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Antique Vases For Head Bangers and Tableware for Trendy Urbanites.
This certainly ain't your grandmother's tableware. Well, okay, it is. Only with Pierre Blanc's added imagery of trendy pop culture icons and heavy metal bands. Roccocco and baroque china and porcelain plates, trays, amphoras and vases take on an edge not found in the average antique store.
above: The inherently jarring juxtaposition of Metallica on a pale pink and gilded vase is like Meissen-goes-maniacal.
above: Pairing the Pope with a Boombox is something you don't often see
Pierre also takes antique floral and gilded plates and applies the trendy urban imagery of guns, boomboxes/ghetto blasters, turntables, masked mexican wrestlers and muscle cars:
I can't forget to mention his hilarious kitschy plates featuring tv and movie icons like Charles Bronson, Dallas' Booby Ewing (Patrick Duffy) and Fantasy Island's Mr. Rourke (Ricardo Montalban) and Tatoo (Herve Villachaize):
Pierre sells these pieces and more in his online store at Le Garage, Pierre Blanc.
One Subject. One Dress. A Bunch of Fabulous Paintings By Erin Cone.
above: Erin Cone, Evade, 2011, acrylic, 40" x 36"
Texas born artist Erin Cone was named one of Southwest Art Magazine's "21 under 31" to watch in 2003. Since then she has had numerous individual and group shows at galleries all over the United States. Currently showing at San Francisco's Hespe Gallery and having just participated in a group show, In Portrait, at the Blank Space Gallery in New York, Erin's latest works continue her bold take on contemporary figurative realism.
Reminisce:
Looking a bit like a cross between mannequins and photo-shop filtered images, her latest acrylic paintings, clearly self-portraits, avoid direct confrontation with the viewer in almost all instances, like one of my favorite water-colorists, Ali Cavanaugh. This is more prevalent in her work since 2009 - in many her earlier works, specifically in 2005, she confronted the viewer with an almost expressionless gaze.
above: Erin Cone, Underwater, 2005, acrylic, 24" x 26"
In her recent works, she continues to use flat bold colors and geometric shapes to make up the backgrounds, setting off the figure's red dress, which is featured in 15 of the paintings shown in this post. In some cases, small rectangles are represented by negative space as in the case of Repartee 1 and Repartee 2 and in others, small rectangles of color are added as in Allude, Debutante and Assemblage. Still in others, the dress or background is faceted into a series of rectangles, playing up the multiple planes of color.
Here's a look at many of her 2011 pieces.
Repose:
Discourse 1:
Discourse 2:
Debutante:
Charade:
repartee 1:
Repartee 2:
Adieu:
Allude:
Assemblage:
Rouge:
Vignette:
and Ennui:
In addition to the above paintings, other pieces of Erin's newer works feature herself in other clothes, but they still feature one lone figure against flat colored backgrounds, in which the face is partially obscured or turned away from the viewer:
Falter:
Halt:
Yield:
Axis:
Pivotal:
Refuge:
Hold:
Discrete:
Subtle:
Erin Cone:
"I emphasize visual impact over narrative context, focusing on the subtle orchestration of my subject within a framework of design. I create a deliberate push-and-pull between near-photorealistic detail and my own vocabulary of visual glitches that challenge that very realism. This duality is central to my work and allows the figures I paint to remain wholly representational while functioning abstractly — evoking emotion without defining it."
-- Erin Cone
Erin Cone is Represented by:
Hespe Gallery, San Francisco, CA
Lanoue Fine Art, Boston, MA
Melissa Morgan Fine Art, Palm Desert, CA
Nuart Gallery, Santa Fe, NM
Rosenbaum Contemporary, Boca Raton, FL
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