Lego Wars: Pop Culture Meets Luxury Brands In Chromogenic Prints by Dale May.

above: V3PO Louis Vuitton by Dale May

Photographer Dale May's LEGO WARS at the Samuel Owen Gallery are a collection of photo that combine popular culture with commercial imagery and luxury brands. LEGO Star Wars minifigs juxtaposed against Chanel, Louis Vuitton and Tory Burch logos - even set against the famous Tiffany Robin's Egg Blue, are produced as chromogenic prints and face mounted to archival acrylic backed with aluminum. The pieces are large (with the square images available as 24" x 24" and 48" x 48" and the rectangular images measuring 24" x 48") and prices start at $2400 for the limited edition prints.

Coco Vader:

Chewy Burch:


Personally, I'm not a huge fan of Dale's people, fashion and advertising photography because I find them too digitally composed, somewhat cliché and a little forced, but in the case of these, that style works. These also illustrate an eye for composition I don't as readily see in his other work.

Tiffany Trout and Tiffany Trooper:

Baby Boba:

Stormtroopers:

Chrome Trooper and X-Ray Trooper:

X-Ray Trooper LightBox:

Rebel Pilot:

Obi Wan Saber and Darth Vader Saber:


The Samuel Owen Gallery describes the series as follows:
The LEGO WARS series is a photographic study of popular culture, commercial advertising and nostalgia. As an adult, Dale May revisits these tiny plastic Lego toys and photographs them in a way that returns them to the epic importance they once had as a child, reminding us why we needed to collect every single piece.

Trooper Mob:

Biker Scouts:

Royal Guard:

Yoda (front):

Yoda (back):

Helmet pile:

Rainbow Coalition:


Iconic, nostalgic, yet timeless, the artist brings a new look to a subject that’s common place. Dale leaves nothing to chance, not only is the work impeccably crafted and well thought out but the material he has chosen to produce the Lego Wars series was no accident. Dale felt that the entire piece of art should resemble the high polished glossiness of the subject itself. Crafted in archival acrylic and backed with aluminum dibond, the work is given a look not unlike the plastic Star Wars Lego or something in Darth Vader’s home, the Death Star itself!

Once made from molded plastic, standing just over an inch, and in danger of being stepped on, these characters now stand tall, speak to us and demand attention!

You can purchase the prints here.

Fine Art Prints Of Stanley Kubrick Photos Available For The First Time. 25 Fabulous Images.

I've always been a huge fan of the directorial and writing work of Stanley Kubrick, as witnessed by this comprehensive post I wrote on an exposition of his work earlier this year.

So you can imagine my joy when I discovered that the photographs he took as a photojournalist for Look Magazine early in his career which were previously only available for viewing in museum archives or in books about Kubrick, are now being offered as art prints (complete with certificates of authenticity) from the Museum of the City of New York and VandM.



The selection of fine art prints of the photographic works by the legendary film director exemplify his eye for both content and composition. Shot during the years of 1946-1949, each of the 25 hand-selected photos is printed on museum quality acid-free fibre paper using archival pigment inks and is accompanied by a certificate of authenticity, numbered and signed by the Museum of the City of New York’s Curator of Prints and Photographs.



Available in limited editions and four different sizes, the unframed prints have a minimum half inch border so you can frame them without obscuring the image.



Stanley Kubrick—who wrote and directed Lolita, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange and The Shining—was one of America’s most influential filmmakers. Directors ranging from the Coen Brothers to Tim Burton paid visual homage to his works in their own films, and no less than Steven Spielberg said: “Nobody could shoot a picture better in history.”



In fact Kubrick’s special skill behind the camera and his ability to create visual intrigue were evident long before he was a Hollywood icon. Even at the age of 17, Kubrick was an immense talent. In 1945, for $25, he sold a photograph to Look magazine of a broken-hearted newsvendor reacting to the death of President Franklin D. Roosevelt. A few months later Kubrick joined Look’s staff to become the youngest staff photographer in the magazine’s history. He continued to work for Look until 1950 when he left to pursue filmmaking.



It was during this period that Kubrick’s respected—and often-imitated—style first became apparent. His photographs are vintage Kubrick: a complex blend of composition, drama, light and mystery.




Now, for the first time, fine art prints of Kubrick’s work as a photojournalist are available for sale. Previously only available for viewing in museum archives or in books about Kubrick, curators at the Museum of the City of New York and art advisors at VandM examined over 10,000 negatives of Kubrick’s photos to hand select 25 for this limited edition sale on VandM.




All photos are printed on museum quality acid-free fibre paper using archival pigment inks and are accompanied by a certificate of authenticity, numbered and signed by the Museum of the City of New York’s Curator of Prints and Photographs.

Edition of 50
11x14 = $250
16x20 = $450
20x24 = $600

Edition of 10
36x36 = $2500

The majority of the proceeds go to the Museum of the City of New York.

See all 25 stunning photographs and purchase them here

Glowing Balls Of Light Created in Camera (no Photoshop!) by Denis Smith.

The Ball of Light is a photographic project by Southern Australian (Adelaide) photographer Denis Smith. Using a single long exposure and moving a light source around in the air to create the ball, Denis has taken traditional photography (no Photoshop or special processing is used) and added a new dimension with these beautiful creations.

Luke... I Am Your Font. Star Wars Typography Posters From H-57.

