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Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

Introducing The Ponysaurus Brewing Co. And Their Beautifully Branded Beers.





Launched just 2 months ago by David Baldwin, Keil Jansen and Nick Johnson, the Ponysaurus Brewing Co. in Durham, North Carolina touts itself as a 'forward-thinking, backward-tasting brewery based in Durham, NC, creating beers that are meant to be savored, appreciated, contemplated, philosophized, studied, nuzzled, and mindfully guzzled.'



above: David Baldwin, Keil Jansen and Nick Johnson of the Ponysaurus Brewing Co.

With seven craft brews thus far under their label, the beautifully branded beer just released photos of their bottle, label, packaging and collateral design by Baldwin& (who is part owner of the brewery), designer Kellyn McGarity, writer Chad Temples and illustrator Steven Nobel who helped out on the Ponysaurus icon.














The Beers:

Degarde:
An homage to higher-gravity French farmhouse ales, Biere de Garde roughly translates to “beer for keeping.” Our version reflects the historical realities of this style of farming, when brewers made do with what was on hand. With three types of barley, wheat, rye, and oats, its aroma smacks of apple, pear,almond, and vanilla, with just a hint of lemon rind.


IPA:
For our IPA, we used the traditional West Coast India Pale Ale as our template, then forgot where we put the template, then created something completely different. It’s a simple, easily enjoyable IPA with a crisp bouquet of lemon citrus, grapefruit rind, and melon. Tangerine and passion fruit dominate the hop flavor, but without the usual overwhelming bitterness.


Fig:
Our take on the crisp, flavorful ales brewed by farmers specifically for summer refreshment, the Fig Saison starts with several varieties of wheat, barely, rye, and, of course, figs. With a complex mix of yeast and fruit aromas that perfectly match its higher level of carbonation, the Fig Saison pours a rich red color and finishes dry with a mix of fruit, floral, spice, and subtle fig-ish notes.


Imperial:
Created in the 18th Century by British brewers for the kinda scary Czars of Russia, the Imperial Stout was designed to be dark, strong, and hardy enough to handle the long and perilous voyage across the Baltic Sea. And you do not want to disappoint the Czars of Russia. Our version is made to stand the test of time, too, featuring rich flavors of chocolate, toffee, coffee, currant, and vanilla. Budem zdorovy!


Reserve:
The result of our finest brewing efforts, the Ponysaurus Réserve is a Belgian Dark Strong Ale featuring rich brown malts and Belgian candy syrup made in-house. Flavorful Belgian yeast yields a complex yet elegant set of fruit and floral notes, while the candy syrup ferments almost completely, resulting in a scarily drinkable beer clocking in at just under 10% ABV.


Weissbier:
A celebration of traditional German wheat beers, our Weissbier features the classic banana and clove flavors, with the refreshing tartness and citrus notes that can only be found when the beer is at its freshest. We serve the beer cloudy on purpose, as the suspended yeast is crucial to its overall impression.


Vidieri:
A collaboration between Ponysaurus and local chocolatier Videri, our Chocolate Stout is designed to mimic the pure simplicity of a bar of dark chocolate. With a simple grain bill and fresh cocoa nibs added directly to the beer for ultimate flavor commingling, the result is a dark, clean beer that tastes more like artisan chocolate than chocolate cake.

Not available in liquor stores, you have to be a locoal to get a taste of their brews. The beer can be found at Geer Street Garden, Poole's Diner, Watts Grocery, and/or Mateo

http://ponysaurusbrewing.com/

Ponysaurus Brewing Co.

Two Brothers Create An Elegant New Toy You'll Want To Steal From Your Kids: My Wooden Horse.



Brothers Netta and Avner Shalgi set out to create a simple, handmade, durable, eco-friendly wooden toy that would combine nostalgia and creativity - and they have succeeded. Now using kickstarter for funding, My Wooden Horse is a beautifully designed functional pull or push toy for children that is also a keepsake in an era when toys lose their shelf life in a matter of years.

You Thought Packing Tape Was For Shipping Boxes, But Mark Khaisman Proves Otherwise.





Artist Mark Khaisman, originally from the Ukraine and now based in Philadelphia, uses packing - or packaging - tape in a very different manner than you do. Applying layers of 2" wide translucent and clear packing tape to backlit panels, he uses the play of shadow, depth, shape and color to create images of objects, portraits, patterns or motifs and the re-creation of movie and film noir stills. The results are reminiscent of digitized or pixelated photos, only with a depth and tactile quality that is unique to his work.



above: Tape Noir_72, 2012, Packaging tape on acrylic panel with translucent resin light box, 20.5 x 27 x 6 inches (52 x 68.5 x 15.2 cm)

The artwork with the lights off, compared to when it is illuminated from behind, is quite a transformation:


Here are some more wonderful examples of his work from various categories over the past few years.

