The Last Supper. And the one after that. And after that. And then, even more.

Above: The Sopranos Last Supper for Vanity Fair magazine

Whenever I see popular blog posts and online articles about something in pop culture that references something historical, I always wonder if the ... ahem, younger generations know the origin of the original and how many other interpretations had been created prior to the one they tweeted, tagged, posted on 'digg' or shared on facebook.

Such is the case with a link someone sent me of fun parodies based on Leonardo da Vinci's The Last Supper. I'd seen the Soprano's Last Supper photo in Vanity Fair and was familiar with the Legos one, since it had been e-mailed to me a ways back. Along with those, the link included just about every pop culture version you could think of -from the Simpsons to Star Wars.


Above: The Last Supper made of Legos

This got me wondering if the people viewing it were aware that The Last Supper was a subject for many well known artists from the 14th-20th centuries, not just da Vinci. From Albrecht Durer to Rembrandt, Tintoretto to Blake, the subject was interpreted by almost every painter who painted for money for centuries. Common sense would tell you that, given that biblical scenes and stories dominated the art world long before any other subjects. But I wondered how many people e-mailing that very link also know that the piece has since been interpreted by the likes of such artists as Salvador Dali, Andy Warhol, Damien Hirst and even photographer David LaChapelle, to name a few.

Well, if they didn't, you can e-mail them this post.

I'm not going to show you the scads of photoshopped and parody versions out there in cyberspace because so many other bloggers have done that already*. Instead of parodies, I wanted to show you other fine art and photographer's interpretations of Leonardo da Vinci's famous painting. Don't groan... you may just learn something.

You are probably used to seeing the original like the one below:

But that is very enhanced for reproductions like posters, etc. To be more accurate, see the next two images (and click on them to enlarge)


Let's start with the original:

Above: before cleaning

Above: after cleaning

Facts:
The subject: The Last Supper
Painted by: Leonardo da Vinci
Where: Milan, refectory of the Santa Maria delle Grazie convent
When: From 1494 to 1498
Size: 460 x 880 cm (181 x 346 in)
Technique: Tempera with oils on white lead and calcium carbonate


A site where you can see the Leonardo DaVinci's Last Supper in amazing detail, down to a pixel.

Wanna see it in person? Please note that starting from April 28th it is possible to book until 30/09/2008. entrance booking info here.

And now some wonderful fine art interpretations of the Last Supper, in chronological order:


Above: Marisol Escobar's Last Supper (1930) installation


Above: Salvador Dali's The Sacrament Of The Last Supper, 1955


Above: Mary Beth Edelson's feminist interpretation, 1971


Above: Hermann Nitsch's Last Supper (1976-9)


Above: Andy Warhol's Last Supper (pink), 1986


Above: Andy Warhol's Last Supper (Dove), 1986

above: Andy Warhol,Last Supper, 1986


Above: Damien Hirst's "Last Supper", 1999


Above: two of the 13 screenprints from Damien Hirst's "The Last Supper" collection, 1999




Above: Devorah Sperber's unusual installation, After The Last Supper, 2005




Above: Francine LeClercq's impressive Last Supper Untitled (installation), 2007

Now, some photographic interpretations of the The Last Supper for both advertising campaigns and personal collections:

above: Underwater Last Supper by photographer Howard Schatz, 2008


Above: by photographer Marcos López, 2001


Above: by photographer Cui Xiuwen, 2003


Above: by Russian film director, Mamedov


Above: by photographer David LaChapelle


Above: unknown photographer, an ad for the Folsom Street Fair


Above: controversial recreation by photographer Elisabth Ohlsen Watson


Above: Fashion shot by Frank Herholdt


Above: unknown photographer, ad for Francois Girbaud


Above: shot by Annie Liebovitz for Vanity Fair & HBO

Okay, now I know you're dying to see all the parodies (like the one below), so here are the links to those:

above: Clowns Last Supper by artist known as Dark Vomit

*An enormous collection of pop culture and television interpretations of the Last Supper from the Slog, posted by Dan Savage

And yet another collection, Suddenly Last Supper, of photoshopped, staged and fun pop culture versions from The Sopranos to Legos of The Last Supper can be found here.

