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Showing posts with label art installations. Show all posts
Showing posts with label art installations. Show all posts

Amazing Photographic Art Installation For The NYC Ballet & How It Was Done.




French artist JR was recently invited by the New York City Ballet to create a large-scale art installation, in collaboration with the dancers of the Company, for their 2014 Art Series.





The artist, who is known for exhibiting his works outside of museums and catching the attention of the public by freely placing his art on buildings and walls all over the world, has created an homage to the human form and dance within the hallways and floors of Lincoln Center for the New York City Ballet's Second Art Series.



above: the artist in the center of his floor installation

The installation includes numerous pieces, all created from JR's photographs of the NYC Ballet Company dancers clad in white. Large images are placed on the windows facing the exterior and can be found in various places in the interior. JR then created ink transfers on wood of some of his photographs and placed these throughout the halls of the venue. The piece de resistance is the floor, covered with a giant tromp l'oeil collage of the dancers against and interacting with white paper, creating a three-dimensional illusion with which he intends people to interact.

JR's photographs for the installation:







The ink wood transfers made from his photos:







The photographic floor installation:





Interacting with the installation:






A poster with an photo of the installation is being used to advertise the NYCB Art Series throughout New York:


Installing the art piece:




Many of the above images of the creation of this extraordinary installation are from JR's own instagram feed.

NYCB Art Series Presents: JR


His work will be on view at three special New York City Ballet Art Series performances on January 23rd, February 7th and February 13th, where all tickets are priced at $29, and all audience members will receive a limited edition commemorative piece.

Performances will go on sale to the public on January 6th.

About The NYCB Art Series:
NYCB Art Series commissions contemporary artists to create original works of art inspired by our unique energy, spectacular dancers, and one-of-a-kind repertory of ballets. New York City Ballet has worked with leading and emerging artists throughout the Company’s history — luminaries like Andy Warhol, Keith Haring, and Julian Schnabel. We are proud to continue this tradition through annual collaborations with some of the most compelling new artists on the scene today.

About the artist:
JR exhibits freely in the streets of the world, catching the attention of people who are not typical museum visitors. His work mixes Art and Act, talks about commitment, freedom, identity and limit. He creates "Pervasive Art" that spreads, uninvited, on the buildings of the slums around Paris, on the walls in the Middle-East, on the broken bridges in Africa or the favelas in Brazil. People who often live with the bare minimum discover something absolutely unnecessary. And they don't just see it, they make it. Some elderly women become models for a day; some kids turn artists for a week. In that Art scene, there is no stage to separate the actors from the spectators.


above: examples of JR's previous projects

After these local exhibitions, the images are transported to London, New York, Berlin or Amsterdam where people interpret them in the light of their own personal experience.

As he remains anonymous and doesn't explain his huge full frame portraits of people making faces, JR leaves the space empty for an encounter between the subject/protagonist and the passer-by/interpreter. He intends his work to inspire and raise questions.

A big thank you to both JR and Street Art News for the wonderful images, many of which I cropped and altered for visibility.

NYC Ballet
JR 


Prada Marfa, A Full Scale Replica of a Prada Boutique In Texas: Art or Advertisement?



above: A permanent art installation, PRADA MARFA, is under fire by the Texas Department of Transportation who has officially classified the structure as an illegal outdoor advertisement. (photo by Casey McCallister)

What Is Prada Marfa?
Prada Marfa is a site-specific, permanent land art project by artists Elmgreen & Dragset constructed in 2005. Modeled after a Prada boutique, the inaccessible interior of the structure includes luxury goods from Prada’s fall collection from that year. The door does not open, ensuring that the sculpture will never function as a place of commerce. Art Production Fund and Ballroom Marfa co-produced the project.



Prada Marfa is a favorite subject of photographers, both professional and amateur. I found some fabulous images and have featured them throughout this post.


above photo by Roderick Peterson

Artists Michael Elmgreen and Ingar Dragset:
"Prada Marfa is an artwork initiated by ourselves and realized in a collaboration with the not-for-profit cultural organizations Art Production Fund and Ballroom Marfa in 2005. It was not a work commissioned by the fashion brand Prada nor had the fashion brand any involvement in the creation of this work. They kindly gave us the permission to use their logo after we asked them, due to the founder Muccia Prada’s personal interest in contemporary art, and she donated shoes and bags, which have never been renewed but stay the same – as a historic display – inside the sculpture. The right definition of advertisement must be based on criteria more accurate than just including any sign which contains a logo. It is advertisement only when a company either commissions someone to make such a sign, pays for its execution or makes a sign themselves in order to promote the company’s products. And this is not the case here since Prada Marfa never had any commercial link to the fashion brand Prada, unlike the Playboy bunny which went up this summer initiated by Playboy itself.