Creative Directors Matteo Civaschi and Gianmarco Milesi of the ad agency H-57 Creative Station in Milan, Italy created a series of beautiful self-promotional posters fashioning Star Wars characters Darth Vader, Yoda, and a Star Trooper out of typography.







“May the force of Typography be with you”
Advertising Agency: H-57 Creative Station, Milan, Italy
Creative Director: Matteo Civaschi, Gianmarco Milesi
Account Director: Sabrina Di Gregorio
Typographer: Matteo Civaschi
Published: November 2010
Thanks to the site I Believe in Advertising for bringing this to my attention

Frameworks Posters By Moxy Creative Celebrate Famous Eyeglass Frames.

Framegeek.com, a blog about Men's eyewear, sunglasses and glasses, has just issued a series of posters celebrating 'Eyewear Made Famous' by Moxy Creative.

The collection consists of six different aesthetically pleasing graphic art posters. Five of the posters each feature one iconic outline of recognizable eyewear frames on the subdued colored silhouettes of Andy Warhol, Johnny Depp, Mahatma Ghandi, Kanye West, and Yves Saint Laurent respectively. The sixth poster is a compilation of iconic white frames with call-outs beneath each of the face to whom the glasses belong.

The Warhol's:

The Depp's:

The Ghandi's:

The Ye's:

The YSL's:

The Frameworks poster:


01. Woody Allen 02. Kanye West 03. Buddy Holly 04. Michael Caine 05. Kurt Cobain 06. John Lennon 07. Geordi LaForge 08. Malcolm X 09. Johnny Depp 10. Dame Edna 11.Stephen Colbert 12. The Blues Brothers 13. Austin Powers 14. Yves Saint Laurent 15. Elton John 16. George Costanza 17. Bootsy Collins 18. Elvis Costello 19. Terry Richardson 20. David Hockney 21. DMC of Run DMC 22. Andy Warhol 23. Mohandas Ghandi 24. Steve Urkel 25. Napoleon Dynamite 26. Clark Kent 27. Shock G of Digital Underground 28. Truman Capote


Each of the six 11.75" x 15.5" prints costs $30 and is limited to a run of 50.
Buy them here.

Who's The Man? Artist Rudy de Belgeonne, That's Who.

Who’s the Man is an epic installation of a thousand individual hand-painted panels with words used to describe and define ‘man’ by artist Rudy de Belgeonne. The installation will form the centerpiece of an exhibition which opens at London's The Future Gallery in June 2010.



'Every type of man you’ve ever been called, ever felt like, ever known’

Inspired by all the weird and wonderful names he’s been called over the years, Rudy plays with the ever-changing identity and categorisation of the modern man by creating definitions of masculinity packaged as products, as each word becomes a logo in glossy seductive enamel colours: Hero, God, King, Scoundrel, Rogue, Brute, Bad Boy, Love God, Fancy Dan, Mama Man, Sonofabitch, Sonofagun, Bloke, Joe Schmoe, Golden Boy, Nancy Boy…and on and on…




Five years in the making, Who’s the Man is a series of 1000 typographic works painted in beautiful shiny signwriter’s enamel on wooden panels. The installation of 1000 original paintings will be exhibited alongside limited edition sets of different sub-groups – Good Guys, Bad Guys, Gay Guys, Insults, movie references and so on.


above: SwineFiendDevilBrute, 1118mm x 840mm, Giclee print, edition of 25

Presented in this way each word becomes a logo, advertising a response to the ever-changing male identity, defined by morality, sexuality and the body. Using seductively glossy colours, each word is painted in a style that reflects its meaning – either literal or subconscious – referencing our language, typography, brands and visual culture.


above left: Superman Lover, 840mm x 1118mm special edition of 10, hand-painted giclee w 23ct gold leaf
above right: BAM-GRD, 840mm x 1118mm, Giclee, edition of 25

On the simplest level, Who’s the Man is an encyclopaedic and decorative texture of emotionally resonant colours and designs, but the playful placement of each panel reads left to right, top to bottom as a witty poem or narrative, where word associations throw up questions in the mind of the viewer about their own attitudes and expectations of masculinity.


above left: 16 Big Shots, 1626mm x 1118mm, Giclee print, edition of 25
above right: Space Cowboy Gangster of Love

The entire work (5m x 4m) will be accompanied by a limited-edition series of hand re-touched prints of each of the various subsets.

There will be an opportunity to purchase limited edition pieces at the exhibition: on sale will be the 1,000-panelled installation and a series of hand re-touched giclee prints in limited editions of 10. Visitors may also request a special commission by Rudy de Belgeonne on wooden panels.


above: 16 Lovermen, 700mm x 500mm, hand painted, enamel on wood, edition of 10

Exhibition details:
Thursday 3 – Tuesday 8 June 2010
10.00 – 18.30

The Future Gallery
5 Newport Street, London WC2H 7HY
T: +44 (0)20 3301 4727

Sponsored by:
Pearl and Coutts, quality residential and commercial property lettings in London
Courvoisier The Future 500, an exclusive network of 800 rising stars across the UK



About the artist:
Rudy de Belgeonne is a Slade-trained artist who’s fascination with puzzles and gameplay led him to work for many years new media as an interactive games designer. In addition to his painting, Rudy has worked on a wide range of projects – both personal and professional – that occupy the space where art & technology meet. He lives and works in London.

all images and info courtesy of the artist and gallery