Showing posts with label tables. Show all posts
Showing posts with label tables. Show all posts

Good Vibrations and F* The Classics! Distorted Furniture by Studio Laviani.

There's been a lot of press about the forthcoming Good Vibrations furniture designs from Ferruccio Laviani for Italian furniture company Fratelli Boffi's F* The Classics! Collection. The new pieces previewed at Salon del Mobile this past April and has had the design world buzzing since.

The New York Times interviewed him about the forthcoming pieces and computer renderings are making the rounds on the internet. Referred to as "Glitch" furniture by i09, HuffPo and Buzzfeed, the pieces look distorted (as if an old VHS tape were paused), but are actually carved into the wood with computer-controlled milling technology.

The following two images are computer generated renderings of pieces from the collection:

And one of the actual produced pieces from the collection:

The pieces remind me of an earlier piece he created for Emmemobili called Evolution in which the ornate chest (below) seems to morph into a pixelated credenza:

As I mentioned earlier, Good Vibrations is part of an earlier collection designed for Fratelli Boffi by Laviani with the name F* The Classics! The collection combines the look of antique furniture with modern elements. Classic and ornate forms with Italian and Asian flavor becomes deformed or distorted with with modern geometric shapes and accents of color.

Below are several pieces Laviani has designed for F* The Classics!

The designer, Ferruccio Laviani:

I look forward to seeing more pieces of the Good Vibrations furniture and will share them with you once they are available.

Studio Laviani
Fratelli Boffi

Another artist who has toyed with computer distortions of furniture is Sebastian Brajkovic:

Check out his Lathe collection here

The Booken Is A Table, A Shelf and a Library In One.

At this year's IMM Cologne, Italian furniture design company Lema collaborated with Raw Edges designers Yael Mer and Shay Alkalay who founded their studio in 2007 with the aim of creating soulful and yet, ironic, objects (such as this unusual commissioned piece, to create a unique piece.

Lema, who has long created shelving systems and bookcases for the home has been closely following the evolution of market and consumer needs, especially given the evolution of the library in a modern world that is increasingly oriented towards paperbacks and e-books. Yael and Shay have worked on the concept of the book as an object and as material, which transforms its function and reinvents itself. From these two companies comes a new collaborative effort: The Booken, which is simultaneously a table, shelf and library.

"We were inspired by the fact that people do not re-read the novels that are so often on the shelves," says Raw Edges. "Most books are usually read once and not re-read, and then we thought, why not use the volumes as if they have a plan? Of course you can always remove the book and read it, but at the same time the books take on a new role. "

And that is why the designers chose the name Booken. In English, the suffix 'en' applies in furnishing the material names to identify those with which objects are made. Following this concept, the book becomes the constituent material.

The essence of Booken is captured in two parallel tracks supported by legs on which rest several wooden slats that echo the classic form of the bookmark. The books are literally "hanging" transforming the library from a vertical element to a horizontal element.

"For us it was definitely a challenge from the conceptual point of view," says Angelo Meroni, chairman of Lema. "But at the same time a fun and cool project that brings us closer to a different audience giving us, after collaborating with young designers like Nendo and Giopato & Coombes, a way to look at the future of design and creativity in the field of furniture."

Raw Edges Design Studio

source: Archiportale

A Look At The Pitt Pollaro Collection. Contemporary Furniture Designed by Brad Pitt, Built by Frank Pollaro.

Given his passion for architecture and design, it was only a matter of time before actor/hunk/celebhubby and family man Brad Pitt began a product line of his own. Introducing Pitt Pollaro: a collection of hand crafted pieces designed by Brad Pitt and built by Frank Pollaro. The Pitt-Pollaro collection made its world premiere in November 2012 in New York City, after four years in development. Featured in Architectural Digest, news of the upcoming collection spread like wildfire.

above: Frank Pollaro and Brad Pitt of Pitt-Pollaro

Below are the current pieces in the collection. They will be adding new pieces as they become available on their website as well as at private exhibitions.

Each Pitt-Pollaro piece of furniture is made in limited edition and is signed and numbered. The piece bears the mark of the makers and their signatures, along with the edition number guaranteeing that the piece is original. The mark may be branded into the wood, stamped into the metal, or fixed as a bronze plate.

