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Re-engineering Jewish Tradition. The Design Winners of Sukkah City, 2011.
above: one of the ten winning submissions, 60 degree Sukkah by Filip Tejchman of Brooklyn, NY, and Cambridge, MA
Some of my readers may recall a post I wrote last year on Sukkah City, a design competition held in New York that proposed redesigning a Sukkah, a traditional shelter created for the Jewish Festival Of Sukkot.
Building and expanding upon New York’s Sukkah City 2010, Sukkah City STL proposed a re-imagination of the Sukkah, an ancient and temporary structure used by both nomads and harvesters. The jury selected work that defined and defied boundaries using ancient law and the contemporary experience of shelter. The design winners are below.
Emery McClure Architecture, Lafayette, LA - Tené
Act3 (Ben Kaplan), Trivers Architecture and STL Beacon, St. Louis - Storycubes
Sean Corriel, New York - Thru-motion
Lea Oxenhandler and Evan Maxwell Litvin, Philadelphia
Alexander Morley and Jennifer Wong, St. Louis - Exodus
Casey Hughes Architects, Los Angeles - Sukkah Collective
Christine Yogiaman, Forrest Fulton and Ken Tracy, St. Louis - Gleaned
John Kleinschmidt and Andy Sternad, New Orleans - L’Chime Sukkah
Bronwyn Charlton and Linda Levin, St. Louis. - Heliotrope
Learn more about each of the designs here.
WHAT: Sukkah City STL: Defining & Defying Boundaries
WHEN: Oct. 18-22
WHERE: Danforth Campus of Washington University in St. Louis, near the Ann W. Olin Women’s Building
COST: Free and open to the public
The Jewish Feast of the Tabernacle, Sukkot, begins at sundown on Oct. 12, 2011, and ends at nightfall on Oct. 19.
Support for Sukkah City STL is provided by the Charles and Bunny Burson Art Fund at the Sam Fox School of Design & Visual Arts.
Millinery Gone Mad. Wild Hats, Headbands, Masks and More by Piers Atkinson.
Romantic, tropical, alluring, mysterious, macabre... I could go on and on with adjectives when it comes to describing the imaginative millinery and head gear by Piers Atkinson.
Every style and genre from sweet and sexy to outrageous and irreverent, Piers's hats, masks, headbands and berets are wearable art. Made with unusual materials like neon, found objects, giant bugs, gold-plated spikes, even barbie dolls, his hats are head-turning fashions that warrant a closet of their own. Take a look at some of these hats, balaclava (ski masks), headbands and more from the past few seasons.
A few selections from his most recent Spring /Summer 2012 "Hot Voodoo" Collection:
Selections from the Autumn/ Winter 2011 "Paris" Collection:
The neon hats were made with the help of icneon and the above left hat with Andrew Logan
A few selections from the Spring/Summer 2011 "La Belle Au Bois" Collection:
A few selections from the Autumn/ Winter 2010 "It Is Later Than You Think" Collection:
And finally, a few wild and wacky ones from Autumn/Winter 2009 "The Frog and The Princess" Collection:
About Piers Atkinson:
Piers Atkinson has worn nearly as many hats as he’s made. Artist, illustrator, milliner, costume designer, party organiser, fashion editor and now DJ! – his creative energies only seem to be matched by an insatiable curiosity.
Photography by Thomas Lohr
He grew up in Norfolk with three generations of women – his mother, the theatrical milliner Hilary Elliott, at whose knee he learned hat-making; his sister Lucy, the long-suffering photographic model for his teenage reconstructions of Grace Jones and Art of Noise record covers; and his grandmother, the artist / writer / horticulturalist and illustrator Lesley Gordon, from whom he took his multi-disciplinary cue.
After studying graphic design and photography at the University of Bristol (where Stephen Jones made a brief but memorable visit to his grad show), Piers moved in 1995 to London. He helped out at that year’s Alternative Miss World, the brainchild of artist Andrew Logan, now an occasional collaborator and constant inspiration to Piers: ‘He helped me see the rich possibilities of free-form events and a ‘just do it’ attitude.’
In 1999, Piers started with iconic fashion designer Zandra Rhodes, whom he assisted with art direction and in-house PR. ‘She instantly cured my conservative approach to colour!’ says Piers. When Rhodes became a client of PR powerhouse Mandi Lennard, Piers took a post there assisting Mandi, who gave him many of her unique insights into the fashion world.
Piers launched his first collection of hats in February 2008 and has created collections every season since. He has collaborated with designers Ashish, Ashley Isham and Noki for runway presentations and has dressed such celebrities as Anna Dello Russo, Kate Moss, Lady Gaga, Rihanna, Kelis, Cate Blanchett and Paloma Faith. The Princesses of York and Dame Shirley Basey have worn his hats at Ascot and he has had pieces in the V&A’s ‘Hats: an Anthology by Stephen Jones’ and ShowStudio’s exhibition ‘The CafĂ©’.
Piers’s creations regularly appear in the pages of Vogue, Italian Vogue, V Magazine, Tatler and the London broadsheets. His hats are available across the globe – from Sister in Japan to Fenwick’s in London, via Joyce in Hong Kong and Alan Journo’s famous store in Milan.
all images and information courtesy of Piers Atkinson
Just In Time For Halloween. The Last Laugh Tattoo Edition Wristwatch.
Mr.Jones Watches has just released this special edition of their Last Laugh Watch:
The time on this watch is displayed on the skull's teeth - the upper jaw shows the hours and the lower the minutes. The watch is a link to the tradition of the memento mori - an object designed to remind us that life is brief and we should seize the moment while we're here.
This new version of The Last Laugh watch from Mr. Jones Watches features specially commissioned artwork by British Tattoo Artist Adrian Willard, “the design comes from the Mexican Day of the Dead festival. The festival focuses on gathering to remember friends and family who have died. Many gifts and offerings are handed out including sugar skulls that are given to both the living and the dead. It has become a very popular image in the tattoo world over the years and has replaced the regular skull in the mainstream tattoo trends.”
above left: the original Mr. Jones Last Laugh Watch and right, the Tattoo version
Specifications:
Case: PVD coated 316L stainless steel
Strap: Black leather with turquoise stitching
Width (3 o'clock to 9 o'clock): 37mm
Height (from lug to lug): 46mm
Mechanism: Single jewel quartz
Waterproof: 5ATM
Guarantee: 12 months
buy it here
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