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Showing posts with label realism. Show all posts
Showing posts with label realism. Show all posts

The Next Best Thing To Being Cloned. A Frighteningly Lifelike 3D Mask Of Your Face.




These realistic full sized face masks are truly incredible likenesses. So much so that they most likely will creep you out while simultaneously amazing you. Making full use of a technology called Three-Dimension Photo Form (3DPF), Real-f - short for REALFACE- of Japan will create an exact duplicate of your mug in the form of a hard plastic mask within a relatively short time and at an affordable price.

Paintings That Are Truly Gems. Realistic Crystals and Minerals Rendered In Oils by Carly Waito.



above: Smoky Quartz, 2011

These amazingly realistic oil paintings on masonite by Carly Waito are really precious. Literally and figuratively. The small scale works range in size from 4.5" x 6" to 11" x 12' and impressively capture the way crystals and rocks reflect and refract light. Given the healing properties of many stones and minerals, these works have appeal in both their craft and subject matter. I'd like to own several of them and hang them together. As you can see, they sell quickly (almost every single one shown in this post is sold).


above: Dioptase, 2011 (sold)

above: Amethyst, 2011 (sold)

above: Pyrite, 2011 (sold)

above: Bornite coated Chalcocite, 2011 (sold)

above: Smoky Quartz, 2011 (sold)

above: Amethyst, 2011 (sold)

above: Smoky Quartz, 2011 (sold)

above: Flourite, 2011 (sold)

above: Vesuvianite, 2011 (sold)

above: Smoky Quartz, 2011 (sold)

above: Spessartine, 2011

above: Flourite, 2010 (sold)

above: Sphalerite, 2010 (sold)

above: Barite, 2010 (sold)

above: Amethyst, 2010

above: Rhodocrosite, 2009 (sold)

The following three images represent some of her latest work and as you can see, she is exploring black backgrounds for some of her newer pieces.


above: Amethyst Mountain, 2012

above: Tektite, 2012

above: Dark Crystal, 2012

The following text is courtesy of Narwhal Art Projects:
In these works, diminutive specimens of semi-precious gems and minerals are rendered in meticulous detail, exposing the beauty and logic of their structural minutiae. Yet, beyond simple imitation, Carly Waito’s reproductions imbue further worth to objects that are naturally perfect: where each specimen inherently exudes an aura, Waito has both reiterated and enhanced it. The result is a reverent homage to nature’s marvel, the faculty of humankind and the unconditional value of their synergy.

Through curating minerals, photographing them in macroscopic detail and rendering them in oil paints, Waito employs a layered process highlighting the ties between mimesis and levels of value. From the seemingly limitless depths of Smoky Quartz to the chromatic, reflective facets of Sphalerite, the geometry and beauty of each painted specimen speaks to the incredible complexities of nature’s design as well as Waito’s own facility. Each painting expands the infinitesimal traits of the artist’s tiny subjects, rendering them as detailed maps of an otherwise invisible geological universe.


About the artist:
Toronto-based artist Carly Waito was born in Manitouwadge in 1981 and raised in Thunder Bay. A graduate of the Ontario College of Art and Design, Waito co-founded the ceramic art and design studio coe&waito with Alissa Coe in 2005. The partnership is known for its elegant products and sculptural installations inspired by the natural world. As a painter, Waito has continued to pursue this inspiration, with a focus towards geology, geometry and ideas of wonder and curiosity. She has participated in a number of exhibitions, including Little Crowns (Dec 2009) , The Dazzle (Oct 2010) and Specimens (2011) at Narwhal Projects, and Plus 1(2011) at Sloan Fine Art in New York.

Purchasing inquiries please contact Narwhal Art Projects.

NARWHAL
2988 DUNDAS ST WEST TORONTO ON CANADA M6P 1X6
tel: 647.346.5317

Carly Waito

Two Different Artists Paint The Same Unusual Subject: Rubber Band Balls.




It may seem like an odd subject to you, but clearly not to artists Canadian Joanna Strong and Sandy Wilcox of the U.S., both of whom were separately inspired to paint a series of the same exact subject: Rubber band balls.


above left: Joanna Strong, A Joyous Voyage; above right: Sandy Wilcox, RBB#9

Painting them as a singular subject in the style of contemporary realism, Strong's paintings are slightly more photo-realistic with dramatic lighting and on a black background, making the bright colors pop. Wilcox's images of the same subject are painted in a smaller format, a little softer in execution and color and are featured on pale neutral backgrounds with soft shadows.

I have chosen to feature 14 paintings by each artist. I find both equally appealing and would love to own one of each.