For real art history buffs, here are links to just a few of the other historical religious paintings of the last supper:

Last Supper, Ickleton, Cambridgeshire, 1150-1200. Medieval Wall Painting in the English Parish Church.
Lord's Supper, German Gothic Sculptor, c 1250. Web Gallery of Art.
Last Supper/Communion of the Apostles, Liturgical Veil, 13th/14th century. Benaki Museum, Athens.
Last Supper, Wissington, Suffolk, 13th century. Medieval Wall Painting in the English Parish Church.
The Last Supper and the Agony in the Garden, Spolto, c 1300. Worcester Art Museum.
Last Supper, Fairstead, Essex, 13??. Medieval Wall Painting in the English Parish Church.
Scenes from the Life of Christ: 13. Last Supper, Giotto di Bondone, 1304-1306.
The Last Supper, Duccio di Buoninsegna, 1308-1311. CGFA.
The Last Supper, Friskney, Lincs, c 1320. Medieval Wall Painting in the English Parish Church.
The Last Supper, Pietro Lorenzetti, 1320-1330. Olga's Gallery.
The Last Supper, Jaume Serra, 1370-1400. Web Gallery of Art.
The Last Supper, Little Tey, Essex, 14??. Medieval Wall Painting in the English Parish Church.
The Last Supper, Jaume Huguet, 1450. CGFA.
Communion of the Apostles, Fra Angelico, 1451-53. CGFA.
The Last Supper, Jacopo Bassano, 1542. Galleria Borghese, Rome.
The Last Supper, Dieric Bouts, 1464-67. Web Gallery of Art.
The Last Supper, Taddeo Crivelli, 1469. Getty Museum.
The Last Supper, Jaime Huguet, 1470. Web Gallery of Art.
The Last Supper, Domenico Ghirlandaio, 1476. Web Gallery of Art
The Last Supper, Domenico Ghirlandaio, 1480. Web Gallery of Art
The Last Supper, Domenico Ghirlandaio, c 1486. Web Gallery of Art
The Last Supper, Pietro Perugino, 1493-96. Web Gallery of Art.
The Last Supper, Leonardo daVinci, 1498.
The Last Supper, Bernaert van Orley, 1500's. Metropolitan Museum of Art.
The Last Supper, Little Easton, Essex, 15??. Medieval Wall Painting in the English Parish Church.
Christ Instructing Peter and John to Prepare for the Passover, Vincenzo Civerchio, 1504. National
Gallery of Art.
The Last Supper, Albrecht Dürer, 1510.
The Last Supper, Franciabigio, 1514. Web Gallery of Art.
The Last Supper, Albrecht Dürer, 1523.
The Last Supper, Andrea del Sarto, 1520-25. Web Gallery of Art.
The Last Supper, Albrecht Durer, c 1520. Lutheran Brotherhood's Collection of Religious Art
The Last Supper, Bernart van Orley, 1520-1530. Metropolitan Museum of Art.
The Last Supper, Hans Holbein the Younger, 1524-25. CGFA.
Triptypch with the Last Supper, Jacob Cornelisz van Oostsanen. Rijksmuseum, Amsterdam.
Plaque with the Last Supper, Jean Penicaud I, c 1530. National Gallery of Art.
The Last Supper, Jacopo Bassano, 1542. Borghese Barberini Corsini Spada Gallery, Milan.
The Last Supper, Juan deJuanes, 1560's. Web Gallery of Art.
The Last Supper, Tintoretto, 1592-94. Web Gallery of Art
The Last Supper, Daniele Crespi, 1624-25. Web Gallery of Art.
The Last Supper, Peter Paul Rubens, 1630. Olga's Gallery.
Glorification of the Eucharist, Rubens, 1630. Metropolitan Museum of Art.
The Last Supper, Rembrandt van Rijn, 1634-35. Metropolitan Museum of Art.
The Last Supper, Philippe de Champaigne, 1600's. CGFA.
The Last Supper, Nicolas Poussin, 1640's. Olga's Gallery.
The Last Supper, Gerbrand van den Eeckhout, 1664. Rijksmuseum, Amsterdam.
The Last Supper, Simon Ushakov, 1685. History of Russian Painting.
The Last Supper, Sebastiano Ricci, 1713/1714. National Gallery of Art.
The Last Supper, William Blake, 1799. National Gallery of Art.
The Last Supper, Nikolay Gay, 1863. Olga's Gallery.
The Last Supper, Carl Bloch, 1875, Hope Gallery.

