Human Hardware Cast In Bronze. Tongues, Ears and Hands Handles and Drawer Pulls.

Brooklyn-based Artist and sculptor Malia Jensen has created some interesting functional art for the home, exclusively for Artware Editions. Drawer pulls and door handles cast in bronze and patinated bronze are shaped like human tongues, ears and hands. The unique hardware is made in only 100 editions of each.


Tongue Pulls, 2013, polished bronze:




Tongue A (small): 7/16" h. x 1 1/8" w. x 1" d.
Tongue B (small): 3/8" h. x 1 1/8" w. x 1 1/2" d.
Tongue C (large): 5/8" h. x 1 5/8" w. x 1 7/16" d.
edition of 100, each

Small: $175 each
Large: $200 each

Existing hardware can accommodate a drawer up to 1/2" thick. Hardware can be replaced to accommodate drawers of different depths.

Ear Pulls, 2013, polished bronze:



Round: 1 1/2" x 7/8" x 7/8"
Pointy: 1 1/2" x 3/4" x 7/8"
edition of 100, each

Existing hardware can accommodate a drawer up to 1/2" thick. Hardware can be replaced to accommodate drawers of different depths.
$180.00

Hand Handles (based on Michelangelo's Sistine Chapel), 2013, patinated bronze:



installed dimensions: 1 1/2" h. x 6 3/8" w. x 1 1/2" d.
edition of 100 pairs

Existing hardware can accommodate a drawer up to 1/2" thick. Hardware can be replaced to accommodate drawers of different depths.
$600.00


Shop for these and other items by Malia Jensen here at Artware Editions.

The Human Form As Seen By Contemporary Sculptor Emil Alzamora.

By deftly crafting and casting bronze, porcelain, ceramic, and gypsum into metaphorical, fantastical and literal interpretations of the human form, Peruvian born Emil Alzamora's work conjures up that of numerous and varied renowned sculptors such as Brancusi, Botero and Giacometti. The surreal imagery of Magritte and Dali also come to mind when admiring these hauntingly beautiful renderings of the male and female form.






























The Artist's Statement:
The human form is a constant within my work. I am interested in exploring what it means to inhabit one, often exaggerating or distorting different aspects of the form to reveal an emotional or physical situation, or to tell a story about a predicament or an occurrence. The space between limitation and potential is as human as the flesh, yet hardly as tangible. In my works I strive to make visible this interaction.


Emil Alzamora was born in Lima, Peru in 1975 and raised in Boca Grande, Florida. There he attended Florida State University where he earned a Bachelor of Fine Arts degree and graduated Magna Cum Laude.

Alzamora started his sculpting career in the Hudson Valley working with Polich Art Works as an enlarger in the Fall of 1998. Since leaving P.A.W. in early 2001, he has produced and shown his work throughout New York Boston main and Florida. He currently resides and works in beacon, NY.

Emil's work can be found at the following galleries:
Divergence Fine Art
Artbreak Gallery
Lanoue Fine Art
David B. Smith Gallery
Turner Carroll Gallery
Images courtesy of the artist , Divergence Gallery, and Artnet

Moss Introduces Studio Job's Robber Baron Series at Design Miami

For those of you who are not familiar with the work of Studio Job, they are best known, at least here in the US, for their collection of stark white edgy porcelain dishes and containers designed for royal tichelaar makkum in 2006.


Above: some pieces from Studio Job's collection for Royal Tichelaar Makkum, 2006

This makes their new collection, recently unveiled at Design Miami, in stark contrast, literally, to their previous work. Read on.

Source: Dezeen Magazine, December 9th, 2007

Design Miami 07: Studio Job present new pieces from their Robber Baron series at Moss during Design Miami.

The five monumental pieces, cast in bronze, combine stylized elements from famous landmarks around the world and represent industrial power, wealth and corruption.

Details from Moss follow:

Robber Baron~tales of power, corruption, art, and industry, cast in bronze,by Studio Job

Conceived in 2006, Robber Baron is an important suite of five cast-bronze furnishings, consisting of a Cabinet, Mantel Clock, Table, Standing Lamp, and Jewel Safe, each to be offered in a limited edition of five, exclusive to Moss.

Magnificent in scale, exceptionally finely modeled, detailed, and cast, with precision mechanical movements where required, incorporating deeply carved iconographic reliefs, with areas highly polished, gilded, or patinated, these works are guild-like in their master craftsmanship.

Their mirror finish reflecting the outrageous excesses of America’s 19th century tycoons and Russia’s new oligarchs, these surreal, highly-expressive furnishings, each a complex composition of multiple visual elements depicting a narrative - much like a cathedral’s stained glass windows or its majestic bronze front doors - represent an interior belonging to a powerful industrial leader or his heirs. With clouds of pollution belching from towering smoke stacks, and missiles, falcons, gas masks, warplanes, and wrenches adorning golden surfaces, Robber Baron celebrates and shames both Art and Industry.

Cabinet
A polished bronze cabinet with black patinated “bomb crater” and gilded reliefs, inspired by a 17th century armoire by André-Charles Boulle, in the Wallace Collection, London. The heavy doors are fully functional because of a ball bearing mechanism.

Polished, patinated and gilded cast bronze
approximate dimensions: 46” x 20”, height 69”
approximate weight: 2,200 lbs.

Jewel Safe
A patined bronze ‘safe’ with a ‘Jack-in-the-Box’ popping up out of the craggy top. The polished bronze head is colored with oil-based pigments, highlighting the collar, nose and other features. The lock mechanism is operated by turning the clown’s nose, and the door hinge employs a ball bearing mechanism.

Polished, patinated and painted cast bronze
approximate dimensions: 20” x 20”; height 48”
approximate weight: 550 lbs.

Mantel Clock
A patinated bronze pedestal clock supported by gilded oil barrels atop a model of the Florentine Galleria degli Uffizi, with Robber Baron reliefs. The dial of the clock is inspired by London’s Big Ben, circled by a futile railway running endless circles on a rocky land-scape. The clock face can be shut with cast bronze stable doors. On top of the clock sits a Neo-Classical ‘dream house’, partially shrouded by a cloud.

Polished, patinated and gilded cast bronze; mechanical clockwork
approximate dimensions: 26” x 20”, height 42”
approximate weight: 550 lbs.

Standing Lamp
A patinated bronze floor lamp in which three important icons of architecture – the Parthenon, the Empire State Building and Saint Peter’s Basilica - merge into one. The Zeppelin docked at the pinnacle symbolizes technological failure, and references the Empire State Building, whose top spire was originally intended as a mooring for Zeppelin airships. When illuminated, the hundreds of windows glow, diffused by a hand-blown frosted glass interior. The light bulbs can be changed by lifting the polished bronze ‘cloud’.

polished and patinated cast bronze; glass; electrical components
approximate dimensions: 24” x 20”, height 63”
approximate weight: 990 lbs

Table
A patinated bronze “factory”, whose architecture is derived from interpretations of various early 20th century works, including the AEG factory of Peter Behrens and the Battersea Power Station in London. The four chimneys produce a “polluted cloud” of polished bronze, which becomes the open-work tabletop.

polished and patinated cast bronze
approximate dimensions: 72” x 36”, height 30”
approximate weight: 770 lbs

Relevant Links:
Moss
Design Miami
Studio Job