Objects

Birkin Girl 2, 2013:

above: Packaging tape on acrylic panel with translucent resin light box, 27 x 40 x 6 inches (68.5 x 101.6 x 15.2 cm)

Faberge Egg 2, 2013:

above: Packaging tape on acrylic panel with translucent resin light box, 20.5 x 27 x 6 inches (52 x 68.5 x 15.2 cm), Private Collection

Antique Serapi Rug 1 and Antique Serapi Rug 3 (two different pieces), 2012:

above: Packaging tape on backlit polyester film , 100 X 58 inches (254.00 X 147.32 cm) and Packaging tape on backlit polyester film , 96 X 48 inches (244.00 X 122.00 cm)

image at the top:
Birkin Girl 5, 2013, Packaging tape on acrylic panel with translucent resin light box
27 x 40 x 6 inches (68.5 x 101.6 x 15.2 cm), shown with lights off and on


Motifs

Motif 2013.1, 2013:

above: Packaging tape on acrylic panel with steel light box, 48.5 x 36.5 x 6 inches (123.2 x 92.7 x 15.2 cm)

Motif 2013.3, 2013:

above: Packaging tape on acrylic panel with steel light box, 48.5 x 36.5 x 6 inches (123.2 x 92.7 x 15.2 cm)

Film Stills

James and Ursula #1, 2013

above: Packaging tape on acrylic panel with translucent resin light box, 40.5 x 27 x 6 inches (103 x 68.5 x 15.2 cm)

James and Ursula #3, 2013:

above: Packaging tape on acrylic panel with translucent resin light box, 40.5 x 27 x 6 inches (103 x 68.5 x 15.2 cm)

Tape Noir Glimpse 47, 2012:

above: Packaging tape on acrylic panel with steel light box, 48.5 x 36.5 x 6 inches (123.2 x 92.7 x 15.2 cm)

Killer's Kiss (007), 2010:

above: Packaging tape on acrylic panel with translucent resin light box, 20.5 x 27 x 6 inches (52 x 68.5 x 15.2 cm), Private collection, USA

Portraits

Barbara, 2012:

above: Packaging tape on backlit acrylic panel, 26.5 X 20 inches (67.31 X 50.80 cm), NBC Collection

Alfred, 2012:

above: Packaging tape on backlit acrylic panel, 26.5 X 20 inches (67.31 X 50.80 cm), NBC Collection

Images of his work on display:



The Artist:

above: Mark and his wife Elena stand in front of His Antique Serapi Rugs made of packaging tape at Miami in 2012 (image courtesy of Facebook)

Mark explains his work as follows:

ON TAPE:
My works are pictorial illusions formed by light and shadow. Tape allows for images that communicate what I'm interested to do in a very direct way. My medium consists of three elements: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of translucent tape, I play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment (sic). There are some qualities of tape that make it unique for me as an art material: its banality, humbleness and its “throwaway” nature; its default settings of color and width; its unforgiving translucency; the cold and impersonal attitude that tape surface suggests.

ON PROCESS:
I apply a stripe of translucent tape on a clear backlit panel, and if I don't like it, I peel it off. If I peel off less frequently than apply, a chance is that an image emerges. The whole process is reminiscent to the red room photo development in the pre-digital era, in a way, as my hands do the job, and my mind is witnessing the appearance of the image, then the only concern becomes to not under - or overdevelop it. Though I try not to lose control completely, I am not aware of every move I am taking, so by the time the piece is done, I don't exactly know how it has happened, so I feel compelled to start a next image to make sure that I can do it again.

ON LAYERS:
Layering tape, and even peeling it off, gives me a strange satisfaction. The only explanation for it I can offer comes from the Eastern cultural perception of the self as an onion, according to which if you peel off the outer layers of the onion you find more layers underneath. It makes you want to peel off more, and more, and more to find the pit, but when you finally peel it off to the very last layer you are left with nothing. I do it in reverse, but the feeling that it is only the different direction of the same process feels liberating.

ON PIXELATION:
I think that my art may be dabbed as post-digital, because although it has been inspired by the pre-digital movie media and developed in the context of digital pixels, it bypasses virtual reality finding itself in the blizzard combination of light, disposable plastic, and calculated rhythms of imaginable music all holding together with the stuck familiarity of random cultural references.

As soon as I pick up a 2-inch tape and start blocking the light streaming through the Plexiglas screen in attempt to render the image, the abstract field of intersections occurs. It consists of lighter and darker polygons with different lengths and angles of sides, which I refer to as “pixels”. To be immersed in the field of their vibrations and never loose photographical realism of an image woven into the fabric of rhythmic scores and luring into deception that image is all there is, is just too much fun. My goal can be roughly put into three subtasks, which are managing the scale, figuring out the ratios, and controlling intensity of light.

