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Showing posts with label museum. Show all posts
Showing posts with label museum. Show all posts

Jean Nouvel's New National Museum Of Qatar





The Qatar Museums Authority has engaged Pritzker prize-winning architect, Jean Nouvel, to design a new National Museum that will preserve the original palace while creating an unprecedented 21st century institution celebrating the culture, heritage and future of Qatar and its people. The museum is presently closed during construction with an anticipated reopening in late 2013.


above left: the old National Museum Of Qatar and right, incorporating the old into the new in Nouvel's design

Jean Nouvel’s design manifests both the active, dynamic aspect of the Museum’s program and its crystallization of the Qatari identity, in a building that, like a desert rose, appears to grow out of the ground and be one with it.


above: a model of the proposed museum, now under construction

Prominently located on a 1.5 million-square-foot site at the south end of Doha’s Corniche, where it will be the first monument seen by travelers arriving from the airport, the building takes the form of a ring of low-lying, interlocking pavilions, which encircle a large courtyard area and encompass 430,000 square feet of indoor space.


above: Jean Nouvel's concept drawing

In its organization, the building suggests the image of a caravanserai—the traditional enclosed resting place that supported the flow of commerce, information and people across desert trade routes—and so gives concrete expression to the identity of a nation in movement. The tilting, interpenetrating disks that define the pavilions’ floors, walls and roofs, clad on the exterior in sand-colored concrete, suggest the bladelike petals of the desert rose, a mineral formation of crystallized sand found in the briny layer just beneath the desert’s surface.

Here are the computer generated images (by Artefactory) of the amazing and unusual looking new National Museum Of Qatar.

The Caravanserai Courtyard:

courtyard detail:

North view:

West view from Doha Bay:

South view:

Architect Jean Nouvel:


Commenting on his design, Jean Nouvel stated, “This museum is a modern-day caravanserai. From here you leave the desert behind, returning with treasured images that remain engraved on your memory. The National Museum of Qatar will become the voice of a culture, delivering a message of modernity, metamorphosis and the beauty that happens when the desert meets the sea.”

Details of the Building

The National Museum of Qatar building will provide 86,000 square feet of permanent gallery space, 21,500 square feet of temporary gallery space, a 220-seat auditorium, a 70-seat food forum / TV studio, two cafés, a restaurant and a museum shop. Separate facilities are provided for school groups and special guests. Staff facilities include a heritage research center, restoration laboratories, staff offices and collection processing and storage areas. The Museum will be surrounded by a 1.2 million-square-foot landscaped park that interprets a Qatari desert landscape.


above: North side entrance

Inspired by the desert rose, the interlocking disks that compose the building—some of them standing more or less upright and acting as support elements, others lying more or less horizontal—are of varying curvature and diameter. The disks are made of steel truss structures assembled in a hub-and-spoke arrangement and are clad in glass fiber reinforced concrete panels. Columns concealed within the vertical disks carry the loads of the horizontal disks to the ground.

Glazed facades fill the voids between disks. Perimeter mullions are recessed into the ceiling, floor and walls, giving the glazing a frameless appearance when viewed from the outside. Deep disk-shaped sun-breaker elements filter incoming sunlight.

Like the exterior, the interior is a landscape of interlocking disks. Floors are sand-colored polished concrete, while the vertical disk walls are clad in “stuc-pierre,” a traditional gypsum- and lime-blended plaster formulated to imitate stone.



Thermal buffer zones within the disk cavities will reduce cooling loads, while the deep overhangs of the disks will create cool, shady areas for outdoor promenades and protect the interior from light and heat. Steel and concrete, the main materials of the building, will be locally sourced and/or fabricated. The landscaping will feature sparse native vegetation with low water consumption. Through these and other sustainability measures, the Museum is working to achieve a USGBC LEED Silver rating.

The Museum’s gardens are specifically designed for the intense climate of Qatar. Plantings will include native grasses and indigenous plants, such as pomegranate trees, date palms, herbs and the Sidra tree, the national tree of Qatar. Landscaping will feature sand dunes and stepped garden architecture to create sitting areas and spaces for the Museum’s programs of tours and garden lectures.

Information about museum and building details courtesy of Qatar Museum Authority

Qatar is a peninsula located in the Persian Gulf.

Now THIS is what I call Street Art: Masterpieces For The Masses





I always felt that art should be for the masses. If you're lucky enough to live in England (or to be visiting), you can view the world's largest outdoor gallery. Thanks to The National Gallery of Art and Hewlett Packard, The Grand Tour is a brilliant project which places museum masterpieces (reproductions of course...) out in the streets of London for anyone and everyone to view and appreciate.



Over the next twelve weeks they've turned the West End into a giant gallery by lining the streets of Soho, Piccadilly, and Covent Garden with some of the world's most famous paintings.

The map below (which is actually interactive on the site) shows where the paintings hang around town.



If you're more of a free spirit, you can create your own tour by picking the paintings you want to see, and then calling the phone numbers listed at each painting site to get the who, the why, the what and the when*.

All the paintings on The Grand Tour™ are beautiful reproductions produced by our sponsors Hewlett Packard, but you can visit the real thing every day free of charge in the National Gallery collection.


Of course, you may not live in London-or be visiting within the next 12 weeks-- which is why I have pics for you here. The following pics were sent in via digital uploads from cell phones and cameras from various individuals. To see photo credits, as well as the names of these famous paintings, please go to the site.










Who was behind this?:

The Partners
Award-winning brand and design consultancy, The Partners, created the pioneering Grand Tour concept as part of their ongoing partnership with the National Gallery.

As one of Britain's leading brand and design consultancies, The Partners works with many of the world’s most successful organisations, including the BBC, Ford Motor Company, the Maybourne Hotel Group, Astra Zeneca and Saks Fifth Avenue.

Digit
Working alongside The Partners on the development of The Grand Tour, Digit created the interactive on-line presence for the project.

Digit is one of the longest established digital agencies globally. Working with some of the world’s leading brands, Digit creates award winning online environments and content, and more recently ground breaking physical interaction experiences.

Thanks to all these folks:
We would like to thank the dedicated team of professionals who have helped us to create and install the 'works of art' themselves.

Electronic Print Services (EPS)
EPS, produced all of the Grand Tour images on the excellent HP Designjet 10000s, and they mounted and stretched the larger prints onto sub frames, all meeting the exacting standards required for such a prestigious project.

Nielsen Bainbridge and Simon Robinson and Son
Spencer Negus from Nielsen Bainbridge, with Lester and Kevin from Simon Robinson and Son Framing, enjoyed working on this challenging project alongside the other contributors.

Icon Display
Icon Display were involved in the surveys of the picture sites and the installation of the pictures onto many varied surfaces, working through the night to complete the project on time.

Antenna Audio
Antenna Audio worked closely with the National Gallery Curators to produce all the audio recordings for the project.

Thank you to the tenants and owners of all of the premises that have kindly allowed us to hang a 'masterpiece' on their wall

Shaftesbury PLC
David Bieda
Boom Sound Studios
Caffe Nero
Centaur Media Plc
Clear Channel

Please donate

C'mon people, it's only a dollar.