From Social Media predictions, fashion trends, media spending and statistics to fun trivia and history, here's a round up of 20 the best and most interesting infographics pertaining to the Academy Award and Oscar.
Click on each infographic below to enlarge them in a separate window.
above: detail from IMDB infographic
More infographics (click to view larger in a separate window):
Vulture has a clever infographics for each Best Picture Nominee:
See all the Best Picture nominee infographics from Vulture here
The Face Group did some Augmented Research (above and below) with various infographics as they added variables: Check that out here.
Slate has a an interactive infographic about The Oscar Acceptance speeches and who gets thanks the most:
There's even an infographic for an Oscar drinking game:
This time, their newest marketing push consists of a project in which five different directors created five different films, each in their own genre, that use the same piece of dialogue- a scant six lines.
And, in an effort to get aspiring directors involved, an ensuing competition invites you to make the sixth.
Philips has just launched this global competition, giving aspiring filmmakers the chance to have an original work judged by one of the world’s greatest film directors – Sir Ridley Scott, director of Hollywood blockbusters including Alien (1979), Blade Runner (1982) and Gladiator (2000).
The competition, called "Tell It Your Way‟, will also give one lucky winner the chance to gain a week’s work experience at Ridley Scott Associates (RSA) offices in Los Angeles, New York, London or Hong Kong.
The contest involves creating an original sixth short film to accompany Philips’ ground-breaking Parallel Lines series of short films, directed by RSA talents, Greg Fay, Johnny Hardstaff, Carl Erik Rinsch, Jake Scott and Hi-Sim.
The Five Films
Darkroom – Johnny Hardstaff
Set in a retro future Shanghai, Darkroom opens on a covert surveillance operative as he searches for his criminal quarry. Scanning a polluted city skyline, we see through his technology as he zooms ever deeper into a distant apartment and through the imaginative use of reflections and technology begins to unravel a sinister secret.
Through this voyeuristic journey we are led to a climax with dramatic consequences. Johnny Hardstaff expertly generates intrigue through his development of mood and tension. Namely with the use of the operative’s own hushed voice to provoke a sense of seediness and setting of the tone. As the audience is led deeper we find a fiendish pleasure in this voyeuristic approach. Darkroom proves a clever and absorbing short that packs a very original sting in its tail.
The Hunt - Jake Scott
The Hunt follows two men on a trail to find the ultimate prey. In the eerie woodland something lurks; a mystical creature. Soon we will find that the hunters may well become the hunted.
Jake Scott takes us on a slow pursuit, carefully building the tension through a seemingly desolate and hostile environment. Senses are heightened as Jake brings to life every inch of the hunt, every sound carefully designed to put the audience on edge: the crows in the background, the trickle of a stream, the earth moving under each step. As The Hunt nears its horrifying climax we hold our breath as the huntsman sets his sights. However his companion shows a fear and nervousness in his expression. Something is not right. Perhaps the intended prey is not to be provoked.
The Gift – Carl Eric Rinsch
In this sci-fi thriller, Podarok introduces us to a dystopian future. It’s a winter’s day in Moscow, but the familiar landscape is not all it seems. The traditional backdrop is balanced by the technological hints to the future on show. An experienced KGB Agent is on his way to deliver a special gift. Expressionless and giving the aura of emptiness the lone man makes his way across the city. As the secret of the gift is unveiled to the receiver, the desire for the object becomes evident. The agent must have it. Even at the cost of a man’s life. A high octane chase through Moscow ensues as the dead man’s robotic butler tries to rescue the precious gift. It must not be left in the wrong hands.
Carl Erik Rinsch cleverly uses the pacing of this short to evoke and speak out to our emotions. We feel the bleakness of this post apocalyptic future, the gloomy life of an empty man, the desperation of the chased and climatically, hope.
El Secreto de Mateo – Greg Fay
In this heart-warming tale set on an estate of tower blocks in South America, a boy shows a young girl to a room with a secret. The girl is introduced to a donkey which the boy tells her is a unicorn. Delight and fulfilment fills the young girl as she is left to feel the magic of this moment in a life that has offered her so little. This joy is short lived as we are shown the difficulties of growing up as bullies taunt the pair. The boy stands up for his younger friend. Afterwards though, it all seems too much as the brave boy is left to cry quietly in the corner. Unawares to her friend’s pain the girl returns her attention to the beauty of the animal.
