.)


Above: Dolce & Gabbana

Excerpts:

STEFANO GABBANA

NEWSWEEK: Were you surprised at the criticism of your ads in Italy and Spain?
Stefano Gabbana: It was never our purpose to cause any controversy and instigate violence against women. From both human and emotional points of view, we certainly do not want to attack women, a sex for whom we have always declared our love, as the feminine market represents 60 percent of our worldwide sales. We are businessmen and the results that our company achieves demonstrate it.

How did you hope women would respond when they saw the ads?
In Italy, the image first came out Feb. 5, in the most famous and bestselling [Italian] newspaper ... at that time, there was no reaction. The effects did not arrive in Italy until after the poor Spanish reaction [to] the ad. We understand that in Spain there is a truly important social emergency as far as violence against women [is concerned], which is why we did not want to offend anyone, so we immediately withdrew the image from all Spanish press. We want to reaffirm that the image does not represent rape or violence, but if one had to give an interpretation of the picture, it could recall an erotic dream, a sexual game.
Women's groups say the ads promote violence against women. Is that an overreaction?
We respect other people's opinions, but we do not look at it in this way.

Can you talk about how you navigate the border between what's considered sexy and what's considered offensive?
Sexy and offensive are two concepts very far from each other. Sexy can become vulgar according to how the item is worn and interpreted. From our point of view, we like to enhance everything that is beautiful and sexy in a woman; but, never offending, demeaning or being vulgar. We have always been in love with women and our collections are dedicated to their beauty.
Has your agency ever shown you a campaign that you thought went too far?
We do not work with agencies; we personally develop the campaigns' concept with photographers and art directors. From our point of view, we do not feel that we've ever gone too far.

You've been in the business for 20 years and your advertisements have successfully pushed the envelope before. But a number of your campaigns this year have gotten some bad press. Is this the strongest, or most negative reaction you've ever gotten to your ads?
We are sorry that unfortunately other campaigns also weren't understood, but we want to reaffirm that we never had the intention of causing noise or controversy in any way.

One might expect these kinds of images to attract protests in America, which is considered a little more prudish about sex than Europe. Are you surprised at the complaints about the ads in your home country—a place which is not known to be repressed?
As we already said, the reaction blew up in Italy only after it did in Spain. When it came out in February nobody was appalled, the reaction arose after a while, following what had happened in Spain. We are shocked because we do not agree, but we respect other people's opinions and do pay attention to the frustrations the advertising has caused worldwide.

Will you pull the ads from Italian publications?
The image will not be used going forward worldwide. It will come out only in publications that we could not block, because of printing deadlines.

KIM GANDY

NEWSWEEK: Where is the line between an ad that is about a sexy fantasy and something that is offensive?

Kim Gandy: The line there is whether one considers rape to be a sexy fantasy. The Dolce & Gabbana ad was a stylized gang rape.

Were you surprised that the ad caused such a stir in Italy and Spain, but not when it ran in Esquire magazine here in the United States?
It surprises me a little bit because I thought almost anything could be in Italian and French ads to some extent. I guess this goes too far even for a society that has traditionally objectified women. It was interesting to me that the Italian senators who made this objection were both women and men and were from the ruling party and the minority party. It crossed gender and party lines.


Above: NOW's Kim Gandy says that modern girls are'bombarded with the message that women are there for sex and are available for sex at anytime'

Do ads like this successfully sell clothing to women?
I think they were trying to sell clothes to men with this one. The woman was wearing a kind of bathing suit, but presumably the men were wearing Dolce & Gabbana clothes. It was in Esquire [magazine] here in the States and the idea that even a stylized image of rape appeals to a broad readership of men is disturbing. Interestingly, in Italy it ran in some women's magazines, which may have been what generated the response there.

