Commissioned by Prada for their Autumn/Winter ’13 collection, Los Angeles-based writer, director & photographer Luke Gilford collaborated with Document Journal, actress Jane Fonda, and Jake Shears, formerly of Scissor Sisters, to create an chilling space-age short film, entitled The Future of Flesh.
The blog, One small seed writes "With Jake Shears’ eerie music score creating an almost sci-fi horror atmosphere, Gilford – in only just over a minute – manages to indulge us in a discourse of age, mimicry, the future and and high fashion. Faces elongated and latex as skin, the models are far from stereotypical in their aesthetic, perhaps serving as a metaphor for Prada’s new collection: typically that there is nothing mediocre or ordinary when it comes to Prada. The director also opens up the discussion of the industry moving past traditional standards of beauty, allowing room for new intellectual thought processes and denying the age-old idea of fashion being equivalent to mindlessness."
The New York Times Magazine reports that 'The eerie, evocative video features an original score by Jake Shears of Scissor Sisters and is narrated by Jane Fonda — not coincidentally, another complicated feminist icon. While the clip is not the usual terrain for Fonda, she was easily convinced to lend her voice.'
above: Jane Fonda at LACMA, 2012 (image courtesy of zimbio)
“When Jake asked me to collaborate on the video I thought, For Jake, anything. He’s so out-of-this-world creative and cutting-edge, I knew it would be exciting. I was right,” she said, describing the project as “just wild and unique and Pedro Almodovarish.”
Director: Luke Gilford
Score: Jake Shears
Voice: Jane Fonda
Cast: Rosalie Gilford, Rya Kleinpeter, Peggy Noland, Renata Raksha
Jewelry: Lynn Ban
sources: One small seed, Luke Gilford, Document Journal and the New York Times' T Magazine
above: A permanent art installation, PRADA MARFA, is under fire by the Texas Department of Transportation who has officially classified the structure as an illegal outdoor advertisement. (photo by Casey McCallister)
What Is Prada Marfa?
Prada Marfa is a site-specific, permanent land art project by artists Elmgreen & Dragset constructed in 2005. Modeled after a Prada boutique, the inaccessible interior of the structure includes luxury goods from Prada’s fall collection from that year. The door does not open, ensuring that the sculpture will never function as a place of commerce. Art Production Fund and Ballroom Marfa co-produced the project.
Prada Marfa is a favorite subject of photographers, both professional and amateur. I found some fabulous images and have featured them throughout this post.
above photo by Roderick Peterson
Artists Michael Elmgreen and Ingar Dragset:
"Prada Marfa is an artwork initiated by ourselves and realized in a collaboration with the not-for-profit cultural organizations Art Production Fund and Ballroom Marfa in 2005. It was not a work commissioned by the fashion brand Prada nor had the fashion brand any involvement in the creation of this work. They kindly gave us the permission to use their logo after we asked them, due to the founder Muccia Prada’s personal interest in contemporary art, and she donated shoes and bags, which have never been renewed but stay the same – as a historic display – inside the sculpture. The right definition of advertisement must be based on criteria more accurate than just including any sign which contains a logo. It is advertisement only when a company either commissions someone to make such a sign, pays for its execution or makes a sign themselves in order to promote the company’s products. And this is not the case here since Prada Marfa never had any commercial link to the fashion brand Prada, unlike the Playboy bunny which went up this summer initiated by Playboy itself.
above photo by Rice Jackson
Prada Marfa is firmly positioned within a contemporary understanding of site specific art, but also draws strongly on pop art and land art – two art forms which were conceived and thrived especially in the USA from the 1960s and onwards. Many artists, from Andy Warhol with his famous Campbell soup cans to Andreas Gursky with his grand photographic documentation of retail spaces have appropriated and dealt with the visual language of commercial brands. In an increasingly commercialized world, we see the independent artistic treatment of all visual signs and signifiers as crucial to a better and wider understanding of our day- to-day surroundings, including the influence of corporations.