above photo by Rice Jackson

Prada Marfa is firmly positioned within a contemporary understanding of site specific art, but also draws strongly on pop art and land art – two art forms which were conceived and thrived especially in the USA from the 1960s and onwards. Many artists, from Andy Warhol with his famous Campbell soup cans to Andreas Gursky with his grand photographic documentation of retail spaces have appropriated and dealt with the visual language of commercial brands. In an increasingly commercialized world, we see the independent artistic treatment of all visual signs and signifiers as crucial to a better and wider understanding of our day- to-day surroundings, including the influence of corporations.



It comes as a big surprise for us that the Texas Department of Transportation now after eight years may declare this well-known artwork to be illegal and we think it would be a shame for the local community if it disappeared after being there for so long since the work clearly is one of the strong points for the cultural tourism, which is such an important financial factor in this region. However, we are very happy to experience the fantastic support from both art professionals internationally, locals and others, who have even created a Facebook page named “Save Prada Marfa” that after just a short while has received almost 4000 likes and daily receives plenty of new posts, stories and images from people who once visited this site."



above: two photos by Gray Malin from his series of Prada Marfa, prints available here

Yvonne Force Villareal & Doreen Remen, Co-founders, Art Production Fund:
"Within our 13 years of producing and presenting important public art, few works have been as eagerly embraced than Prada Marfa by Elmgreen & Dragset. With full integrity, the artists refused for us to ask any corporation, especially Prada, for monetary donations to support the making of this project. It took us over a year of intense fundraising from local and international private patrons to realize this authentic and pure permanent artwork. The family of the late Walter Alton “Slim” Brown, even generously contributed to the project by lending their land. Great public art empowers people and gives them alternate ways to understand the times that we live in; Prada Marfa is a civic gift that has become one of the great worldwide pop icons."


above photo by Lizette Kabré

Fairfax Dorn, Co-founder and Executive Director, Ballroom Marfa:
"Prada Marfa is a living sculpture, an installation that has taken on a life of its own. In the eight years since its creation, Elmgreen & Dragset’s work has become part of the cultural and physical landscape of Far West Texas. At the same time it has entered into international art history discourse. It’s part of what people think of when they think of Marfa, either as art lovers on a pilgrimage, or as surprised passersby.


above photo by James Evans, Prada Marfa, 2005, Digital photograph, 40 x 50 inches (unframed), Limited edition of 25, available for purchase here

It’s also a non-profit project — supported entirely by funds from foundations and individuals — and the antithesis of commercialism. Prada Marfa is an embodiment of the Ballroom Marfa mission to combine innovation and accessibility without compromising on either front. We are encouraging engagement with art. Prada Marfa has been a precursor to other public art projects in Marfa, from temporary installations to our current work creating a community gathering place and performance venue with the Drive-In."


above photo by Cody Austin (courtesy of Facebook)

Where is Prada Marfa?
​Despite its name, the sculpture is not located in Marfa, but 37 miles northwest on highway 90 in Jeff Davis county, just outside of the town of Valentine, TX.


​above: Desolation from Will Sones (courtesy of Facebook)

Who are Elmgreen & Dragset?
Working together since 1995 and drawing from disciplines as varied as institutional critique, social politics, performance and architecture, Michael Elmgreen and Ingar Dragset’s interdisciplinary practice reconfigures the familiar with characteristic wit and subversive humor. The static, staged environments they have presented across the world question our expectations by enacting paradoxical, seemingly misplaced scenarios that challenge our habitual notions, often to surprising or shocking effect. As a result, throughout their collaborative artistic partnership, Elmgreen & Dragset, from Denmark and Norway respectively, have redefined the way in which art is presented and experienced.


