above: aerial view rendering of the 9/11 Memorial
above: one of the two 9/11 Memorial bronze name-etched reflecting pools in the foreground and the 9/11 Museum Pavilion entry in the background
Today, on the 10th anniversary of the tragic terrorist attacks on the World Trade Centers' twin towers and the Pentagon, there will be several memorials taking place as we honor the victims with moments of silence and reflection.
Below, President Obama, President Bush and their wives visit the Reflections of Absence this morning:
The 9/11 Memorial will be dedicated on September 11, 2011 (today) in a special ceremony for victims’ families. Therefore, it is fitting that today I share with you photos, renderings, images and information about the 9/11 Memorial; its monuments, plaza and museum at the site of Ground Zero.
above: Water Falls in the Memorial North Pool (Photo by Joe Woolhead)
The 9/11 Memorial by Michael Arad (formally named "Reflecting Absence") is located at the site of the former World Trade Center complex, and occupies approximately half of the 16-acre site. The memorial features two enormous waterfalls and reflecting pools, each about an acre in size, set within the footprints of the original twin towers.
above: an aerial renderings of 9/11 Memorial Plaza and site
above: a cross-section of the Memorial Plaza and the Museum Pavilion and interior
above and below: rendering of the Bronze Names Parapets
above: a birdseye view of the 911 Memorial Monuments at night
The 2,983 names
The 2,983 names of the men, women, and children killed in the attacks of September 11, 2001 and February 26, 1993, are inscribed into bronze parapets surrounding the twin Memorial pools, located in the footprints of the Twin Towers.
Every name has a code containing N for North Pool or S for South Pool, followed by a panel number that locates it on one of the Memorial Pools.
Names are placed within nine primary groups.
Around the North Pool:
World Trade Center North
February 26, 1993
Around the South Pool:
World Trade Center South
Requested adjacencies within these groups:
Names are arranged by affiliation, so that the employees of a company or the crew of a flight are together. The next-of-kin of the victims and surviving colleagues made additional requests for specific names to be inscribed next to one another. Some requests were between relatives and friends; others were between people who had just met, but who responded together as events unfolded.
This design allows the names of family, friends, and colleagues to be together, as they lived and died. The requested adjacencies reflected on the Memorial make it unique from any other in existence.
above: rendering of interior of the Memorial Hall, a view of the reflecting pools from beneath
You can search for a name on the memorial here.
Memorial Plaza by Peter Walker and Partners
above: With its grove of trees, the Memorial’s plaza is an actual green roof for the structure housing the 9/11 Memorial Museum (May 2011, Photo by Joe Woolhead).
The landscape architecture of Memorial Plaza was designed by Peter Walker and Partners of Berkeley, CA. and is one of the most sustainable, green plazas ever constructed. Its irrigation, storm water and pest management systems will conserve energy, water and other resources.
above: renderings of the 9/11 Museum Plaza
Rainwater will be collected in storage tanks below the plaza surface. A majority of the daily and monthly irrigation requirements will be met by the harvested water.
above: The Survivor Tree Blooms on the Memorial Site (Photo by Amy Dreher)
The Memorial Museum and Entry Pavilion
The Museum’s entry pavilion was designed by the Norwegian architecture firm, Snøhetta and the underground museum exhibit space by Aedas, Museum architects.
The Mission of the Memorial Museum, located at the World Trade Center site, is to bear solemn witness to the terrorist attacks of September 11, 2001 and February 26, 1993.
above: a birdseye rendering of the Museum’s entry pavilion
Visitors to the Memorial Museum will be presented with a sequence of experiences which allow for individual and personal encounters within an overall context of a historical narrative.
above: a rendering of the Museum’s entry pavilion
The nature of the Museum is such that the shell of the space, comprising existing foundations, the slurry wall and other in-situ elements of the site is as much an artifact of 9/11 as the contents of the exhibitions.
above: a rendering of the Museum atrium with Twin Tower "tridents."