Every piece is accompanied by a Certificate of Authenticity which outlines all details associated with the piece including year of original design, year of creation, materials, and edition number. In some cases the editions may be limited to a specific set of materials and colors. Some pieces are unique because of the rarity of the materials.

From their website:
"In 2008, Brad Pitt commissioned a custom desk from Pollaro Custom Furniture. Frank Pollaro personally delivered the desk to Brad’s chateau in the south of France. During the installation, Brad and Frank found that they had a common passion for furniture and fine details. They discussed design history and their appreciation of materials, old and new. Most importantly, they shared a commitment to perfection.

During their discussion, Frank noticed a design sketch book on a nearby table. Intrigued by the hundreds of sketches that Brad had created over a ten-year period, Frank encouraged Brad to allow Pollaro to transform his drawings into three-dimensions. Brad enthusiastically agreed to move forward. In reviewing the sketches, they selected what would become the initial pieces of the Pitt-Pollaro collection. In Pollaro’s design department, the furniture was engineered, and the sketches were translated into shop drawings and photorealistic renderings. Brad visited Pollaro’s shop frequently to review the design engineering process, make revisions, and select materials from Pollaro’s museum of rare materials.

Over a four-year development period, driven by their common vision of unequalled quality, Brad and Frank created the Pitt-Pollaro collection. Designed by Pitt, built by Pollaro. They dedicated hundreds of hours to meetings where Brad’s vision of design was balanced with Pollaro’s legendary craftsmanship. Prototypes were created, revised and recreated until Brad was satisfied with every detail of the design, and Pollaro was confident of the comfort and integrity of each piece.

Every piece in the Pitt-Pollaro collection is hand crafted. All are limited editions and are numbered and signed by both Pitt & Pollaro. Since all of these pieces are custom made, the client may have input as to the materials and finishes that fit their decorative taste and complement the remaining furniture in the room. As you peruse these 21st Century designs, notice the fluid lines, pleasing proportions, and unequalled material selection."

Pitt Pollaro

The FACETURE Machine and the Unusual Molded Vases, Lamps and End Tables by Phil Cuttence.

The FACETURE series by Phil Cuttance consists of handmade faceted vessels, lightshades and an end table. Each object is produced individually by casting a water-based resin into a simple handmade mould. The mould is then manually manipulated to create the each object's form before each casting, making every piece utterly unique.

The FACETURE machine, 2012.

The FACETURE machine's construction is simple and purposeful, screwed together to allow it to be flat-packed for shipping. Wheels make the machine portable within a working space.

The shelving beneath provides storage for freshly cast pieces, and room for the casting stool to be stored.

The ‘hopper’ holding the powder is made simply from polypropylene sheet, in the same way as the moulds.

The casting jig at the back of the machine is simple and allows the artist to peer into the mould and control the flow of the fast setting resin. This means it is being cast evenly and economically, leaving a thin yet strong wall thickness. It can be attached at two different widths to accommodate different sized moulds, such as vases or a table.

The FACETURE project was created with the support of Creative New Zealand.

FACETURE lightshades, 2012

Each lightshade is handmade, unique, and numbered on the top. They measure approximately 32cm deep x 19cm diameter and are available in blue, charcoal, pink, yellow. Custom colours are also available.

Faceture light shades must be used with a CFL/ECO bulb with a maximum wattage of 25W. (A 25W CFL bulb emits the equivalent light to a 100W incandescent bulb.) To protect your shade do not exceed this.

FACETURE vases, 2012

Each vase is handmade, unique, available in two sizes and numbered on the base.

Available in two sizes; tall - 46 x 12 cm approx. and small - 35 x 8 cm approx
Standard colours - Charcoal, blue, yellow, pink, white. Custom colours available.

FACETURE side tables, 2012

Each table is handmade, unique, and numbered on the base.

above left is the mould in which the table on the above right was cast

The tables measure approximately 56cm tall x 28cm diameter and are available in blue, charcoal, pink, yellow as per vases and light shades. Custom colours are also available.

images by Petr Krejci and Phil Cuttance

FACETURE 'wide' vase for MINT shop, 2012, on sale now at MINT

The 'wide' faceture vase, shown above, is exclusively available through the MINT store in London and retails for £375.

email for pricing and to order.
Click here for a list of stockists

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