above photo by Noel Kerns, 2008

Michael Elmgreen (born 1961 in Copenhagen, Denmark) and Ingar Dragset (born 1969 in Trondheim, Norway), based in Berlin and London, have worked together as an artist duo since 1995. They have held numerous solo exhibitions in art institutions worldwide, including the Museum Boijmans van Beuningen in Rotterdam (2011), ZKM Museum of Modern Art in Karlsruhe (2010), MUSAC in Léon (2009), The Power Plant in Toronto (2006), Serpentine Gallery (2006) and Tate Modern (2004) in London, and Kunsthalle Zürich (2001). Their work has been included in the Liverpool (2012), Singapore (2011), Moscow (2011, 2007), Gwangju (2002), São Paulo (2002), Istanbul (2001), and Berlin (1998) biennials, and in 2009 they received a special mention for their exhibition The Collectors in the Nordic and Danish Pavilions at the 53rd Venice Biennale. Amongst their most well known works are Prada Marfa (2005) – a full scale replica of a Prada boutique in the middle of the Texan desert, and Short Cut (2003) – a car and a caravan breaking through the ground which was first shown in Milan and now resides in the collection of the Museum of Contemporary Art, Chicago. Recent projects include the permanent public sculpture Han in Elsinore, Denmark (2012) and the theatrical play Happy Days in the Art World, which debuted at the Performa 11 biennial in New York (2011) and was subsequently performed at the Bergen International Festival and the Royal Danish Theatre in Copenhagen (both 2012). Their winning Fourth Plinth Commission Powerless Structures, Fig. 10” – depicting a child astride his rocking horse – is on view until August 2014 in Trafalgar Square, London. Currently Elmgreen & Dragset are the curators of A Space Called Public / Hoffentlich Öffentlich, an extensive public art program taking place in Munich through September 2013. Their solo exhibition Tomorrow, a major site-specific installation in the former textile galleries of the Victoria & Albert Museum in London, will open in October 2013. Upcoming solo exhibitions by Elmgreen & Dragset will take place at the Astrup Fearnley Museet, Oslo (March 2014), PLATEAU, Seoul (summer 2014), and Statens Museum for Kunst, Copenhagen (autumn 2014).

​Elmstreen & Dragset

Who are Ballroom Marfa and Art Production Fund?
Art Production Fund (APF) is a 501(c)3 non-profit organization dedicated to commissioning and producing ambitious public art projects, reaching new audiences and expanding awareness through contemporary art. It aims to provide artists with the necessary production assistance for complex, difficult-to-realize projects, often of a multidisciplinary nature. It was founded by Yvonne Force Villareal and Doreen Remen in 2000. Recent notable APF projects include Yvette Mattern’s Global Rainbow in response to Hurricane Sandy, NYC (2012); Yoko Ono’s Imagine Peace in Times Square, NYC (2012); and Josephine Meckseper’s Manhattan Oil Project, NYC (2012).

Founded in 2003 by Virginia Lebermann and Fairfax Dorn, Ballroom Marfa is a 501(c)3 non-profit cultural arts organization in Far West Texas. Ballroom Marfa’s mission is to serve international, national, regional, and local arts communities and support the work of both emerging and recognized artists working in all media. Ballroom Marfa has worked with over 200 artists, produced 28 internationally-recognized exhibitions and hosted over 100 music concerts.

above: Shoe (detail), Prada Marfa, 2005. Photo by James Evans.

Prada Marfa is a marquee undertaking for both organizations, as it represents their shared interest in supporting projects outside of traditional gallery or museum environments.

Who is Boyd Elder?


above: Boyd Elder surveying the property. Photo by Lizette Kabré.

Boyd Elder is the photogenic caretaker and site representative of Prada Marfa, making appearances to individual travelers as well as a national audience in 60 Minutes’ profile of the sculpture. He is a lifelong resident of Valentine and a Big Bend legend, his name coming up alongside Mick Jagger, The Eagles and Joni Mitchell. He has his own line of Southwestern-themed leather gear, and makes paintings on horse and cattle skulls.


above image ©2011 Barry B Doyle

Is Prada Marfa a store?
No. There is no public access to the interior of the structure, and nothing is for sale.

As Michael Elmgreen said in a recent interview with Texas Monthly, “[Prada Marfa] was meant as a critique of the luxury goods industry, to put a shop in the middle of the desert.”

Anyone is welcome to take a picture, and it seems like almost everyone does — from Beyoncé to the scores of amateur photographers you’ll find using the #PradaMarfa hashtag. Snapshots are free, unless you would like to collect the limited edition print from photographer James Evans, currently available from Ballroom Marfa.

Is Prada Marfa an advertisement for Prada?
No. It is a non-profit public art project that was conceived of by Elmgreen & Dragset, who declined any monetary support from Prada or any other corporation.

As an art lover, Miuccia Prada, founder of the museum spaces of Fondazione Prada, did give the artists the right to use the Prada logo, even though she knew it was intended as subversive of commodification and the very brand itself.

“There’s a difference between being commissioned by a company to do something for them and using their logo, and using their logo on your own,” Elmgreen told Texas Monthly.

Is the Texas Department of Transportation (TxDOT) trying to remove Prada Marfa?
We don’t know. As of now we have yet to receive any communication from TxDOT about Prada Marfa.

What does this have to do with Playboy Marfa?