It comes as a big surprise for us that the Texas Department of Transportation now after eight years may declare this well-known artwork to be illegal and we think it would be a shame for the local community if it disappeared after being there for so long since the work clearly is one of the strong points for the cultural tourism, which is such an important financial factor in this region. However, we are very happy to experience the fantastic support from both art professionals internationally, locals and others, who have even created a Facebook page named “Save Prada Marfa” that after just a short while has received almost 4000 likes and daily receives plenty of new posts, stories and images from people who once visited this site."
above: two photos by Gray Malin from his series of Prada Marfa, prints available here
Yvonne Force Villareal & Doreen Remen, Co-founders, Art Production Fund:
"Within our 13 years of producing and presenting important public art, few works have been as eagerly embraced than Prada Marfa by Elmgreen & Dragset. With full integrity, the artists refused for us to ask any corporation, especially Prada, for monetary donations to support the making of this project. It took us over a year of intense fundraising from local and international private patrons to realize this authentic and pure permanent artwork. The family of the late Walter Alton “Slim” Brown, even generously contributed to the project by lending their land. Great public art empowers people and gives them alternate ways to understand the times that we live in; Prada Marfa is a civic gift that has become one of the great worldwide pop icons."
above photo by Lizette Kabré
Fairfax Dorn, Co-founder and Executive Director, Ballroom Marfa:
"Prada Marfa is a living sculpture, an installation that has taken on a life of its own. In the eight years since its creation, Elmgreen & Dragset’s work has become part of the cultural and physical landscape of Far West Texas. At the same time it has entered into international art history discourse. It’s part of what people think of when they think of Marfa, either as art lovers on a pilgrimage, or as surprised passersby.
above photo by James Evans, Prada Marfa, 2005, Digital photograph, 40 x 50 inches (unframed), Limited edition of 25, available for purchase here
It’s also a non-profit project — supported entirely by funds from foundations and individuals — and the antithesis of commercialism. Prada Marfa is an embodiment of the Ballroom Marfa mission to combine innovation and accessibility without compromising on either front. We are encouraging engagement with art. Prada Marfa has been a precursor to other public art projects in Marfa, from temporary installations to our current work creating a community gathering place and performance venue with the Drive-In."
above photo by Cody Austin (courtesy of Facebook)
Where is Prada Marfa?
Despite its name, the sculpture is not located in Marfa, but 37 miles northwest on highway 90 in Jeff Davis county, just outside of the town of Valentine, TX.
above: Desolation from Will Sones (courtesy of Facebook)
Who are Elmgreen & Dragset?
Working together since 1995 and drawing from disciplines as varied as institutional critique, social politics, performance and architecture, Michael Elmgreen and Ingar Dragset’s interdisciplinary practice reconfigures the familiar with characteristic wit and subversive humor. The static, staged environments they have presented across the world question our expectations by enacting paradoxical, seemingly misplaced scenarios that challenge our habitual notions, often to surprising or shocking effect. As a result, throughout their collaborative artistic partnership, Elmgreen & Dragset, from Denmark and Norway respectively, have redefined the way in which art is presented and experienced.
above photo by Noel Kerns, 2008
Michael Elmgreen (born 1961 in Copenhagen, Denmark) and Ingar Dragset (born 1969 in Trondheim, Norway), based in Berlin and London, have worked together as an artist duo since 1995. They have held numerous solo exhibitions in art institutions worldwide, including the Museum Boijmans van Beuningen in Rotterdam (2011), ZKM Museum of Modern Art in Karlsruhe (2010), MUSAC in Léon (2009), The Power Plant in Toronto (2006), Serpentine Gallery (2006) and Tate Modern (2004) in London, and Kunsthalle Zürich (2001). Their work has been included in the Liverpool (2012), Singapore (2011), Moscow (2011, 2007), Gwangju (2002), São Paulo (2002), Istanbul (2001), and Berlin (1998) biennials, and in 2009 they received a special mention for their exhibition The Collectors in the Nordic and Danish Pavilions at the 53rd Venice Biennale. Amongst their most well known works are Prada Marfa (2005) – a full scale replica of a Prada boutique in the middle of the Texan desert, and Short Cut (2003) – a car and a caravan breaking through the ground which was first shown in Milan and now resides in the collection of the Museum of Contemporary Art, Chicago. Recent projects include the permanent public sculpture Han in Elsinore, Denmark (2012) and the theatrical play Happy Days in the Art World, which debuted at the Performa 11 biennial in New York (2011) and was subsequently performed at the Bergen International Festival and the Royal Danish Theatre in Copenhagen (both 2012). Their winning Fourth Plinth Commission Powerless Structures, Fig. 10” – depicting a child astride his rocking horse – is on view until August 2014 in Trafalgar Square, London. Currently Elmgreen & Dragset are the curators of A Space Called Public / Hoffentlich Öffentlich, an extensive public art program taking place in Munich through September 2013. Their solo exhibition Tomorrow, a major site-specific installation in the former textile galleries of the Victoria & Albert Museum in London, will open in October 2013. Upcoming solo exhibitions by Elmgreen & Dragset will take place at the Astrup Fearnley Museet, Oslo (March 2014), PLATEAU, Seoul (summer 2014), and Statens Museum for Kunst, Copenhagen (autumn 2014).
