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Showing posts with label ad campaign. Show all posts
Showing posts with label ad campaign. Show all posts

The Original Ads For Georg Jensen Compared To The Cross-Stitch Versions.




above: detail of the original photographs with details of the cross-stitched versions, composited by me

When the ads first broke last fall, world-renowned Scandinavian Silversmith Georg Jensen's original campaign featured Danish model Freha Beha Erichsen with its sexy but approachable photographs by Sebastian Faena.




Those photographs have now been embellished with cross-stitched versions by Danish-Irish artist Inge Jacobsen (some of whose previous work I shared with you here) and re-released as a new interpretation of the ad campaign for the Georg Jensen collection.


above: one of the spread ads for Georg Jensen, as it first appeared

Below is a comparison between the original 2011 Sebastian Faena photographs for the campaign and the recently unveiled re-imagination of the campaign by Inge Jacobsen incorporating her unique cross-stitching technique:

The original photo:

The cross-stitched version:

The original photos:


The cross-stitched version:

The original photo:

The cross-stitched version:

The original photo:

The cross-stitched version:

A detail of the above cross-stitched version shows how the Georg Jensen jewelry and tableware are not stitched over:


Here's a look at a video of original photoshoot for the Georg Jensen Collection with model Freha Beha Erichsen and photographer Sebastian Faena:


georg jensen
inge jacobsen

Tropicana Wakes Up London With One Helluva Prop To Promote New Ad Campaign- An Artificial Sun.



above photo by Jonathan Short, courtesy of the Telegraph



This ʻbrilliantʼ artwork was commissioned by Tropicana (PepsiCo) to support their current advertising campaign. Art collective Greyworld created the spectacular sun which was raised over Trafalgar Square early this morning as part of Tropicana's "Brighter Mornings" campaign.



Tropicana spokesperson, Pete Charles, said: “Sunlight is something many of us crave mid-winter. We hope that this stunning art installation will both amaze and enthuse those who see it, whilst brightening their mornings on a miserable January day. We hope people will be able to come down, relax in our deckchairs and enjoy a glass of Tropicana whilst watching the spectacular sunrise.ʼ

Time lapse video of the event:


The Trafalgar Sun which took six months to create is 30,000 times bigger than a football, has a surface area of 200m2 and weighs over 2,500kgs. Its internal light source produces 4-million lumens of light, the equivalent of 60,000 light bulbs, making the artwork visible from space.




Andrew Shoben, founder of Greyworld said: “There are very few moments more spectacular and up- lifting than watching an early morning sunrise. We have tried to capture the evocative nature of this natural phenomenon with the Trafalgar Sun, which has been unveiled to help boost the mood of those who experience our latest piece of public art.”

The sun will set at 7:33pm today giving Londoners an additional 3 hours of sunlight.

Below is "Awake to Alive", a tv ad from the new Tropicana 'Brighter Mornings" campaign:

images and info courtesy of Tropicana and Greyworld.

Equinox Defends Their Controversial Ad Campaign Shot By Terry Richardson.




You may or many not have read the glut of recent articles highlighting the controversy over the "skinny" models in the latest ad campaign for Equinox Fitness Clubs shot by photographer Terry Richardson. According to Fashionista, Huff Post and plenty of other blogs, gym goers expressed disappointment in the 'thin' physiques displayed in the ads.


above: the exterior of the Equinox gym in Beverly Hills, California

The campaign was meant to illustrate the connection between fitness and fashion, but comments and criticism on Facebook and other sites allude to the fact that some might prefer fit and healthy looking models as opposed to runway thin models in the ads.



The gym chain has since responded, defending not only Richardson’s photos but their “deliberate” decision to run with them. Women’s Wear Daily reports that the chain disagrees with the mob of gym goers who stormed the Equinox Facebook page with comments demanding that the women featured in the ads look fit and healthy, instead of runway thin. Equinox’s executive creative director Bianca Kosoy told the paper:

“Our campaigns exist at the intersection between fitness and fashion; they are intended to be thought provoking and to generate discussion through their deliberate synthesis of personal motivation and high fashion photography.”

Frankly, the controversy regarding this continuation of the campaign shot for the chain of gyms by Terry Richardson is most likely more attention than the campaign warrants given that there's nothing extra interesting, compelling or memorable about the ad campaign.

Below are 12 ads shown from the campaign and the inside scoop behind 9 of the shots, straight from the set, from Executive Creative Director Bianca Kosoy.

Don't Let Them Eat Cake

"This obscenely expensive cake that we meticulously designed for this shot almost didn't make it. When the delivery guy showed up, someone directed him to Craft Services and it was about to get sliced for dessert. As you know, you can't have your cake and eat it too."

Shorts Story

"Believe it or not, this was one of the hardest shots to style, wardrobe-wise. We kept trying on different combinations of collegiate socks, ties, boxers and underwear to get the perfect blend of preppy and sexy. We wanted them to look hot, but not over the top. I mean, we are promoting higher education here."

Frankie Says Relax

"Terry's signature style inherently dials up the sex factor — each shot is like foreplay. The idea behind this shot was that the couple was recuperating after sex, so I had to keep reminding Terry that we were going for a 'post-coital' feel. He just started yelling, 'Post-coital! Post-coital!' with every pop of the flash! Everyone on set was cracking up."

Sunshine and Rain

"This was the first shot of the day, and it was raining and the weather was just supposed to get worse. We had tents set up and people holding umbrellas over us. The styling, props and location were so flawless and the models were having a blast, so the shot came together quickly. Let's just say we weren't going to let it rain on our parade."