Greg Fay delicately shows us the hardship of growing up and the joy that can be brought on by a child’s imagination. Lighting is used to great effect. The hue and glow of a beaming sun fills scenes with a warmth, comfort and tender security away from the harsh realities of the world. El Secreto de Mateo leaves us emotionally speechless with the feeling of both happiness and sorrow.
Jun & the Hidden Skies – Hi-Sim
Through animation Hi-Sim transports us into the playful imagination of siblings Jun and Aco. We are instantly rushed from the children’s attic into space as a cardboard box transforms into a spaceship. This fantasy adventure excites as our heroes find themselves in the midst of a space battle resulting in the capture of Aco. Jun is left to fall from the skies before being saved by a fire breathing dragon. Jun and his new friend blow away the enemy as the plight to save the captive Aco gathers pace.
Hi-Sim manages to bring out a childlike excitement and curiosity from the moment we enter the attic. This beautifully crafted animation bursts with fantastic colours of an imagined world. Visual details have been carefully considered and realism breaks through from the quality of the effects. This is a polished short that is sure to please the whole family.
In early 2007, Motorola hired visionary artist Michel Gondry (as well as some other directors) to produce a film based on the experience of their new phone, the Motorola Razr2.
Here's Gondry's esoteric film, The Dream.
I've posted it as a low res file so it doesn't take forever to view. To see the hi-res versions, click here.
Not without its controversy, Motorola and Gondry didn't exactly see eye to eye (read article here). The ad never ran and instead, the bizarre spot with the couple on the subway platform throwing their phones like ninja death stars ran (seen below).
But back to Gondry's film and the chance to make your own...
The site includes stills as well as a video of the making of the film.
So, after a long and competitive festival, The Sundance Film Festival of 07 breaks records with sales to the motion picture industry.
Why?
Because there were so many excellent entries.
And, because I have this long complicated theory as to how the internet and streaming video sites like You Tube, Revver, Greenimation etc. have created a climate that's receptive to indie films as having commercial potential. But more on that some other time.
I was up late last night watching the Dailies on the Sundance Channel as they ended the 10 day event and had the good fortune to get glimpses of many, if not all of the following award winning entries.
It's really a banner year.
So, give it up for the following 2007 Sundance Award Winners:
Grand Jury Prize: Documentary MANDA BALA (SEND A BULLET) Jason Kohn, director
Grand Jury Prize: Dramatic PADRE NUESTRO Christopher Zalla, writer/director
Audience Award: Documentary HEAR AND NOW Irene Taylor Brodsky, writer/director
Audience Award: Dramatic GRACE IS GONE James C. Strouse, writer/director
Directing Award: Documentary Sean Fine & Andrea Nix Fine WAR/DANCE
World Cinema Jury Prize: Documentary ENEMIES OF HAPPINESS Eva Mulvad & Anja Al Erhayem, directors
World Cinema Jury Prize: Dramatic SWEET MUD Dror Shaul, writer/director
World Cinema Audience Award: Documentary IN THE SHADOW OF THE MOON David Sington, director
World Cinema Audience Award: Dramatic ONCE John Carney, writer/director
Excellence In Cinematography Award: Documentary Heloisa Passos MANDA BALA (SEND A BULLET)
Excellence In Cinematography Award: Dramatic Benoit Debie JOSHUA
Documentary Editing Award Hibah Sherif Frisina, Charlton McMillian & Michael Schweitzer NANKING
Waldo Salt Screenwriting Award James C. Strouse, writer/director GRACE IS GONE
Special Jury Prize Documentary NO END IN SIGHT Charles Ferguson, director
Special Jury Prize for Acting (Split) Jess Weixler TEETH Tamara Podemski FOUR SHEETS TO THE WIND
Special Jury Prize For Singularity Of Vision Chris Smith, director THE POOL
Special Jury Prize World Cinema: Documentary HOT HOUSE Shimon Dotan, director
Special Jury Prize World Cinema: Dramatic THE LEGACY Gela Babluani & Temur Babluani
Jury Prize in Short Filmmaking EVERYTHING WILL BE OK Don Hertzfeldt, director
Jury Prize in International Short Filmmaking THE TUBE WITH A HAT Radu Jude, director
Honorable Mention In Short Filmmaking DEATH TO THE TINMAN Ray Tintori, director THE FIGHTING CHOLITAS Mariam Jobrani, director MEN UNDERSTAND EACH OTHER BETTER Marjan Alizadeh, director MOTODROM Joerg Wagner, director SPITFIRE 944 William Lorton, director T.O.M. Tom Brown & Daniel Gray, directors
