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Showing posts with label contemporary sculpture. Show all posts
Showing posts with label contemporary sculpture. Show all posts

Bruno Walpoth Brings Wood To Life In His Contemporary Human Sculptures.



Pinocchio would probably have gladly swapped his creator, Geppetto, for Italian sculptor Bruno Walpoth. Walpoth's ability to turn a hunk of wood into a lifelike looking figure is impressive, to say the least. His sculpted and painted busts and human forms are anything but "wooden." They seem to be imbued with emotion, capable of possessing a soul and striking the viewer as pensive, thoughtful - even melancholy.

Prestigious Pill-Popping. Designer Drugs by Desire Obtain Cherish.




Addicted to fashion, luxury or status? These sculptures of blister packs of pills with recognizable logos from luxury brands Hermes, Chanel, Yves Saint Laurent and Louis Vuitton are UV cast in resin by the Los Angeles based artist Desire Obtain Cherish. Each of the satirical status symbols measures 42" x 27".

CHANEL:

Hermes:

Louis Vuitton:

YSL (Yves Saint Laurent)


Take two and be more chic in the morning.

About: Desire Obtain Cherish


LA-based artist Desire Obtain Cherish received his Bachelor of Fine Arts (B.F.A.) at Parson’s School of Design. Since his emergence as a street artist in the 2000s, DOC has blended the concerns and methods of street, pop, conceptual and appropriation art with popular culture to create his own unique satirical message. His work, though often controversial, is always engaging, and explores contemporary obsessions with sex, desire, drugs, gender, celebrity, media, commerce and fame.

DOC’s artwork rarely inspires moderate responses, an indication of his achievements’ importance. With DOC focusing on some of the most banal objects as models, his works avoid typical standards of “good taste” in art, and instead focus on the vulnerabilities of hierarchies and value systems. DOC’s work “reflects a darker, albeit more humorous slant on middle-class American values versus a spiritual or expressive essence of a highly individual artist.”

See more of his captivating work here.

Chairs, Clothes and Objects Made Entirely Of Paper By Vincent Tomczyk.



the above chair is made entirely from paper

Artist Vincent Tomczyk likes working with paper because, in his own words, "my art requires me to be part craftsman and part engineer." His clothing, chairs and other objects crafted from various types of paper and foamcore are hard to discern from the originals because the likenesses are uncannily realistic.

Below are selections from his Versisimilitudes and Virtu Collections:


above: Vincent Tomczyk, Americana, paper jeans, 2011, paper, canvas, silk and nylon thread, 15 x 9 x 11 in.


above: Vincent Tomczyk, Shirt and Tie, 2010, Mulberry and various other papers, 23 x 30 x 4 in.


above: Vincent Tomczyk, William S. Burroughs, Diptych, 2012, printed paper and woven paper, 23 x 14.5 x 1 in.


above: Vincent Tomczyk, Wallet, 2011, Paper, nylon thread, 4 x 3 x 0.5 in. (folded)


above: Vincent Tomczyk, Paper Eames Chair LCW, 2012, Various papers, hand painted, 22 x 23 x 28 in.


above: Vincent Tomczyk, Ubiquitous, 2012, foam core, 22 x 20 x 32 in., Private Collection


above: Vincent Tomczyk, Black Swim Cap, 2011, Painted coated paper, canvas, glass beads, 8 x 10 x 3.5 in.


above: Vincent Tomczyk, Bergère, 2012, Various papers, 26 x 26 x 36 in.

Artist's Statement:
My art centers on objects to stimulate visceral connections. These compositions represent biographies of people, experiences and interpretations of intangible ideas. Although my work can be categorized as realism, my intention is to distill the emotion of an object, then through expression, reconstruct it into my view of its essential self - free of function.

As an artist working primarily with paper, my art requires me to be part craftsman and part engineer. I learned a lot about how to construct things by working at my father’s side, in his workshop. I’m compelled to produce work that is visually poetic by using a medium that defies perceived limitations.

I am currently working on a series of paper chairs. I am interested in how personal chairs can become over time - almost taking on the characteristics of their owners. Chairs provide a sense of dignity - from hand carved stools in Africa, to thrones in Europe. Conversely, chairs are ubiquitously a part of our public and social lives, bringing humanity together in small groups or en masse. - Vincent

Upcoming exhibition:
Gallery 825 / Los Angeles Art Association
Solo Show: Vincent Tomczyk / OVERLOOKED... May 4 - 31, 2013
Opening Reception: Saturday, May 4, 2013, 6-9 PM
825 N La Cienega Blvd Los Angeles CA 90069

Vincent Tomczyk

Poison On A Stick. Gangredine Consumptus by Rotganzen.


above: Photo by Marco Jongeneel. Model: Sophie



Gangredine Consumptus, a project by a Rotterdam based artist collective Rotganzen, is a commentary on all the toxins and chemicals we put into our bodies. The words of such lethal poisons as radon, arsenic, benzene and tobacco are cast in translucent colored resin and placed upon wooden sticks so they resemble lollipops (or suckers or lollies, depending upon your country of origin).

















As they appeared in Rotganzen's solo show with Collection I at Dek22 Rotterdam, 2011:


photos by Pim Top and Marco Jongeneel

ROTGANZEN was formed in 2009 by Robin Stam (1981), Joeri Horstink (1982) and Mark van Wijk (1984) shown below:

Damien Hirst's Anatomy Of An Angel Now Available Cast In Black or White Miniatures.





This 2012 edition by Damien Hirst reflects in miniature his original, classically posed Carrara marble sculpture of the same name (shown below at the Tate Modern).


above: 'The Anatomy of an Angel' and 'Doorways to the Kingdom of Heaven' during the press view of Damien Hirst's work on display at the Tate Modern.

The Hirst sculpture was based on Alfred Boucher's sculpture ‘L'Hirondelle’ from the early 1900s:

above: Hirst's angel is based on Alfred Boucher’s sculpture ‘L'Hirondelle’ (1920)

In Hirst’s version, cross-sections of her body show the anatomical structure beneath the skin, revealing she is human after all.




Cast in either black or white resin, each in a limited edition of 50, the signature, title and edition number are etched into the resin by the artist.

In White:





In Black:





2012
Resin
330 x 185 x 140 mm
Edition of 50
Produced by Other Criteria

PRICE: $10,825 (£7,200)
To enquire about this purchasing this product, email info@othercriteria.com

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