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A Lavish Look at Christian Dior's Legacy and The Art That Inspired It.




above: Dior's Suzurka-San Coat, 2007 and below it, Hiroshige's The Great Wave off the Coast of Kanagawa, 1848

Moscow's Pushkin Museum presents Inspiration Dior, a comprehensive exhibit of Christian Dior's breathtaking fashions and the art that played a role in inspiring them.


above: Dior's "Linda Vojtova" , 2007-08 inspired by the Goya painting below it

"The best way to describe this exhibit is with Christian Dior's own words: 'The history of Parisian fashion is not a vanity fair, but a representation of culture,'" said veteran Pushkin Museum director Irina Antonova.


above: Dior's Forcement short trench coat, 1991 and below it, a drawing of Dior's Bar Suit by Christian Berard, 1947

The exhibit features the jewelry, the perfumes and of course, the pieces of Dior as well as many paintings that influenced the designs and styles. Nine rooms in the museum showcase Dior fashions from 18th century-influenced designs to images of today's celebrities donning his gowns. The exhibit has been grouped into the following categories; New Look, Lines and Bodies, Dior and the Eighteenth century, Bell Epoque, Dior Balls, The Gardens of Dior, Dior: Gold and Gold, Dior Around The World, Fine Jewellery, The Atelier or Art of Haute Couture, The Magic of Dior Perfumes and Stars in Dior .


above: Dior's "Koh-I-Noor Dress", 1996-97 and John Singer Sargent's La Camencita, 1900

above: Dior's Black and White silk faille coat, 2002 and Varvara Fiodorovna Stepanova's Casual Dress design, 1923-24

Paintings by Klimt, Renoir, Sargent, van Gogh and others that nourished Dior's inspiration are on loan from the Louvre, Musee d'Orsay, the Versaille Museum and Moscow's Tretyakov gallery.

Many of the Dior dresses on exhibit:













Some of the accompanying pieces of art:







Text about the exhibit from the museum:

February 12th, 1947: Christian Dior presents his first collection at Avenue Montaigne. The revolution is underway and the New Look is born. With it, The House of Dior enters the world of legend.

Unknown until that moment, the genius designer who revered the French way of life entered a triumphant decade, providing women with regal bearing and a sublime look. Skirts were longer, shoulders were softened and waists were cinched. A Dior flower-women blossomed in the post-war era, and outrageously splendid, was soon to conquer the world with infinite grace.

New and highly innovative, the exhibition demonstrates how inspiration has nourished the heart of Dior for decades. This amazing journey guides the visitor through the Dior artistic creative sources of fashion and its links to history, nature, painting, sculpture, drawing, photography and film. It reveals now an idea, a feeling, an era, a garden, a perception or even a smell can instill an idea in the heart and mind, giving rise to a unique creation.

In this major exhibition, the Pushkin Museum showcases Dior magic and luxury whilst emphasizing the outstanding House’s links with art.

The key themes of the Dior legend – past and present on a grand scale in original fashion, set against unique works of art. It is a journey of corresponding elements and magical synergies, where the New Look is echoed in works by Picasso, Modigliani, Renoir, Cezanne or even Gauguin. Nudes by Vanessa Beecroft, Maurizio Cattelan and Orlan emphasise the gloriously modern lines of the female body, accentuated by Christian Dior.

This waltz through time enchants the visitor with lush gardens and recollections of the 18th century and the Belle Époque. Marie-Antoinette meets Jeff Koons, Bonnard’s landscapes celebrate Dior’s flower-women and the Egyptian goddesses from spring summer 2004 establish a radiant, golden destiny.

The Dior grand balls are also celebrated in all their glory in an enchanted setting where Ingres’ aristocrats admire breathtaking crinolines and haute couture gowns. The visitor is then transported around the world with Dior via Goya’s Spain, Matisse’s heady orient and of course, Russia and Asia.

The world of Dior beauty also provides the opportunity to view René Gruau’s strikingly modern illustrations and allows the Russian plastic artist, Olga Kisseleva to create an installation exploring the sensual and sensory universe of Dior perfumes.

A mirror effect of deliberate similarities lays down the framework of this exceptional exhibition, in which the quest for ideal beauty creates the link between Christian Dior, genius couturier, and the impressive and unexpected gallery of great masters.

As monsieur Dior said: “Finally everything that has been part of my life – whether I wanted it or not – has expressed itself in my dresses”.


"Inspiration Dior" runs until July 24 at The Pushkin Museum of Fine Arts.

Clever Commentary Jewelry by Amsterdam Designer Sacha Lannoye




Amsterdam based product designer Sacha Lannoye has a clever line of jewelry and accessories for the neck and body that make a commentary on society. Gold-plated and silver-plated brass necklaces, brooches, nameplates for shoes and belts are engraved with words that suggest more than just decoration.

Blablabla and YadaYada:



above and below: "Blablabla" and "YadaYada" are persiflages on the well-known golden necklaces of someone’s name. "Blablabla" and "YadaYada" anticipate the superficial side of communication between people. For those who wear it, as well as for the viewers "Blablabla" and "YadaYada" confronts and shows the relativism of things.

size: 80 x 14 x 1,7 mm
material: gold-plated / silver-plated brass




Flowers For Your Lapel:


above: People are constantly looking for renewal. At the same time they want recognition to see the obvious. "Brooch", "Red Rose" and "Corsage" are representations of the actual thing.

Size: 47 x 14 x 1,7 mm
Material: gold-plated / silver-plated brass

Max 20 kg:


above: "Max 20 kg" makes people think about the absurdity to strive for the perfect body. But what do we perceive as "the perfect body"? No healthy woman, old enough to walk on high heels, can measure up to this required weight limit. It indicates that nobody’s fits this propagandistic ideology of the body.

Material: leather, gold-plated / silver-plated brass


Size Zero:



above: A golden or silver label is attached to this belt, which reads "Size 34" (unfortunately, this is a European size, not U.S. sizing so it doesn't make as much sense in the states). The label covers up the original jeans-label that would reveal your real size. "Size Zero" criticizes the pressure society puts on woman towards their appearance. Lots of woman get frustrated, even obsessed by wanting to look skinny.

Size: 88 x 58 x 1,7 mm
Material: leather, gold-plated / silver-plated brass


Workaholic:



above: "Workaholic" is a necklace that mocks with people who are obsessed with their work. It's a customized, golden business card, which you can wear as jewellery. This thick golden plate also functions as a small carrying case for your own business cards.

size: 62 x 89,7mm x 7mm or 89,7mm x 62 x 7mm
material: gold-plated / silver-plated brass

photography by Diederik Boel

about the designer:
Sacha Lannoye studied product-design at the academy of Fine Arts in Maastricht (ABK). She currently lives and works in Amsterdam.

There are many beautiful and practical products available all over the world.
Despite the overkill of these products, caused by mass-production, people's needs remain unfullfilled.

Sacha Lannoye occupies herself with these subjective needs of people. Her products represent her way of thinking, which is a response to human behavior. She strives to combine content, function and aesthetics in a way that they reinforce each-other.

By putting recognizable ingredients in a new context, products pass out a message and show people her astonished, ironic view of the world. Therefore they become powerful tools, reaching beyond material matter. (text courtesy of soonsalon)

See more of the clever products by Sacha Lannoye here
The above jewelry is available for purchase from the Soon Salon.

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