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Vandals Punch Hole in Priceless Monet


Above: Monet's "Le Pont D'Argenteuil" , 1874 at the Museé D'Orsay
photo by Thibault Camus/Associated Press

The Associated Press

PARIS -- Intruders entered the Orsay Museum early Sunday and punched a hole in a renowned work by Impressionist painter Claude Monet, "Le Pont d'Argenteuil,'' the French Culture Minister said.

A surveillance camera caught a group entering the museum, located on the Left Bank of the French capital along the Seine River and housing a major collection of Impressionist artists like Monet.

An alarm sounded and the group left, but not before damaging the painting, an aide to Culture Minister Christine Albanel said by telephone.

No arrests were immediately made.

Albanel told France-Info radio that the painting could be restored, but she deplored what she said was an attack on "our memory, our heritage.''

"This splendid Monet painting (was) punched right in the middle,'' the minister said with emotion.

According to the aide, a 10-centimetre tear was made in the Monet, perhaps with a fist. The official, not authorized to speak publicly of the matter, asked not to be named.

It was not immediately clear how many people were in the group that broke into the museum.

Monet led the 19th century Impressionist movement, experimenting notably with light and colour in works now deemed priceless.

"Le Pont d'Argenteuil'' shows a view of the Seine at a rural bend, featuring a bridge and boats.

Albanel told France-Info that she would doubtless seek improved security in museums and stronger sanctions against those who desecrate art. "This is not tolerable,'' she said.

The break-in occurred as Paris held its annual all-night festival, which brings thousands of people into the streets for music, exhibits and fun.

Above: A nearly 4-inch tear is seen in renowned work by Impressionist painter Claude Monet, "Le Pont d'Argenteuil," at the Orsay Museum in Paris.


Meet Rasmus Fenhann: A Contemporary Craftsman




In my usual scouring of the web, I came across a young and very talented craftsman named Rasmus Fenhann. His work is beautiful and I wanted to share it with you.

He's been the recipient of many danish design awards and has had his work commissioned for several projects and is a gifted antiques restorer as well. He also does custom work.


above: Rasmus in his workshop.


above: Some of his tools in his workshop.

Theatre chair
Graduation design project by Rasmus Fenhann
laminated Maple veneer, Stainless steel, H:850 W:600 D:600


This chair is made for the new National Theatre that is going to be located near the harbour in central Copenhagen.

Rasmus says "I wanted to make a chair that looks light in the space as an individual element. The chair is saving space so that the audience can come closer to the actors. It is possible to make the chair with upholstery inside for concert hall acoustics."




He makes other beautiful wood furniture products and custom commissions as well. The custom pear wood Architect's Portfolio he made for his sister way back in 1997 is stunning.




His hiKARI collection (2005) of lamps crafted of Oregon pine are an elegant homage to japanese lamp design:





Lamps in Oregon pine:

The minimalist design comes from geometry. Rasmus Fenhann is using the old polyhedral shapes in a new way. The 6 lamps are made by equilateral polygons, which make the lamps simple, poetic and functional: the light is allowed to spread to all sides, and the handmade paper gives a soft and pleasant light.





http://www.fenhann.com/

Contact info:
Rasmus Fenhann
Classensgade 65, 1 th. -3
DK-2100 København Ø

Workshop address:
Mariendalsvej 25b, Baghuset
2000 Frederiksberg
Tel. +45 35 38 81 24
Mobile: +45 26 54 06 04

E-mail: rasmus@fenhann.com

Student Projects in Porcelain. Manufactured by Bernardaud.




From the 18th to the 22nd this past April 2007, as part of the Milan Furniture Fair, the Fondation d’entreprise Bernardaud and the ECAL-Ecole cantonale d’art de Lausanne University of Art and Design Lausanne presented (at the Grand Hôtel et de Milan) projects in porcelain by students produced by the Bernardaud Factory.

These projects were selected following a workshop run by Alexis Georgacopoulos, head of the Industrial Design department of the ECAL, and Augustin Scott de Martinville, a professor at the ECAL.
 
“The idea initially was to look again at the traditional image of porcelain, which tends to be associated with tableware, by integrating it in different ways into the day-to-day environment,” explains Alexis Georgacopoulos. Students rose to the challenge by designing a range of varied and original objects: finely sculpted dominoes, a vase consisting of stacked plates, a chandelier with eight hundred small porcelain discs exploiting the material’s transparency, an enamelled cone in which to enjoy an ice-cream, four vases transformed into loudspeakers around an ingenious acoustic system… With humour, elegance, poetry and bravado, each piece questions lifestyles while subtly integrating the manufacturing constraints of porcelain.

The mission of the Fondation d’entreprise Bernardaud, set up in 2003 by Michel Bernardaud, is to renew the way porcelain is perceived. Based in Limoges, it invites designers of all nationalities from around the globe to re-invent this material, to generate bold interactions, to explore new territory and ultimately to find new uses for this material. “We have been delighted with this collaboration which combines innovation and know-how and greatly appreciated the fact that the ECAL, one of the most prestigious design schools, wished to conduct a study of this still largely unappreciated material…” explains Hélène Huret, the Fondation’s director.











“Carte Blanche”
Private viewing was Tuesday 17 April 2007 from 7pm “Au Grand Hôtel et de Milan”,
Sala Verdi, (1st floor), via Manzoni 29, 20121 Milan.
Exhibition ran from 18 to 22 April 2007 (11am to 8pm).

This exhibition is supported by the University of Applied Sciences Western Switzerland (HES-SO) and the Economic Development unit of the Vaud Canton
High-definition images available from the sites www.ecal.ch or www.bernardaud.fr, and on CD-ROM on request.

Information:
Ecole cantonale d’art de Lausanne
4, avenue de l’Elysée
CH-1006 Lausanne
Tel +41 (0)21 316 99 33
Fax +41 (0)21 616 39 91
E-mail pierre.keller@ecal.ch
www.ecal.ch

Fondation d’entreprise Bernardaud
11, rue Royale
F-75008 Paris
Tel +33(0)1 43 12 52 06
Fax +33 (0) 1 43 12 52 01
Press e-mail: sdufresne@bernardaud.fr
www.bernardaud.fr

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