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Showing posts with label contemporary sculpture. Show all posts
Showing posts with label contemporary sculpture. Show all posts

The Next Best Thing To Being Cloned. A Frighteningly Lifelike 3D Mask Of Your Face.




These realistic full sized face masks are truly incredible likenesses. So much so that they most likely will creep you out while simultaneously amazing you. Making full use of a technology called Three-Dimension Photo Form (3DPF), Real-f - short for REALFACE- of Japan will create an exact duplicate of your mug in the form of a hard plastic mask within a relatively short time and at an affordable price.

Zoe Bradley Does Windows. Amazingly Creative Displays for Harvey Nichols Windows Made from Found Objects and Household Products.



Using products and found objects, artist and designer Zoe Bradley (about whose incredible paper fashions and window displays I have blogged before), created these headpieces for the window displays of department store Harvey Nichols. Using items such as paper drink umbrellas, silly straws, toilet brushes and rubik's cubes, she created these 'wigs' for the mannequin heads.








Zoe Bradley
Harvey Nichols

Venus of Cupertino iPad Docking Station by Scott Eaton.




The Venus of Cupertino by Scott Eaton is a sculptural docking station inspired by the curvaceous forms and symbolism of ancient Venus figurines such as the Venus of Willendorf. She is a fertility goddess for the technology age.



Each Venus is hand-cast in museum-quality resin and available in a gloss white or matte white finish, she is a fully functional iPad docking station. Her hands gently guide any second or third generation iPad onto a charger inconspicuously located in her midriff.



A USB cable emerges from a number of points under the sculpture and fits any standard USB port or Apple power adapter for syncing or charging. The charging cable and connector are fully changeable in order to future-proof the docking station against updates to Apple’s iPad connectors.

The glossy version:


At the moment, she is only available in white (pre-order), but at the London Design Shown, she appeared in various colors:


Please allow 8-10 weeks for shipping (She will be in time for the holidays).

$199 USD

PRE-ORDER Venus Of Cupertino here.

Dogeared Design. The Folded Book Art of Isaac G. Salazar.

 

 Isaac G. Salazar is a completely self taught American book artist located in Artesia, NM. With a degree in accounting, he works as a full time accountant. Having never having taken an art class, he discovered his talent for folding the pages of books to create imagery while trying to find a hobby he could enjoy. Only recently did he begin to refer to himself as 'an artist.

  Shapes, Symbols and Logos: Isaac's work is getting more and more attention lately. His pieces have appeared in the following ad campaign for the Filigranes Librarie: The April 2012 issue of Reader's Digest' featured his work on the table of contents (below) and an interview with the artist:
   
above photo by Sam Kaplan, courtesy of Reader's Digest 

 His inspiration comes from multiple things and places - such as browsing the used book section for titles that stand out to him. He attempts to make a correlation between the book titles and the symbols he creates within their pages, such as the recycle symbol created in a book titled "A World with out Trees".

   

 By taking books that would otherwise end up in a landfill and turning them into art, he gets a sense of satisfaction that his hobby can contribute to reducing waste. Custom names and words in books with personal meaning make great gifts.

   

 He rarely uses new books, unless commissioned to. Recently he has ventured into logos and symbols and would like to pursue this area more. 

   
above: Isaac G. Salazar and his book art featuring his own surname 

 
all images courtesy of the artist. 

Portuguese Artist Dalila Gonçalves Melds Her Native Country's Tiles With Boulders






In Blankenberge Square, "Kneaded Memory" by Portugese artist Dalila Gonçalves is an outdoor sculpture garden of concrete-cast boulders partially covered with decorative Portugese "azulejos" tiles. The public art installation is running through September 2012 as part of Beaufort04.




Each patterned "stone" has been made so by the artist’s use of hand crafted tiles which typically adorn her home country’s vibrant façades while decorated in the style of Brussels’ Blankenberge region.




The use of tile, concrete and form suggest remains or parcels, and it is through this assemblage that the artist sought to cross local narrative (the tile's patterns are from Blankenberge) and the Portuguese traditional artisanal craft of tile-making.





To develop the outdoor installation, the artist and her team mapped the outer surface of the boulders (which were made from concrete, not naturally occurring)*. A grid was used to mark where each decorative component would be positioned. Then, each piece of vibrant earthenware was fitted onto the convex and concave formation of the rocks, adopting the surface of these objects.






The ceramic tiles were molded to sit perfectly on the irregular and round surfaces of these forms, melding the two and creating an installation which combines ancient Portuguese ceramic work with the notion of the increasing degradation, destruction and exclusion of the decorative element in architectural use.

*Designboom, an excellent site, was mistaken in that these rocks are not 'naturally occurring organic forms', but were created from cast concrete for this project.


Dalila Gonçalves: Kneaded Memory
Beaufort04, Blankenberge,
Belgium
on until September 30th, 2012

images courtesy of Dalila Gonçalves, beaufort04, Designboom, and Diario Design

Dalila Gonçalves



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