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Showing posts with label computer generated furniture. Show all posts
Showing posts with label computer generated furniture. Show all posts

Good Vibrations and F* The Classics! Distorted Furniture by Studio Laviani.




There's been a lot of press about the forthcoming Good Vibrations furniture designs from Ferruccio Laviani for Italian furniture company Fratelli Boffi's F* The Classics! Collection. The new pieces previewed at Salon del Mobile this past April and has had the design world buzzing since.



The New York Times interviewed him about the forthcoming pieces and computer renderings are making the rounds on the internet. Referred to as "Glitch" furniture by i09, HuffPo and Buzzfeed, the pieces look distorted (as if an old VHS tape were paused), but are actually carved into the wood with computer-controlled milling technology.

The following two images are computer generated renderings of pieces from the collection:



And one of the actual produced pieces from the collection:



The pieces remind me of an earlier piece he created for Emmemobili called Evolution in which the ornate chest (below) seems to morph into a pixelated credenza:





As I mentioned earlier, Good Vibrations is part of an earlier collection designed for Fratelli Boffi by Laviani with the name F* The Classics! The collection combines the look of antique furniture with modern elements. Classic and ornate forms with Italian and Asian flavor becomes deformed or distorted with with modern geometric shapes and accents of color.

Below are several pieces Laviani has designed for F* The Classics!











The designer, Ferruccio Laviani:


I look forward to seeing more pieces of the Good Vibrations furniture and will share them with you once they are available.

Studio Laviani
Fratelli Boffi

Another artist who has toyed with computer distortions of furniture is Sebastian Brajkovic:

Check out his Lathe collection here

The Making Of A Computer Generated Evil Octopus In A Cage.





CGI Artist Rafael Vallaperde had an urge to create an octopus in a cage, so he did just that. Only this time we get to see all the work that goes into making such a computer generated image.




For those who have no idea on how it's done and/or for those who know and would like to see how he works, he put together this time lapse video of the creation of his beautiful evil octopus.



The track accompanying the video is Complication with Optimistic Outcome by Trent Reznor & Atticus Ross from the Social Network movie soundtrack.

The final artwork:


Rafael Vallaperde

From Virtual 3D To Reality: Peter Donders New Aluminum Morphs Chair, The Shelly.





Belgium-based designer Peter Donders, who specializes in 3D Design, Modelling, Prototyping, Manufacturing & Visualisation, Furniture Design & Development has just released his newest chair in his Morphs collection. Using various software programs Peter designs his pieces on the computer in 3D and then fabricates them for the real world.


above: designer Peter Donders atop his carbon fiber stone, another piece in his Morphs collection

Shelly, is a beautiful single chair cast from one entire piece of aluminum and has an elegant fluidity with an interplay of organic curves that makes it stand out from other functional chairs.





Aluminium chair, cast in 1 piece in a 3D printed sand mould.

The chair consists of only 1 single surface (shell) with a minimum thickness of 8mm.

Weight +/- 12 kg

Dimensions:
H : 962 mm
W: 579mm
D: 667mm
Price on demand.
If you are interested in purchasing the Shelly, contact him here.

Peter Donders
Opitterkiezel 206
B-3960 Opitter Bree
Belgium
Tel/Fax : 0032 (0)89 864 888
Mobile : 0032 (0) 496 25 67 93

When Computers And Classics Collide: Sebastian Brajkovic's Lathe Furniture




SEBASTIAN BRAJKOVIC

Last Spring, Carpenters Workshop Gallery had a showing of Sebastian Brajkovic's collection of work, entitled Lathe. The exhibit consisted of a series of several chairs and one aluminum table, all of which combine classic furniture design with computer inspired 'stretching' to create a modern interpretation of antique style furniture.

The work is so innovative and unusual that one of the pieces from the exhibition, Lathe VIII, has even been entered into the prestigious permanent collection of the Victoria and Albert Museum.