Light has a well-known affect of dispersing in geometrical cones, so that the greater the distance from the light opening the larger it seems. I play with the size of openings, placing the lighter and smaller ones next to the wider and darker to create contrast.

ON SUBJECTS:
The tape is the message. A parody on Marshall McLuhan’s famous quote could explain the superficial motives, which make up the work. Subjects are categorized into different groups: fragmented stills from classic cinema, iconic objects from art history, portraits. The works are exploring the familiar as our shared visual history; made of a familiar material formed into a familiar image, asking the viewer to recognize and complete the work, stimulating both memory and interpretation in the process.

Mark Khaisman

In the USA, Mark is represented by Pentimenti Gallery
In CANADA, at Galerie LeRoyer
In KOREA, at Gallery YEH
In SPAIN at the Ampersand Foundation PF

images © and courtesy of Mark Khaisman and Pentimenti Gallery



Artistic Animated Alternatives To That Boring Burning Log - Yule Log 2.0.




First off, I hope you are having a very Merry Christmas. To add to your festive day of good cheer, egg nog and annoying relatives, here's a charming project that encompass the holiday Spirit.

Yule Log 2.0 re-imagines the traditional Yule Log through a collection of short films by illustrators, animators, directors, and creative coders. First televised in 1966 by WPIX-TV as a gift to viewers, the Log has since burned itself into our hearts. Curated by Daniel Savage and built by Wondersauce, the site features the imaginative work of many artists. I have chosen to share most (41) of them with you here.

Andrew Stubbs Johnston - Eames Yule:


Bianca Meier, Michael Fuchs and Daniel Leyva - Candy Christmas:


Brian & Brad Hasse - Splash:


Brett Renfer - Web-Log:


Cesar Pelizer & Ganz Toll - Anybody Home?


Chris Lohouse - Poly for Pyros:


Conrad McLeod - Yule Bonfire & Forest Friends:


Colin Hesterly & Yassir Rasan - Cozy Christmas:


Damien Correll - Reruns:


DIA - History of the Yule Log in 30 seconds:


Emory Allen and Alicia Reece - Cold Night, Warm Light:


Erica Gorochow - 2013 Roast:


Eric Epstein - Virtyule Reality:


Erik Karasyk & Benjamin Gray - yuLED:


Frank Chimero - Christmas Spirit Fingers:


Greg Gunn - Yule Log of Love:


James Curran - Yule Jog:


James Zanoni - YULECRAFT:


Jeroen Krielaars - Open Haard:


Jesse Benjamin - Vince Guaraldi's Living Room:


Jerry Liu - TBD:


Joe Russ - The Cabin and The Woods:


Joshua Catalano - Orange is the Warmest Color:


Joshua Goodrich - Deer Seer:


Julian Glander - Yule Globs:


Laura Alejo - Tio & Flames:


Lee Gingold and Jordan Bruner - Thermophile:


Mathew Lucas - Swissmas:


Matthias Hoegg - Yule Log Gate of Consciousness:


Patrick Finn and Patrick Macomber - Tis The Season:


Paul Windle - Lords of Logtown:


Philip Sierzega - The Luna Park Hearth:


Robert Loebel - Octopusmas:


Ross Philips - Technicolog:


Salih - LogOS 7.0:


Seth Hulewat & Matt Delbridge- Broke Ass Christmas:


Shane Griffin - Orestes:


Skip Hursh - Untitled:


Tricia Desjardins and Daniel Savage - Shhh I think I see santa...:


Will Anderson - L O G:


Yussef Cole - Battlefield Hearth:


To see the animated Yule Logs created by Animade, Charlie Whitney, Chris Kelly, Hush Studios, JK Keller, Josh Parker, Jorge R. Canedo Estrada, Keetra Dean Dixon, Kyle Sauer, Leta Sobierajski, Lucas Redfern Brooking, Lucas Zanotto, Matt Delbridge, Nick Hum, Script & Seal and Yvonne Romano visit here

Beautiful Beer Coasters With Witty Quotes For Letterpress Lovers.





This complete collection of 6 letterpress coasters with display stand by Nathan Mummert makes a great gift for the artisanal or craft beer enthusiast.




Each of the beautifully designed and eco-friendly coasters feature quotes from beer drinkers Jack Nicholson, Bart Simpson, Ben Franklin, W.C. Fields, Jim Morrison and Frank Sinatra.






Made in the USA, each printed piece is delicately handcrafted by a vintage 1960′s letterpress:


Designed for visibility, the 6 pub/bar coasters are well displayed by an eco-friendly premium bamboo stand, engraved with the Beer Press logo.



Price for the decorative and functional set and stand is $34.99

Buy them here

Please donate

C'mon people, it's only a dollar.