You've got a number of ads on your "Love Your Body" Web site that you've deemed offensive to women. Should they all be removed from circulation?
Some of those ads are just insulting and of course there's a difference between being insulting and portraying women as less than human—as people to be raped or assaulted. The bourbon ad that said "Your bourbon has a great body and fine character. I wish the same could be said for my girlfriend," is more insulting. I think that insulting various groups of people has become a lazy way of getting laughs or attention

Men are insulted a lot in ads too. Fathers and husbands are often portrayed as clueless. If everyone is being insulted can we pick out one ad or another for criticism?
The sexualization of girls is different. It has gotten extreme and that can't be good for our kids or our society. I don't want my two middle school daughters internalizing images which objectify women and I especially don't want their male friends internalizing them. They are bombarded with the message that women are there for sex and are available for sex at anytime. And as strong as parents try to be in educating our own kids and giving them good values, they get bombarded by messages from the outside for more hours per day than their parents have them.

Is advertising more demeaning to women today than it was 10 or 20 years ago?
Advertising is far more demeaning to women today than it was 20 years ago. In the 1970's and 1980's, we had a national project where you could send post cards to companies who used offensive advertising. It said that they were the recipient of a bad ad award. I'm sure if we looked back at some of the ads we were talking about then, they probably wouldn't even register as offensive now.

Dove has recently launched ads with nude older women as part of their "Real Beauty" campaign. Several big cosmetic companies are using older women like Christie Brinkley and Diane Keaton in their ads. Is there also concurrent trend toward ads that promote more realistic images of women?
In some ways yes. Thank goodness for the Dove campaign. Nike did something similar with the ads that show girls running and jumping and being athletic. And maybe cosmetic companies have finally figured out that women over 50 are using these products.

So the kind of nudity Dove is using is OK?
I'm not a great proponent of using naked women to sell products, but it's refreshing for a change at least to see a normal-looking woman who's not emaciated being used to sell products. The whole idea of airbrushing and elongating the necks and legs and enlarging eyes in advertisements is very dangerous. They are creating a standard of beauty that's impossible to reach. Even the models don't attain it. Yet this is what our daughters aspire to and what our sons are expecting. By these standards women and girls are always inadequate and they're always buying the next beauty treatment trying to catch up, trying to be something they can't ever be.
© 2007 Newsweek, Inc.


Double Standard?

Now what amazes me is the double standard here. Take a look at the two following Dolce & Gabbana ads that ran without any controversy. You're gonna tell me these don't imply gang rape as well?




So, what gives? You tell me....

And You Thought a Rabbit's Foot Was Odd...




Who needs a Rabbit's foot when you can have a Golden Lucky Poo?

"For those of you who don't know, the kanji for "lucky" in Japan is very similar to the shortened form of the Japanese word for "poo." Hence the brilliant Japanese played with the pun and the Lucky Golden Poo was um..born. But, contrary to popular belief, golden poo is lucky in more places than just Japan. It is also lucky in Ireland. Extensive research on the internet has shown without a doubt that the famed Pot o' Gold that Leprechauns protect is actually a Chamber Pot o' Gold (i.e. lucky golden leprechaun poo). And don't even get us started on the "Goose Who Laid Golden Eggs" story. Eww.

Anywho, we're now offering Lucky Golden Poos because we know how much everyone can use a little more luck in their lives. We recommend attaching them to your cell phone (as the Japanese do) for only lucky calls. You could attach it to your Wiimote for extra luck in gaming (Wii and Poo, together again!) You could buy the 2-pack and do both! Or you could keep one Lucky Poo for you and give one to a deserving friend. Because nothing says friendship than sharing Poo.

Each Lucky Golden Poo is about .5" in diameter and is covered with a golden metallic substance (except for some of the bottom, where the Poo meets the conveyor belt). "


So, need a little luck?
Buy yourself a Golden Lucky Poo here.

Apple TV is here. What's next? The ichannel?



State of the Art: New York Times
Apple TV Has Landed
By DAVID POGUE
March 22, 2007

In the technology world, conventional wisdom says that we’ll soon be saying R.I.P. for the DVD. Internet downloads are the future, baby. No driving, no postpaid envelopes. Any movie, any TV show, any time.