Little Man on Campus

"Little Giuseppe was on set all day because we had to get all the outdoor shots done. He made the best of it flirting with the models and asking his mom if he could take a puppy home. Once he finally got on set he and Terry had this great banter about how much more time he had left. He was a total pro."

Searching High and Low

"The whole idea of the shoot was to create a real highbrow, secret society feel, but when it came down to finding most of the props, like the trophy in this shot, they ranged from actual museum pieces to random garage sale finds from upstate New York. It's the perfect intersection of highbrow and low art."

Puppy Love

"These French bulldog puppies had a bigger entourage than Terry: a breeder, a trainer and a handler. I couldn't believe how well-behaved they were. I actually almost went home with one, but I decided getting a new puppy in the middle of a campaign launch probably wasn't the best idea. Too bad. I was going to name him T-bone — in honor of Terry."

Happy Endings

"This was the wrap shot. It just instantly came together. The stylists and hair and makeup team were all done, and everyone sat on the grand staircase in the foyer enjoying the view and watching Terry do his thing. This is what I call a happy ending."

Earlier ads in the "By Equinox" campaign shot by Terry Richardson:




equinox
terry richardson

Stunning Print Advertising for the World Wildlife Fund by Contrapunto BBDO.



above: detail from World Wildlife Fund print ad, "Elephant"

Ads of the World, a fast growing site which features advertising from... yes, that's right, all over the world, makes monthly picks for what they consider the best advertising in film (tv), print, ambient, outdoor, online and direct mail.

Their choice for the Best Print work of November 2011 is this simple but visually stunning campaign for the World Wildlife Fund by Spain's BBDO office, Contrapunto BBDO. Three spread ads with the same headline. Same message. Same visual effect. Still beautifully compelling with a well executed effect.

"Leopard"

detail:


"Parrots"

detail:


"Elephant"


The headline on all three reads "Desertification destroys 6,000 species every year." By the way, since it's not a commonly used term desertification means "The process by which fertile land becomes desert, typically as a result of drought, deforestation, or inappropriate agriculture."

Credits:
Advertising Agency: Contrapunto BBDO, Madrid, Spain
Chief Creative Officers: Carlos Jorge, Félix Del Valle
Art Directors / Copywriters: Aurora Hidalgo, Raúl López
Account Manager: Paco Ribera
Producer: Javier Luján, Raúl López
Account Executives: Verónica Félez, Dalal Solaim

Bing Brings Back Rankin/ Bass Stop-Motion Rudolph For A Holiday Ad Campaign



above: Microsoft executives Aaron Lilly, left, and Sean Carver, pose with figures from the animated show 'Rudolph the Red Nose Reindeer.'

On November 23rd, Microsoft's Search Engine, Bing, kicked off the holidays with a new twist on some of the most beloved characters of all-time. Building on the iconic Rankin-Bass production of Rudolph the Red-Nosed Reindeer, the stop-motion animated classic that first premiered in 1964, they are introducing a series of new stop-motion animation shorts (all shown in this post) featuring the original characters.


above: a still from one of the four stop-motion animated Bing commercials for Christmas 2011

Produced by Bent Image Labs, the new shorts will appear in select holiday TV programs including holiday specials like “Santa Claus is Coming to Town”, “Frosty the Snowman”, and “South Park Christmas”, and in movie trailers for hotly anticipated winter movies, “Arthur Christmas”, “The Muppets”, and “Happy Feet Two.”

Bing Bumble-Less:


“Bumble”, the more beloved name for the Abominable Snow Monster, features the lovable Bumble, who has lost his scary roar. He uses Bing to search for “scary monster” and once inspired by a few Bing Videos, perfects his roar to be appropriately scary again.



Bing Hot Yoga:


Yukon Cornelius becomes exhausted from pulling Hermey and Rudolph on his sled and collapses in the snow. Luckily, Bing helps him find the closest hot yoga studio using Bing Local.



Bing Social Search:


Hermey, Yukon and Bumble are tired of the winter weather and are in dire need of a vacation. Bing Travel saves the day via a “fabulous island resort” search, highlighting Hermey’s friends who have “liked” specific resorts, leading to Bing Travel and the perfect destination.



Bing You Won't Believe This:


Santa and Mrs. Claus get a little crazy in the workshop with bubble wrap, search on Bing Video for bubble wrap how-to’s, and hilarious antics ensue.



Microsoft Corp. licensed the rights to the characters from Rudolph's 47-year-old holiday special after convincing their owners that the Bing commercials would add an endearing chapter to the reindeer's story. The rights to Rudolph and the rest of the cast are owned by the children of Robert L. May, who wrote the story in 1939 while working as a copywriter at the Montgomery Ward department store (May's brother-in-law, Johnny Marks, later wrote the famous song).

Aaron Lilly, a Microsoft executive who helps conceive Bing's promotions, came up with the idea to build holiday ads around the Rudolph story two years ago. It didn't happen then because the Aflac insurance company had already bought licensing rights to the characters for that holiday season.

Microsoft declined to say how much it's spending on the Rudolph campaign.

Thanks to Sean Carver and Aaron Lilly of the Bing Team for information

Rihanna For Emporio Armani's New Fall Underwear and Lingerie Ad Campaign.




Each year fashion brand Emporio Armani chooses a new celeb to be scantily clad in their black and white ad campaign for underwear and lingerie. Shot by Steven Klein, this year's sexy siren is Rihanna, replacing last year's Megan Fox and David and Victoria Beckham.



Taken in a black Lincoln Continental in New York, Rihanna's photos by Steven Klein (shown below) were just unveiled to the public.






Steven Klein

Mert Alas and Marcus Piggott shot Megan Fox and Victoria and David Beckham for the brand's 201o underwear campaign:


Emporio Armani

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