Of course I've left out hundreds, probably more like thousands, of worthy interpretations so forgive me. But now, when you see photo shopped versions of The Last Supper (and believe me, there are hundreds more to come), you'll know that the aforementioned artists did it first.

UPDATE: See Televisions casts posing as the Last Supper, From LOST to MASH here.

Hirst Buys Bacon, Sothebys Makes Bread

Above: Tobias Meyer with Bacon's Self-portrait

There's been a lot of talk about art prices falling and auction houses suffering. However, just the other night, on November 14th, Sotheby's Evening of Contemporary Art Auction in New York set several records and hopes soaring.

Below is a reprint of an article written by Colin Gleadell for the UK's Daily Telegraph. I added the images for your entertainment and information.

Art sales: Damien Hirst's £16m for a slice of Bacon
Colin Gleadell on Damien Hirst's expensive purchase

Damien Hirst may have lost his title as the most expensive living artist at auction to Jeff Koons in New York last week, but he can still claim to be not only the richest artist in the world but also the one who spends the most on art.


Above: Francis Bacon, Self Portrait 1969, sold for $33,081,000 Sotheby’s New York, Nov. 14, 2007

Artist to artist: A 1969 self-portrait by Francis Bacon, which was bought by Damien Hirst bidding anonymously by telephone last Wednesday, he splashed out $33 million (£15.9 million) at Sotheby's on a 14" by 12" in self-portrait by Francis Bacon – easily a record for a small painting by Bacon, and surely one for an artist buying at auction.


Above: Damien Hirst's Platinum and diamond skull which received lots of press

In his excitement, the auctioneer Tobias Meyer, who knew Hirst was bidding, forgot the normal routine of noting down the buyer's registration number on the winning paddle. "I was too happy," he said. And why not?


Above: Tobias Meyer at Sotheby's

With that purchase, Hirst, who now owns four Bacons, joins an elite group of big spenders who last week allayed fears of a slump in contemporary art prices. The group includes the diamond dealer Laurence Graff and the hedge-fund manager Steve Cohen.


Above: Francis Bacon's Second Version of Study For A Bullfight #1, sold for $45.9 million

It is thought that Cohen bought the top lot of the week, Bacon's Study for Bullfight, for $46 million. And Graff spent nearly $30 million on two paintings by Warhol and one by Jean-Michel Basquiat.


Above: Basquiat, Untitled (Electric chair) 1981 - 1982, acrylic, gold spray paint and oilstick on canvas, Sold For 11,801,000 US$

He may have been in partnership with Larry Gagosian when the dealer bought a big Koons sculpture at the sales - the 8ft stainless-steel Blue Diamond, for $11.8 million.


Above: Koon's 8ft stainless steel Blue Diamond, sold for $11.8 million

On the surface it was a glittering display by the art world. More than 100 records were broken and $950 million was spent on contemporary art during the week.

This was itself a new record, close to the highest estimates for the sale set in the balmy early summer when credit crises were barely a glimmer in the eye of far-sighted Wall Street analysts.

Adding style to the occasion were the fashion designers Marc Jacobs, resplendent with blue hair and green scarf, and Valentino. Outbid as a buyer, Valentino successfully sold two paintings by Mark Rothko and a Hirst.

One of the Rothkos, which was sold for $21 million, cost $1.7 million at auction nine years ago. The Hirst made a record for a spot painting in 2003, selling for $438,000; Valentino sold it for $1.6 million last week.


Above: Jeff Koons' Hanging Heart, presently the world-record for art auction sales by a living artist; $23.6 million

The biggest mark-ups, though, came for Koons's $23.6 million Hanging Heart, for which the seller, the US property developer Adam Lindemann, had paid $4 million last year, and for Richard Prince's 2002 painting, Piney Woods Nurse, which was sold by the West coast collectors Nora and Norman Stone for $5.4 million.