"They are called Lathe because of the apparent rotating effect of the design. In fact the word Lathe comes from the Latin word used to convey the idea of milk being stirred. My very first thought with making this design was actually a practical one. I wanted to create more space on a singular chair by “extruding” the seat’s surface area." says Sebastian.



The artist continues "This extruding idea came from a Photoshop function where you can pick a row of pixels and extend them as long as you want. This modern computer method aided me to devise new ways of sketching as a contradictory partner in my design process. In this paradoxical sense, using antique forms was the next logical step."



His artistic process starts by deconstructing historical pieces of furniture, in particular seventeenth-century chairs, then through a combination of wood carving, bronze casting and hand embroidering, he reconstructs an entirely new vision, as you can see from the pieces below.

Lathe I:



Above: Lathe I, 2008
H 85 L 114 W 114 cm
Bronze, embroidered upholstery
Edition of 8


Lathe II:



Above: Lathe II, 2008
H 100 L 102 W 62 cm
Bronze, embroidered upholstery
Edition of 8

Lathe III:


Above: Lathe III, 2006
H 94 L 74 W 67 cm
Bronze, hand embroidered
Edition of 8

Usually the materials or forms I use are from products that already proved themselves as worthy. Like the lathe chair series for instance, the forms are used from old chairs, these old chairs lay easy on the eye because they are recognizable, in a way they are accepted. If I want to explain a chair that looks like its moving, it will explain itself better when you recognize the old and familiar chair in it.
---- Sebastian Brajkovic


Lathe V (in various color versions):









Above: Lathe V, 2007
H 94 L 94 W 54 cm
Bronze, hand embroidered
Edition 8

Lathe VIII (shown below) adopts the idea of the traditional love seat, which is created by connecting two baroque-style chairs by an extruded backrest. The elaborate embroidery on the upholstery of the backrest is a significant element of this work. The regular overlapping of the outline across the entire width of the backrest creates the impression of movement which is reminiscent of super slow-motion shots á la Matrix. Brajkovic accordingly seems to integrate the moment of morphing, the element of time as a fourth dimension, into the object.






Above: Lathe VIII, 2008
H 105 L 140 W 85 cm
Bronze with nitric-acid burned patina and needle stitched embroidered fabric
Edition of 8

Made of aluminium, the Lathe Table is quite literally created by being turned on a real lathe. In this incarnation however, the chisel carves aluminum directly instead of the traditional wood. The evocative sense of movement is conveyed in the spinning lines of the quasi vortex, offering the past impression of a moment of great movement and now stillness. Inspired originally by a child’s spinning top, whizzing around at high speed, it has the same illusion that once at its optimal speed it is no longer moving but standing up straight. The highly polished surface is a product of the lathe turning technique which polishes as it carves the metal. He explains that whereas the Lathe Chairs are more like painting, in that modifications can be made during the production process, the Lathe Table is a one step process which is an honest and direct application of the Lathe concept.

The Lathe Table:





Above: Lathe Table, 2008
H 30 L 119 W 119 cm
lathe turned aluminium
Edition of 8

About the designer:
Sebastian Brajkovic was born 18th September 1975 in Amsterdam from a Dutch-Indonesian mother and a Croatian-Italian father.

After completing a course in cabinetmaking at school he applied for both the Rietveldt and Designacademy being torn between an art and design education. He chose the Designacademy with a view to make art that wanted to be design or visa versa. He studied under Gijs Bakker, Hella Jongerius and Jurgen Bey. He continues his studies in philosophy at the University of Utrecht. He carried out an invaluable internship at Jurgen Bey's studio. In June 2006 Brajkovic graduated with the "Lathe Chairs" and "Home Grown" projects.

The above pieces, if not yet sold, are available for purchase from:
The Carpenters Workshop Gallery,
3 albemerale street, london w1s 4he

special thanks to Spazio Rossana Orlandi and Dezeen for some additional images.

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