Joanna Strong's Entanglement Series (sizes range from 16"x 16" to 48" x 48"):

A Joyous Voyage:

Birthday Party:

Climbing Trees At Sunset:

Gone Shopping, Back Soon:

Halleluia:

It's A Beautiful Evening:

Picking Wild Strawberries at The Beach:

Sail Away:

The News:

Undiscovered Country:

Up In The Airy Mountain:

We Could Be So Happy:

Wrapped Up:

all of the above paintings by Joanna Strong have been sold, to see more of her work, visit her site

Sandy Wilcox's Rubber Band Balls (sizes range from 10" x 10" to 20" x 16.5":

RBB #5:

RBB #6:

RBB #7:

RBB #8:

Rubber Band Ball #1 (sold):

Rubber Band Ball #2:

Rubber Band Ball #3:

Rubber Band Ball #4:

Rubber Band Ball #5:

Rubber Band Ball #10:

Rubber Band Ball #14:

Rubber Band Ball #15:

Rubber Band Ball #16:

To purchase one of Sandy Wilcox's Rubber band ball paintings, visit her site.

Burn Wood, Baby, Burn. The Incredible Pyrographic Art of Julie Bender.





When I first came across these, I found it so hard to believe they were actually wood burnings. The intricate rendering of texture, the detail and the overall appearance seems as though it'd be virtually impossible to create with a pyrographic tool. Julie Bender has shown me otherwise.

NOTE: all the images in this post are copyrighted by the artist and may not be reproduced or used without express written permission from Julie Bender.

Wood burning (aka Pyrography) is an old-fashioned art and nowadays often reserved for camp arts and crafts projects. Artist Julie Bender elevates the centuries old tradition and depicts animals and birds with an incredibly deft hand - bringing hair, fur and feathers to life on a piece of maple wood.



Inspired by animals and nature – and her Canon EOS Rebel T1i digital camera – Bender's process begins by compiling inspiring photographs and penciling in her subjects on a well-sanded maple surface with a keen sense of composition and attention to wood grain.



Light-handed strokes and smooth, subtle shading using very tiny tips characterizes her technique. She finds her personality well-suited for the challenge of this exigent art form as well as the extreme patience and considerable time that is required of her work.



Julie, pictured above, states: “This unusual medium still has me marveling over the fact that my subjects may be brought to life solely by applying heat to wood.”

Below are a selection of some of my favorite pieces of hers. Many still available for purchase.

Wild Animals:








Her work consists of pyrographic renderings of wild animals, birds, dogs and horses. Each work is produced on grade A northern maple veneer, sealed with protective finish, signed on front and back and individually numbered and dated on back.

Equine / Horses:







Avian / Birds:








Canine / Dogs:





A background of Pyrography from Julie:
Pyrography, the art of burning or scorching on a natural surface was an art form practiced since the dawn of recorded time by Egyptian and African tribesmen fascinated by the mysterious beauty and power of fire. Defined in traditional terms, pyrography is the art of drawing with fire; using a heated tip or wire to burn or scorch designs onto natural surfaces such as wood and leather.

In the late 19th Century, Melbourne architect Alfred Smart discovered a way to pump benzoline fumes through a heated hollow platinum pencil in order to improve upon the pokerwork process and allowing the addition of tinting and shading that previously were impossible. In the early 20th century, the development of the electric pyrographic hot wire wood etching machine further automated the pokerwork process.

Modern day pyrography is typically done with solid-point tools, which resemble but are more sophisticated than soldering irons or hot wire tools. These tools are electrically heated by equipment that may allow temperatures to be adjusted, thereby producing a great range of natural tones and shades. Subtle or bold effects may be achieved, depending on many factors, including heat, pressure, type of wood or surface, and tool tips used.

Julie's technique is to use tools that allow her flexibility to develop her unique style. Light, gradual strokes and smooth, subtle shading are her hallmark in attaining fine detail in each work of art. When it comes to pyrography, Julie considers herself a purist. The wood and grain she uses is selected carefully for best composition and aesthetics.


"Borrowing from the ancient craft of wood-burning, I attempt to portray the natural world in fresh ways to express my profound appreciation of animals and nature. I am moved by the graceful synthesis of a smooth wooden surface and the heat infused within to create rich sepia. As I ‘paint with heat,’ I feel a certain parallel between the wild and natural spirits that embody my subjects and the organic and distinctively unforgiving nature of my medium." - Julie Bender

NOTE: all the images in this post are copyrighted by the artist and may not be reproduced or used without express written permission from Julie Bender.

See (and purchase) all of Julie Bender's beautiful work here.

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