Ballroom Marfa and Art Production Fund are not involved with Playboy Marfa, an installation outside of Marfa, Texas by the artist Richard Phillips (shown above). Playboy Marfa was commissioned by Landis Smithers and Neville Wakefield, Playboy’s Creative Director of Special Projects. Wakefield also curated Autobody, an unrelated exhibition at Ballroom Marfa in 2012.



Following much controversy and a complaint by Lineaus Hooper Lorette, a local accountant and artist, TxDOT “ordered the property owner to remove this sign because the owner does not have a Texas License for Outdoor Advertising and a specific permit application for the sign was not submitted.”

After further discussion with Plaboy’s legal team, Veronica Beyer, TxDOT Director of Media Relations, told the Big Bend Sentinel in August that “the order of removal issued to the landowner has been rescinded, and TxDOT is having discussions with Playboy Enterprises to find a solution to this issue.”

No doubt the deeper critical ramifications of this question are being pondered by art historians, enthusiasts and MFA thesis writers at this very moment, as well as by Playboy counsel Dick DeGuerin. Dick’s a good friend of Ballroom, but is not officially involved with Prada Marfa.

Related Links:
Art Production Fund
Ballroom Marfa
Elmstreem & Dragset
Gray Malin's prints of Prada Marfa
Boyd Elder
Save Prada Marfa on Facebook

Ian Berry Does It In Denim. Check Out The Fashionable Art of Denimu.



above: Ian Berry AKA Denimu, A Blue Eye (Avalon Pub), denim on denim, 122x61cm (48.03x24.02inches)

UK artist Ian Berry works in a medium usually reserved for fashion - denim. he constructs scenes and figures by cutting and piecing together that well-worn closet staple, jeans. As a result of this, he goes by the name Denimu and has attracted quite a following worldwide.


above: portrait of Lapo Elkann

above: Journey Home

above: Mike and Ike

Using various shades of denim, he cuts and stitches the pieces together to create urban scenes and detailed portraits.




above: Flocking to the Portobello Market (in progress)

Newsstand Installation in New York
His newsstand installation that appeared in New York was phenomenal. Consisting of numerous magazine covers, candy bars and even a vending machine, Denimu pieced together each and every element of the life-sized work:



details:





And here's a look at some of the individual magazine covers created for the above piece:




More pieces of his work.
London Punk:


Before It Went Down:


The Brooklyn Diner:


The Other Side Of The Track:


Artist Biography (courtesy of cattogallery.co.uk):
IAN BERRY Aka DENIMU

We all love denim, don't we? It's the great democratic fabric, worn by everyone from the farmer to the aristocrat, the manual worker to the oligarch.

But for the British artist Ian Berry, it is so much more. It's probably fair to say, Ian is obsessed. This is the guy who changed his stage name to Denimu and made a career out of turning jeans into works of art.

Ian conjures remarkably detailed portraits and urban landscapes using nothing more than discarded jeans. Over many weeks he cuts, stitches and glues using only the varying shades of the fabric to provide contrast and shadow. The effect is extraordinary.

Ian's denim epiphany came during a trip back to his childhood home in Huddersfield. During a big clear-out session, Ian found himself staring at a big pile of unwanted jeans destined for the charity shop. Affectionate memories came flooding back, along with a wave of tactile enthusiasm for the fabric. At that point, he knew he'd found the key to his artistic career.

Born 1984 in Huddersfield, UK, Ian began his artistic experiments with denim while working as an art director in London and Sydney. Despite building a successful career and creating campaigns for brands such as Nissan, Guinness and Talisker Whiskey, the call of the rivets and seams was too deafening to ignore.

Eventually, the public caught on and Ian enjoyed enough commercial success to devote himself full time to his art. He had two near sell-out shows in Sweden, his new adopted home, and also showed in the US and Portugal. His work has since sold across Europe, America, the Middle East and Australasia to private, public and corporate collections, and has been featured in innumerable art and fashion magazines from Elle to Playboy and interviewed on Swedish and Portuguese TV.

Naturally, Ian's enthusiasm for denim goes beyond exploring its artistic potential. He's also become something of a historian of the textile. So you can imagine how delighted he worked with the town of Fairmount, Indiana last year. Fairmount is the home town of James Dean, who arguably launched denim as a fashion item when he wore those Lee Riders in Rebel Without A Cause. So when the James Dean Gallery wanted a mural, they came to Ian. He based his work on the iconic Roy Schatt photograph to create what has become possibly the first denim 'street art' project in the world.

Denimu

A shout out to the fabulous Ellen November for bringing this unusual work to my attention.

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