Only one problem: once you’ve downloaded the shows to your computer, how do you play them on the TV?

Now, there are people — at least 12, for sure — who actually watch movies right on their computers, or who wire their PCs directly to their TV sets.

The rest of us, however, are overwhelmed by cultural inertia. Computers are for work, TVs are for vegging out, and that’s final.

No wonder, then, that when Apple announced Apple TV, a box that can connect computers and TVs without wires, the hype meter redlined with millions of search-engine citations, a run-up in the Apple stock price and drooling analysts.

After many delays, Apple TV finally went on sale yesterday for $300, but there are plenty of companies trying to solve what you might call the “last 50 feet” problem. A couple of prominent examples: In addition to its game-playing features, Microsoft’s Xbox 360 ($400) performs a similar PC-to-TV bridging function; in fact, it even has its own online movie store. Netgear’s week-old EVA8000 ($350) also joins PC and TV, but adds an Internet connection for viewing YouTube videos and listening to Internet radio.

And so Apple TV has landed. How does it stack up?


Above: Apple's TV comes with an ipod-like remote

In looks, it sits at the top of the heap. Apple TV is a gorgeous, one-inch-tall, round-cornered square slab, 7.7 inches on a side. It slips silently and almost invisibly into your entertainment setup. (You can’t say that for the Xbox, which in comparison is huge and too noisy for a bedroom.)

The heartbreaker for millions, however, is that Apple TV requires a widescreen TV — preferably an HDTV. It doesn’t work with the squarish, traditional TVs that many people still have.

Apple defends its audience-limiting decision by saying that the future is HDTV; Apple is just “skating to where the puck is going to be,” as a product manager put it.

Apple TV doesn’t come with any cables. You’re supposed to supply the one your TV requires (HDMI, component video or HDMI-to-DVI adapter). They cost $20 at Apple’s online store.

So what is Apple TV? Basically, it’s an iPod for your TV. That is, it copies the iTunes library (music, podcasts, TV shows, movies) from one Mac or Windows PC on your wired or wireless home network to its 40-gigabyte hard drive and keeps the copy updated.



The drive holds about 50 hours’ worth of video or 9,000 songs; if your iTunes library is bigger than that, you can specify what subset you want copied — only unwatched TV episodes, for example.

At this point, you can play back videos, music and photos even if the original computer is turned off or (if it’s a laptop) carried away. (Photo playback requires iPhoto on the Mac, or Photoshop Album or Photoshop Elements on Windows.)

A tiny white remote control operates Apple TV’s stunning high-definition white-on-black menus, which are enlivened by high-resolution album covers and photos. You can see the effect at apple.com/appletv.

The integration of iPod, iTunes and Apple TV offers frequent payoffs. For example, if you paused your iPod partway through a movie, TV show or song, Apple TV remembers your place when you resume playing it on your TV. Cool.

Although only one computer’s files are actually copied to Apple TV, you can still play back the iTunes libraries of five other computers by streaming — playing them through Apple TV without copying them. Starting playback, rewinding and fast-forwarding isn’t as smooth this way, and photo playback isn’t available. But it’s a handy option when, say, you want to watch a movie on your TV from a visitor’s laptop.

All of this works elegantly and effortlessly. But there are lots of unanswered questions that make onlookers wonder if Apple has bigger plans for the humble Apple TV.

For example, it has an Internet connection and a hard drive; why can’t it record TV shows like a TiVo?

Furthermore, it’s a little weird that menus and photos appear in spectacular high-definition, but not TV shows and movies. All iTunes videos are in standard definition, and don’t look so hot on an HDTV.

And then there’s the mysterious unused U.S.B. port.

Still, if you stay within the Apple ecosystem — use its online store, its jukebox software and so on — you get a seamless, trouble-free experience, with a greater selection of TV shows and movies than you can find from any other online store.