Elmstreen & Dragset
Who are Ballroom Marfa and Art Production Fund?
Art Production Fund (APF) is a 501(c)3 non-profit organization dedicated to commissioning and producing ambitious public art projects, reaching new audiences and expanding awareness through contemporary art. It aims to provide artists with the necessary production assistance for complex, difficult-to-realize projects, often of a multidisciplinary nature. It was founded by Yvonne Force Villareal and Doreen Remen in 2000. Recent notable APF projects include Yvette Mattern’s Global Rainbow in response to Hurricane Sandy, NYC (2012); Yoko Ono’s Imagine Peace in Times Square, NYC (2012); and Josephine Meckseper’s Manhattan Oil Project, NYC (2012).
Founded in 2003 by Virginia Lebermann and Fairfax Dorn, Ballroom Marfa is a 501(c)3 non-profit cultural arts organization in Far West Texas. Ballroom Marfa’s mission is to serve international, national, regional, and local arts communities and support the work of both emerging and recognized artists working in all media. Ballroom Marfa has worked with over 200 artists, produced 28 internationally-recognized exhibitions and hosted over 100 music concerts.
above: Shoe (detail), Prada Marfa, 2005. Photo by James Evans.
Prada Marfa is a marquee undertaking for both organizations, as it represents their shared interest in supporting projects outside of traditional gallery or museum environments.
Who is Boyd Elder?
above: Boyd Elder surveying the property. Photo by Lizette Kabré.
Boyd Elder is the photogenic caretaker and site representative of Prada Marfa, making appearances to individual travelers as well as a national audience in 60 Minutes’ profile of the sculpture. He is a lifelong resident of Valentine and a Big Bend legend, his name coming up alongside Mick Jagger, The Eagles and Joni Mitchell. He has his own line of Southwestern-themed leather gear, and makes paintings on horse and cattle skulls.
above image ©2011 Barry B Doyle
Is Prada Marfa a store?
No. There is no public access to the interior of the structure, and nothing is for sale.
As Michael Elmgreen said in a recent interview with Texas Monthly, “[Prada Marfa] was meant as a critique of the luxury goods industry, to put a shop in the middle of the desert.”
Anyone is welcome to take a picture, and it seems like almost everyone does — from Beyoncé to the scores of amateur photographers you’ll find using the #PradaMarfa hashtag. Snapshots are free, unless you would like to collect the limited edition print from photographer James Evans, currently available from Ballroom Marfa.
Is Prada Marfa an advertisement for Prada?
No. It is a non-profit public art project that was conceived of by Elmgreen & Dragset, who declined any monetary support from Prada or any other corporation.
As an art lover, Miuccia Prada, founder of the museum spaces of Fondazione Prada, did give the artists the right to use the Prada logo, even though she knew it was intended as subversive of commodification and the very brand itself.
“There’s a difference between being commissioned by a company to do something for them and using their logo, and using their logo on your own,” Elmgreen told Texas Monthly.
Is the Texas Department of Transportation (TxDOT) trying to remove Prada Marfa?
We don’t know. As of now we have yet to receive any communication from TxDOT about Prada Marfa.
What does this have to do with Playboy Marfa?
Ballroom Marfa and Art Production Fund are not involved with Playboy Marfa, an installation outside of Marfa, Texas by the artist Richard Phillips (shown above). Playboy Marfa was commissioned by Landis Smithers and Neville Wakefield, Playboy’s Creative Director of Special Projects. Wakefield also curated Autobody, an unrelated exhibition at Ballroom Marfa in 2012.
Following much controversy and a complaint by Lineaus Hooper Lorette, a local accountant and artist, TxDOT “ordered the property owner to remove this sign because the owner does not have a Texas License for Outdoor Advertising and a specific permit application for the sign was not submitted.”