Above: Richard Prince's Piney Woods Nurse, 2002, sold for $5.4 million

Bought by the London dealer Jay Jopling, the painting would have cost less than $100,000 when first shown four years ago.


Above: LUCIAN FREUD, Ib and her Husband (1992) ©The Artist, Oil on canvas, 16.8 x 14.7 cm Private Collection, sold for $19.36 million

Older generation artists in demand included Lucian Freud, whose portrait of his daughter, Ib and Her Husband, sold for $19.36 million, making him the most expensive living European artist at auction (in dollars), just ahead of Hirst; the American "Pop" artist Ed Ruscha, whose classic Burning Gas Station was sold by the collector Kent Logan for a record $6.98 million; and the junk-sculpture artist John Chamberlain, whose twisted wreck of car parts sold for a record $4.6 million.


Above: Ed Ruscha's Burning Gas Station, sold for $6.98 million

Among the rising stars attracting accelerating prices were the young Americans Mark Grotjahn and Jules de Balincourt, and the German Anselm Reyle, in all of whom Charles Saatchi has wisely invested.

However, there were some warning signs. At the main Christie's sale, 39 per cent of lots were sold at or below low estimates or not at all.

Nearly half the lots, carrying a combined low estimate of $173.5 million, had been guaranteed, and they realised just $176 million excluding auctioneer's commission. So profit levels must have been minimal.

US buying was also relatively low at around 50 per cent. In recent seasons this has been as high as 82 per cent for New York contemporary art sales, which are aimed mainly at the American market.

Sotheby's had made an even higher level of financial guarantees to sellers, regardless of the outcome of the sales, but, in contrast to last week's Impressionist sales, met it comfortably. The $316 million sale was Sotheby's largest of any kind, ever.

But there was sufficient evidence to predict that, come the next series of important Impressionist and contemporary art sales, in London in February, estimated prices and guarantee levels will be more conservative.

The bubble has not burst. But clouds are still gathering ominously.
__Colin Gleadell for the UK's Daily Telegraph




Click here to see Artnet's illustrated catalog of the Sotheby's Art Auction On November 14, 2007

Levis Taps Damien Hirst For New Warhol Factory X Jeans

Levi Strauss & Co. is ready to unveil their latest work of wearable art: the first image of Damien Hirst's jeans for Levi's. The Tate Gallery Turner Prize-winning British artist Damien Hirst of the formaldehyde-preserved animals and diamond-encrusted skull designed a collection as part of The Warhol Foundation for the Visual Arts, known as Warhol Factory X Levi's Damien Hirst.

"From Damien Hirst, to Jackson Pollock, Andy Warhol and Jean-Michel Basquiat, among countless others, each of these spirited luminaries wore the Original 501 jean as the ultimate "blank canvas" for self-expression and individuality, said Levi's vice president of marketing, Robert Cameron. "In celebration of this, we are both thrilled and honored for our continued partnership with the The Andy Warhol Foundation and to have a creative leader such as Damien Hirst bring his unique perspective to our iconic 501 jean."




The jeans will be unveiled during New York's Spring 2008 Fashion Week at a runway show at the Gagosian gallery in Chelsea and the line will arrive in stores in January as part of the 2008 season and will feature both men's and women's selections. And it looks like life really does imitate art: Hirst's black jeans get an evening-appropriate boost from the mini rhinestone skull embellishment adorning them.

Damien Hirst -


Hirst, whose artwork includes an actual human skull studded with diamonds, will be lending his talents to Levi Strauss. The artist will be working with the denim giant on 2008 collection of the San Francisco company's Warhol Factory X Levi's label.

Hirst is best known for his Natural History series, where he preserves dead animals in formaldehyde and presents them as art.

Launched in 2006, the Warhol Factory X Levi's label paid tribute to the pop-culture art made famous by the late American artist Andy Warhol. Priced between $190-$250 for jeans and $80-$300 for tops, the said collection is only available at such high-end stores as Barneys New York, Fred Segal and American Rag.



Update: since this post, there have been developments with the Warhol factory X Levi's products, including a store and a limited edition book, read all about it over at notcot.org.