But in Netgear’s opinion, that approach is dictatorial and limiting. Its new EVA8000 box plays back many more video formats, including high-def video; can play the contents of any folders on your Mac or PC, not just what’s in iTunes; offers Internet radio and YouTube videos; and works with any kind of TV. It can even play copy-protected music — remarkably, even songs from the iTunes store (Windows only).


Netgear's TV

Unfortunately, this machine (2 by 17 by 10 inches) is as ugly as Apple’s is pretty. Its menus look as if they were typed in 12-point Helvetica. The software is geeky and unpolished; for example, during the setup process, it says “Failed to detect network” if no Ethernet cable is plugged in, rather than automatically looking for a wireless network.

The Netgear model is also filled with Version 1.0 bugs, including overprinted, blotchy menu screens and incompatibility with Windows Vista. Netgear promises to fix the glitches, but concedes that it timed the EVA8000’s release to ride the wave of Apple TV hype.

The two-year-old Xbox 360 is far more polished. Like Apple TV, it can either stream photos, music and videos (Windows PCs or, with a $20 shareware program, even Macs) or play them off its hard drive.


Above: Microsoft's Xbox


What’s different, though, is that you can’t copy files to this hard drive over the network; you can download shows and movies only straight to the Xbox from Microsoft’s own fledgling online store. You can buy TV shows for $2 each ($3 in high definition), or rent movies for $4 ($6 for high def). Microsoft movies self-destruct 24 hours after you start watching them. (Apple movies cost full DVD price, but at least you can keep them forever.)

Note, too, that the Xbox’s primary mission — playing games — doesn’t always suit music and movie playback. It can’t get onto a wireless network without an add-on transmitter ($100 — yikes). You can’t control the speed of a slide show or fast-forward through a song.

And in general, the included game controller makes a lousy remote control. There are no dedicated buttons for controlling playback; instead, you have to walk through the buttons on an on-screen control bar to reach, say, the pause function.

And alas, these products can require a journey through the hell of home networking. The Xbox couldn’t get online at first, thanks to an “MTU failure.” A Microsoft techie in India named “Mike” claimed that my cable-modem company would have to make a change in my service. (He was wrong; a router setting had to be changed instead.)

When the Netgear EVA8000 couldn’t get on the network, I waited 30 minutes to speak to a technician, who announced that I’d shortly get a call back from a senior tech. Five days later, I’m still waiting. (The solution was to uninstall — not just turn off — Microsoft’s OneCare security suite.)

In the end, these early attempts to bridge the gulf between computer and TV perfectly reinforce the conventional wisdom about Apple: Apple TV offers a gracious, delightful experience — but requires fidelity to Apple’s walled garden.

Its rivals, meanwhile, offer many more features, but they’re piled into bulkier boxes with much less concern for refinement, logic or simplicity.

Put another way, these machines aren’t direct competitors at all; they’re aimed at different kinds of people. Microsoft’s young male gamers probably couldn’t care less that they can’t change the slide-show speed, and Netgear’s box “is for people who are more experienced,” according to a representative. “This is not for the random person.”

Apple, on the other hand, is going for everybody else, random people included (at least those with HDTV sets). And that, perhaps, is Apple TV’s real significance. To paraphrase the old Macintosh advertisement, it’s a computer-to-TV bridge for the rest of us.

Desktopography's Nature Desktop Exhibition



Desktopography has posted their third annual natural wallpaper exibition. This 2007 collection of 40 beautifully designed nature-themed desktop wallpapers by selected designers are all available as free downloads for your Mac or PC in the appropriate resolutions.

Desktopography has been doing this since 2005 and the selections continue to grow. The 2005 and 2006 selections are also still available for download. They are a non-profit, fun project site to share with friends and family.

Here are a few examples of their lovely new desktop wallpapers:







So? what are you waiting for, go get 'em! Right here.

Please donate

C'mon people, it's only a dollar.