After further discussion with Plaboy’s legal team, Veronica Beyer, TxDOT Director of Media Relations, told the Big Bend Sentinel in August that “the order of removal issued to the landowner has been rescinded, and TxDOT is having discussions with Playboy Enterprises to find a solution to this issue.”
No doubt the deeper critical ramifications of this question are being pondered by art historians, enthusiasts and MFA thesis writers at this very moment, as well as by Playboy counsel Dick DeGuerin. Dick’s a good friend of Ballroom, but is not officially involved with Prada Marfa.
Art Production Fund
Elmstreem & Dragset
Gray Malin's prints of Prada Marfa
Save Prada Marfa on Facebook
To promote Prada's latest fragrance, Candy de L'Eau, Directors Wes Andersen and Roman Coppola have created a real tale told in three online episodes starring Léa Seydoux.
Artists, Fashion Designers and Jewelers Create Custom Dolls For Charity: Frimousses Designers for Darfur.
For the tenth year, UNICEF France's Frimousses Creators bring together the greatest designers, artists and jewelers who put their talent toward helping UNICEF and children worldwide by creating one of a kind dolls that are auctioned with the proceeds going toward vaccinating children in Darfur.
Branded content continues to permeate the web, especially in the case of fashion. The latest from luxury brand PRADA enlisted director Roman Polanski to write and direct a film for them that debuted at Cannes.
A Therapy stars Ben Kingsley as a therapist to patient Helena Bonham Carter. Both clad in Prada, with a few subtle and not so subtle product shots (like the stills I grabbed of the shoes and coat shown below), we see that Kingsley is obsessively drawn to his patient's purple Prada coat, culminating in the conclusion that "Prada Suits Everyone."
Hesitant at first, Polanski was given creative freedom and reunited his favorite group of actors, screenwriters, D.P and editors to produce the three and a half minute film shown below.
PRADA presents A Therapy by Roman Polanski.
"A game, a thought, that through friendship and mutual respect has come true. When I was asked to shoot a short movie for Prada, I did not think that I could really be myself, but the reality is that in the total freedom I was given, I had the opportunity to reunite my favorite group of people on set and just have fun.Images from behind the scenes at the shoot:
The chance to dwell on what the fashion world represents nowadays, and the fact that it is accompanied by so many stereotypes is fascinating and at the same time a bit upsetting, but you definitely can not ignore it.
It's very refreshing to know there are still places open to irony and wit, and for sure, Prada is one of them" --Roman Polanski
Starring Helena Bonham Carter, Ben Kingsley
Screenplay: Roman Polanski and Ronald Hardwood
Music: Alexandre Desplat
Production Designer: Dean Tavoularis
Director of Photography: Eduardo Serra
Editor: Hervé de Luze
Executive Producer: Max Brun
Produced by HI! Production and R.P. Productions
Graphic designer Vahram Muratyan, best known for his Paris Versus New York series of posters and book has collaborated with uber luxe fashion brand Prada for Parallel Universes 2012, a series of animated gifs.
Prada describes the project as follows:
The creative path imagined by graphic designer and artist Vahram Muratyan, is a virtual road/paved/with Prada 2012 spring/summer men's and women's accessories, which highlights through rapid and intuitive movements two parallel universes that meet under the auspices of Prada style.PRADA PARALLEL UNIVERSES spring / summer 2012.
Prada Parallel Universes is an exercise that grows out of the drive to experiment with, and to match, new communications media and Prada’s semiotics; to be consistent with the present without nostalgia.
This dreamlike yet virtual story was entrusted to the Armenian born illustrator Vahram Muratyan. Through his adopted city of Paris, Vahram recently came into the limelight for his newly published book Paris vs New York, a work of art which compares the two great cities with graphic signs exploring their different similarities.
The same intellectual path is followed by Prada in its spring/summer collections dedicated to accessories.
PRADA PATENT LEATHER SANDALS:
PRADA DIXIE SUNGLASSES:
PRADA SAFFIANO BICOLOR BAG / PRADA ROCKET SHOES
PRADA SPAZZOLATO+BIKE SHOES / PRADA ROCKET SHOES / PRADA SAFFIANO BICOLOR BAG:
PRADA TEDDY SUNGLASSES:
PRADA ROCKET SHOES:
PRADA SAFFIANO BICOLOR BAG:
PRADA DIXIE SUNGLASSES / PRADA PYRAMIDE BAG:
Illustrator and Graphic Designer Vahram Muratyan: