Got Your Nose! Belt Buckles, Pendants & Keychains Cast From Your Dog or Cat's Nose In Sterling Silver.

Incredible Things posted these fabulous custom pet pendants cast from the noses of dogs and cats the other day, so I simply had to dig a little deeper. And I'm glad I did or I'd never have discovered handmade jewelry designer Jackie Kaufman and her Rock My World, Inc.

Even better, these unusual pieces are made from "recycled" sterling silver. The jewelry is crafted from a major jewelry firm that no longer sells their items. Jackie "recycles" the silver by taking the jewelry pieces, melting them down and repouring the silver to make new pieces.

Cat Nose:



Dog Nose:


Using the lost wax cast process, Jackie will not only immortalize your beloved pet's nose as a pendant, but also as sterling silver keychains and belt buckles!

Sterling Silver Custom Cast Cat and Dog Nose keychains:


Custom Dog Nose Sterling Silver Belt Buckle:




The backs of the pieces are inscribed with your pet's name:


Jackie creates many forms of fabulous handcast sterling silver jewelry including human fingerprints and more. Be sure to see all her stunning work at her etsy store here.



You can also find some of Jackie's custom cast products at Uncommon Goods and at Daily Grommet

The Oil Paintings and Pastels of Contemporary Artist Susan Bennerstrom

above: Susan Bennerstrom, Fort Mason, 32" x 36", oil painting

Artist Susan Bennerstrom began working in pastels and then moved to oil paints in 2008, but her exploration with the depiction of light has continued despite the change in mediums as you will see in this collection of her works.


above: Susan Bennerstrom, Expect to Wait, 35" x 42" 2001, oil pastels


above: Susan Bennerstrom, Still Waiting, 2010, 20" x 24", oil paint on panel

With strong plays of light, shadow and reflections, her works seem to imply either anticipation or expectation - and in some cases, absence. Despite the presence of the human figure in her work, the narrative suggests that one is either coming or has been there.

While she continues to paint interiors and objects, recently she added paintings of buildings within landscapes, to her repertoire. Focusing on the structures rather than the environment, she imbues them with the haunting light of dusk or dawn.


above: Susan Bennerstrom, Georgetown, 32" x 36", oil painting

above: Susan Bennerstrom, Stove, 32" x 36", oil painting

Lonely hallways, inviting stairwells, unmade beds, doors ajar, empty chairs and open windows offer a hint of the human presence in many of her works. Below are just a few of my favorites.


















Susan Bennerstrom:


In the artist's own words:
"Since the early 1980’s my main theme has been the exploration and depiction of light. I began with landscape as a foil. Gradually, buildings started to enter the compositions, at first far away and tiny, then closer and larger, until the buildings became the main focus and the landscape shrank. Finally, I concentrated on details of the buildings and the objects within them. Always, however, the structures and objects are stage sets for light with its transformative power and ability to affect emotions. I rarely put figures in my paintings, as I find that they tend to take over; I prefer to let light and shadow imply the narrative and carry the emotional weight. In addition to the dearth of human figures, I also choose to paint quite ordinary scenes, and for the same reason: by focusing on the easily ignorable architectural detail, washbasin, household appliance, piece of furniture, or houseplant, I like to explore how a fall of light can turn a humble item into something poignant and worthy of lasting attention.

I don’t think of myself as a realist painter in the currently accepted sense. I work from photographs, which are themselves abstractions – one step removed from reality. I travel further into abstraction by removing details, shifting things around, changing perspective, exaggerating the quality, color, and direction of light, investing the shadows with greater emotional intensity. The paintings wander far afield of straightforward observations of reality, and instead become my own emotional response to the places and objects depicted.

I have worked for many years in pastels, both chalk and oil. At the beginning of 2008 I laid pastels aside and began working in oil paint. Haven’t looked back. While I continue to love the look and feel of pastels, they presented problems: with chalks it was the dust, with oil pastels it was finding a durable and easy-to-use varnish. Now I’m at home with oil paint, and finally understand why it is the granddaddy of all art mediums."

Susan is presently showing at the Sue Greenwood Fine Art Gallery.
You can see Susan's available works at the Davidson Galleries

VW: The Dark Side. Greenpeace Protests Volkswagon by Mocking "The Force" Ad and Pulling A Big PR Stunt in London.

Claiming that Volkswagon, whose charming television ad for the Passat, "The Force", is a fan favorite and award-winner, emits harmful CO2 emissions, Greenpeace of the UK has organized a large PR stunt in protest.


above: a still from the Volkswagon "The Force" by ad agency Deutsch.

According to Greenpeace UK, automotive brand Volkswagon opposes the European climate laws. In its report, 'The Dark Side of Volkswagen', Greenpeace complains that Europe's largest car manufacturer has purposely restricted its most fuel efficient engines to a tiny minority of vehicles, and then drastically increased the price for consumers.



Unfortunately, the memorable and likeable tv ad served as a perfect target for their message "Welcome To The Dark Side."

The original VW The Force Ad from Deutsch:


Greenpeace created their own parody of the popular ad which, because of a LucasFilms copyright violation, has been pulled from YouTube and Vimeo and other articles on the web. However, here it is from EFE of the UK news (with newscaster talking over it, sorry):

VW: The Dark Side ad from Greenpeace:

Greenpeace Reveals Volkswagen's "Dark Side" by NewsLook

The PR Stunt


The PR stunt began early the morning of June 28th in London's 'Silicon Roundabout" on Old Street. Two teams of climbers scaled the largest billboard ad space in the city to post four banners starring Darth Vader and a VW logo.




As rush hour approached multiple people dressed as Star Wars stormtroopers began standing on boomboxes in the area, broadcasting the Imperial March music, while volunteers gave out flyers and explained the issues to the public.





Later the men in white gathered around the Foundry in the heart of Shoreditch as a second banner unrolled and thousands of people passed en route to work.




Greenpeace has a site that asks you to "Join The Rebellion" here.

images and info courtesy of Greenpeace UK and the EPA

White Fiberglass Skull Chair By Pool.

This simple, modern white fiberglass skull chair, by Léa Padovani & Sébastien Kieffer of Pool, made its debut at the 2011 Milan Furniture Fair.




"Souviens toi que tu vas mourir, chair” (translated :"Remember that you will die") is described by the designers as "an emblematic monobloc chair reinterpreted as an expression of vanity. This memento mori represented by a skull acts as a leitmotiv for those who seek the comfort of a chair and the ceremonial act of being seated."



photos ©Benjamin Le Du

material : fiberglass
dimensions : L55cm W50cm H88cm


Pool is Léa Padovani & Sébastien Kieffer. They live and work in Paris.