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Stunning Sapporo Beer Ad, Website And Game Combine Live Action & Animation.





This has got to be one of the most beautiful ads I've ever seen. This award-winning two minute video -and its web counterpart- for Sapporo Beer combines live action with animation to tell the story of the brand and brewing history of the Japanese beer.



Created by Dentsu, Canada in 2010, the two minute spot was co-directed by Mark Zibert of Sons and Daughters and Gary Thomas of Crush. It took over a month to shoot this creative film on location in Guangzhou, China.



“We looked at a few techniques off the top,” says Zibert. “We first considering creating the entire spot with motion control and CG. Then experimenting with projecting 2D art/matt paintings onto geometry (developed by Crush Sean Cochrane) and finding it had a unique quality to make this campaign stand apart. So the spot is not entirely photo or CG or 2D illustration, but a combination of all three,” adds Zibert.

a few screen grabs of the spot so you can see some of the beautiful imagery:










The video has also been edited down for a series of 15-second TV commercials, as well as a 60-second spot.

“We wanted something distinctly Sapporo and wanted to go through the heritage and the brewing process and combine the Japanese flavour but take it beyond sushi and make it mainstream,” said Glen Hunt, creative catalyst, Dentsu Canada.

The campaign is the first full-scale national effort in Canada and the first of any sort for the Toronto-based agency since taking the account over in January 2009. Sleeman had not worked with a full-service agency since 2007, when Doug (now Doug & Serge) held agency of record status.

The campaign took one and a half years of planning, and six months to shoot. The agency developed five distinct campaign ideas before narrowing it down to three, which were presented to the client, said Hunt.

“Each one of them had a wonderful response [but] ‘Legendary’ was their favourite,” he said.

Parts of the ad were shot in China in front of a green screen, and then brought back to Toronto where each shot was placed in position on a “map painting” and given a “3D type effect so that it created depth,” said Hunt.

Dentsu also assisted Concrete in the design of a new 500 ml can that features Japanese script meaning “premium” and the historic Sapporo “north” star embossed on the front.

“We know our consumers not only demand a high quality product, but also a brand that conveys attributes that appeal to their individuality,” said Kenny Sadai, president and CEO of Sleeman Breweries, in a release. “We felt tapping into the brand’s Japanese heritage and bringing to life the essence of ‘Biru’ would further illustrate those qualities.”




THE INTERACTIVE WEBSITE



Sapporo launched a microsite with a contest that asked consumers to locate the hidden scrolls placed throughout the video for a chance at a trip to Japan. The trip has already been awarded but you can still play the game and explore the site to find the hidden 'scrolls'.



Working with Dentsu, Lollipop created the site to support the launch of the Legendary Biru campaign for Sapporo Beer.



The site itself is centered on a character – the Sage – that is the keeper of the legend of Sapporo. He leads visitors on a ‘treasure hunt’ through the site where the goal is to collect a number of hidden scrolls. Some are easy to find and tell a brief story about the beer, while others are well hidden and require diligence to unlock. Those who reach the end of the journey are given a message tailored to the number of scrolls they’ve discovered, while those who manage to collect all 15 scrolls are entered to win a trip to Japan.


Check it out at legendarybiru.com.

Lollipop designed and built the site, in addition to shooting the sage video. Sons & Daughters shot the live action, while Crush created the CG, mattes and final compositing. Sons & Daughters and Crush managed production, Lollipop was responsible for the interactive, and Grayson Matthews created the music featured in the spot. Credits: Title: "Legendary Biru" Agency: Dentsu Canada, Inc. City: Toronto Campaign: Legendary Biru Advertiser: Sapporo Breweries Ltd. Brand: Sapporo Type: Television Length: 120 seconds Market: Canada Creative Director: Mr. Glen Hunt Creative Director: Les Soos Art Director: Les Soos Art Director: Mr. David Glen Copywriter: Mr. Dhaval Bhatt Copywriter: Mr. Glen Hunt Director: Mr. Mark Zibert Director: Mr. Gary Thomas Production Company: Sons & Daughters Production Company: Crush Account Director: Mr. Tim Binkley Agency Producer: Ms. Sharon Kosokowsky Post Production: Crush Music Company / Composer: Grayson Matthews Information, text and images courtesy of Creativity-Online, Sapporo, Lollipop and Adland  

 Special thanks to Thom Cordner for bringing the spot to my attention.