Visitors will enter through a pavilion that houses an auditorium for public programming, a multi-purpose area for contemplation and refreshment and a private suite reserved for victims’ family members. Two of the original steel tridents from the Twin Towers will be enclosed within the pavilion’s grand glass atrium, standing as references to the past, while signaling hope for the future.
above: rendering of Memorial Exhibition in the heart of the museum site
Memorial Design Exhibition
The introductory exhibit leads to a gently ramped “ribbon,” toward the core exhibitions at bedrock, the archeological heart of the World Trade Center site.
above: rendering of the interior of the Museum
This descent echoes the ramp that once was used by construction workers to help build the World Trade Center and was again used in the aftermath of the attacks for the recovery and clean-up of the site and by victims’ family members to access bedrock on anniversaries of 9/11.
above: rendering of interactive tables and artifact cases
From the ramp, vistas will be created, providing a sense of the vastness of the site and the scale of the original Towers. Visitors will be able to stand between the locations of the original Twin Towers and experience their scale, which will be referenced by two metal-clad, ethereal volumes. The ramp that will bring visitors to the core Museum exhibitions has already been framed in steel and concrete.
above: rendering of space for remembrances
above: interactive tables and Wall of Faces
The final descent to the base of the site will take visitors alongside the Vesey Street Stair remnant – also known as the “Survivor Stairs,” which was used by hundreds to escape the destruction of the Towers on 9/11.
above: The "Survivor's Staircase" before being moved to the museum
After today's dedication ceremony the 9/11 Memorial will be open to the general public.
This post is in sincere remembrance of those lost in this tragedy. May they rest in peace.
More information can be found here.
some images courtesy of the LMCD and many of the computer renderings in this post were created by Squared Design Lab
above: a modern sukkah, Fractured Bubble, by Henry Grosman and Babak Bryan was "Fan favorite"
Thanks to Ren and her wonderful blog, Lady of The Arts, I have learned about 'Sukkah City', an international design competition which took place last week in New York to re-imagine Sukkahs, the temporary shelters or dwellings built during the week-long traditional Jewish Festival Of Sukkot to commemorate the homelessness that occurred during their 40 years of wandering in the desert after the Exodus from Egypt.
It's not easy to describe a Sukkah, so I'll let this video by Liz Nord do it for you:
624 people from 43 countries entered the competition. The 12 temporary structures that were chosen as the winning designs by a very impressive jury (listed later in this post) were constructed in Union Square Park’s South Plaza and were displayed publicly on September 19th and 20th (one of them, P.YGROS.C, collapsed immediately after construction). Here are the 12 winning concepts.
Gathering by Dale Suttle, So Sugita, Ginna Nguyen:
LOG by Kyle May and Scott Abrahams:
Blo Puff by Bittertang:
P.YGROS.C / passive hygroscopic curls by THEVERYMANY / Marc Fornes with Jared Laucks:
In Tension by SO-IL:
Sukkah of the Signs by Ronald Rael, Virginia San Fratello:
Star Cocoon by Volkan Alkanoglu:
Single Thread by Matter Practice:
Shim Sukkah by tinder, tinker:
Repetition meets Difference | Stability meets Volatileness by Matthias Karc:
Time/Timeless by Peter Sagar:
Fractured Bubble by Henry Grosman and Babak Bryan:
See all of the impressive entrants from 43 countries here.
While the concept of Sukkah City is fresh and exciting, some of the more common criticisms of the event were that the discrepancy between the impressive renderings and actual built structures were fairly great-- the completed buildings were disappointing when compared with the imagined concepts.
The Gathering Sukkah as imagined and as realized:
"Log" was one of the few designs that remained faithful to the original rendering:
The blog Human's Scribbles has great good side-by-side comparisons of the renderings with the completed structures.
The two day display culminated with Mayor Bloomberg announcing “Fractured Bubble,” a design created by Henry Grosman and Babak Bryan of Long Island City, Queens, as the “People’s Choice” winner:
The following photos from the event are courtesy of Benjamin Norman for the New York Times, who published this article on the event:
above: a panoramic view of the event
above: peeking inside the Shim Sukkah
above: the Blo Puff sukkah, a far cry from the original rendering
The process and results of the competition, along with construction documentation and critical essays, will be published in the forthcoming book "Sukkah City: Radically Temporary Architecture for the Next Three Thousand Years."
The jury consisted of these impressive designers, illustrators, architects and writers:
* Michael Arad
* Ron Arad
* Rick Bell
* Allan Chochinov
* Matias Corea
* Paul Goldberger
* Steven Heller
* Natalie Jeremijenko
* Maira Kalman
* Geoff Manaugh
* Thom Mayne
* Thomas de Monchaux
* Ada Tolla
* Adam Yarinsky
Next year, Sukkah City will expand from New York City to cities all around the world. If your community would like to be part of Sukkah City 2011, please contact them at firstname.lastname@example.org.
To learn who was behind this, the sponsors and more, visit Sukkah City.