The Sail Rug by Luca Nichetto for Nodus Has Built-In Seating





SAIL is a limited edition 100% wool rug by designer Luca Nichetto for Nodus rugs.




The unusual shape allows the rug to ether lie flat or can partially sit up on its own or against a wall to create a built in seating area.



Hand-knotted on a loom, the rug has a 10mm deep pile and 100 knots per square inch. The unique rug is made with 100% Tibetan Highland wool mixed with New Zealand wool and is also available in 100% silk or 50% wool and 50% silk.




Made in four different colors, the rug is available in one size only: 440cm x 229cm and takes three months to deliver after ordering.



Contact them here for ordering information

designer Luca Nichetti:

The Neon Angelica Chandelier by Nucleo.





Angelica is a modern chandelier designed by Nucleo, a design group based in Italy. The design concept - a chandelier in eighteenth century style revisited in modern key - was to eliminate any super-structures, thus making light the only protagonist.




Angelica outlines its presence in space by evoking the past with soft lines that subtly recall the style of the eighteenth century. The chandelier lights up with an intensely soft light, creating an effect that is poetically suggestive and sophisticated.





The bearing structure is created in aluminium with laser-cut plexiglass elements:



Available in white, aquamarine blue, orchid lilac, mint green.

Diffuser: fluorescent neon (white glass tubes charged with argon)

Light source: total 125W (cold cathode)

Size: 120 x 100 cm

Design: Nucleo

Manufacturer: ALT Lucialternative

TRON Armchair Now Mass-Produced For Cappellini In 4 Colors & New Material.





In 2010 Cappellini And Walt Disney Signature Presented A Special Production Series of The TRON Armchair Designed By Dror Benshetrit For Design Miami 2010.


above: The prototype for Disney. Raw Data forms a jagged and angular landscape, serving as a muse for a chair that is comprised of intersecting layers and textures of 'digital' rock. Constructed of composite material consisting of impregnated fiberglass with polyester resin processed with manual layering, these Special Production Walt Disney Signature TRON Armchairs invite you to "sit off the grid."

You may have read about these on such design sites as Core 77, Curated Mag and Design Milk. Their reports showed the Special Production Walt Disney Signature TRON Armchairs made of fiberglass and in gritty and unusual paint jobs such as these:






Initially made as a series of four “one-off” fibreglass prototypes, when it came to mass production Cappellini and Poltrona Frau went with four new colors and 100% recyclable material.



Giulio Cappellini plays on the contrasts suggested by the film; the contrast between the real world and the world of TRON:Legacy. Natural elements embody this juxtaposition, so the dark grey of the “stone”, and the white of the “air” represent the landscape of Tron and the safe house, while the light blue of “water” and the green of the “grass” represent the real world:







Cappellini & Walt Disney Signature


Conceived from the futuristic world of the Disney film “TRON: Legacy” and designed by Dror Benshetrit of Studio Dror, the Tron Armchair is a product profoundly inspired by material with features that are reminiscent of the rugged and rocky landscape which surrounds the digital world of TRON. Initially made as a series of four “one-off” fibreglass prototypes individually hand-finished by New York designer Dror Benshetrit (shown below in the chair).





Using the roto-molding technique, made of 100% recyclable material and suitable for both indoor and outdoor use, the armchair is now available in four different colors.

Designer Benshetrit talks about the mass-produced TRON Chair at the Milan Design Village, 2011:


Cappellini

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