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Getting A Handle On Design With Valli & Valli and FSB. Door Handles By Famous Architects and Designers.




Valli & Valli
The handle, as conceived by Valli&Valli, has traditionally conveyed a home’s style and functional elegance and, as a decorative object therein, will remain an important element of interior décor well into the future. Guided by this vision, Valli&Valli created vcr Valli&Valli and Fusital, trademark collections recognized for their technological sophistication and signature contemporary aesthetic.

I wanted to show you some door handles from their Fusital collection because they've been created by incredibly respected architects, designers and design firms whose names you probably recognize. (And if you don't, it's worth googling them).

The Fusital collection.
The Fusital collection is the flagship division of Valli & Valli and offers series designed by world-renowned architects and designers, including: Frank Gehry, Gae Alulenti, Andrée Putman, Antonio Citterio, Cini Beori, Leon Krier, Richard Meier, Eero Aarnio, Mario Bellini, and Michael Graves, among others. The collaboration between these talents and Valli & Valli’s technical specialists results in innovative products that encompass the best in contemporary design.



The project became a reality in 1976 with the establishment of the Fusital trade-mark for the creation of "artistic handles" for doors and windows. Relying on the consolidated values - industrial credibility and image strength as a basis Valli&Valli succeeded in evolving, as the premier company in its field, names from the world of top class design and international architecture, receiving always an enthusiastic response and great commitment.

The door handles shown below are a few examples of available styles designed by some very impressive architects and design innovators:


above: by Zaha Hadid and Woody Yao. This door handle was the recipient of the impressive Grandesign Etico International Award in 2008.



above: two handles by Frank Gehry.


above: handle by Richard Meier


above: handle by Fabio Novembre. Note the fabulous heart shaped end.


above: handle by Ron Arad


above: handle by Alan Ritchie and Philip Johnson Architects


above: handle by Piano Design


above: handle by Odile Decq-Benoìt Cornette


above: handle by Jean Nouvel


above: handle by Yoshimi Kono


above: handle by Antonio Citterio with Toan Nguyen


above: handle by Gustav Piechl

All the above designs have accompanying drawer pulls, hooks and additional styles and hardware.

The designers, who up to the present day have created more than 51 collections for Valli & Valli include: Eero Aarnio, Ron Arad, Gae Aulenti, Mario Bellini, Cini Boeri, Achille Castiglioni, Cerri & Associati, David Chipperfield Architects, Antonio Citterio, Droog Design Ronald Lewerissa, D'Urbino-Lomazzi, Foster and Partners, Massimiliano e Doriana Fuksas, Frank O. Gehry, Michael Graves, Gregotti Associati, Hans Kollhoff, Yoshimi Kono, Leon Krier, Chi Wing Lo, Vico Magistretti, Angelo Mangiarotti, Richard Meier, Renzo Mongiardino, Jean Nouvel, John Pawson, Gustav Peichl, Piano Design Workshop, Andrée Putman, Alan Ritchie-Philip Johnson Architects, Aldo Rossi, Sottsass Associati, Taller Design Ricardo Bofill, Matteo Thun, Marco Zanuso.

A little history:


Nearly eighty years ago, Pasquale Valli secured a position at an umbrella factory in Veduggio, Italy, managing the department that oversaw the design and production of handles. While umbrellas of the time looked exactly the same—somber, dark and gloomy—the treatment reserved for the handle itself was wildly different. In Valli's design department, fancy took flight. The handle articulated the true personality of the umbrella and it was this piece that captured a buyer’s attention. The importance of touch and the contact between a consumer and an innovatively designed object was an experience that Pasquale Valli valued immeasurably.

Valli learned many things from his time in the handle department. He absorbed an understanding of the properties and handling of metal, including fusion techniques, the use of molds and dyes and the techniques employed for various other materials, such as plastics. Fascinated with the ergonomic relationship between hand and object, he was compelled to study at a sculptor’s studio, inciting a passion for art and commitment to artisanal craft methods. These experiences changed his life, inspiring him to become an entrepreneur.



To see the full lines and the names, dimensions and details of the designs, please visit Valli and Valli online here.


FSB


Not to be outdone, FSB has their own collection of 'name' designers for their brand. In addition to their large line of hardware and fittings, they too have had world renowned architects and designers create door levers and hardware for their brand.



above: handle by Philipe Starck


above: handle by Nicholas Grimshaw


above: handle by Christophe Ingehoven


above: handle by Erik Magnusson


above: handle by Christoph Mackler


above: handle by Hartmut Weise


above: handle by Jasper Morrison


above: handle by Hans Kollhoff


above: handle by Jahn/Lykouria

A little FSB history:
Since its foundation in 1881 FSB has lived by following market impulses. Always on the pulse of the "zeitgeist". Usually daring to anticipate new trends. Invariably committed to the traditions of craftsmanship.

Historic furniture fitting models and simple devotional articles made of brass were in demand in 1881, when the company founder Franz Schneider entered the scene of metal fittings in Iserlohn in the Sauerland hills. His success proved him right: by the turn of the century, his product range already filled a sizeable catalogue.

In 1909, the company’s founder Franz Schneider moved from the Sauerland to the Weser Hills. In Brakel, he had discovered a deserted factory site which became his permanent choice of location. He made a point of adding the letter B to his initials F and S and proudly marketed the company’s first door and window furniture in silver and black under the new company name FSB.

During the building boom in the reconstruction phase after 1945, FSB discovered light metal as a new material for its products. In Brakel, the contemporary spirit of that period featuring bag-shaped lamp shades and kidney-shaped tables was honoured with swinging, colourful entrance door designs that can still be admired today in some older shop fronts.

Between 1953 and 1963 the chaser, toolmaker and training supervisor Johannes Potente developed his classic hand form design at FSB. His designs are well-known, but nobody knows his name. The anonymous industrial design by Johannes Potente was honoured by experts in keeping with its merits only after his death. His designs were then added to famous collections of design models such as the MoMA in New York.

Under the intellectual leadership of Otl Aicher FSB has embarked on a new strategy during the last 20 years, without denying its century-old corporate tradition.

With a stylized handle (fashioned along the lines of the philosopher Ludwig Wittgenstein’s door handle) and a stylized hand as a reminder that door handles are really extensions of the hand, Aicher furnished the graphical cornerstones of our new corporate image.




To see their complete lines of home fittings, hardware and more, visit the FSB site here

The IGL Jet Desk Makes A Comeback




The IGL JET desk, originally designed by Ernest Igl in 1970, has been reissued in a limited edition. Available in four colors; silver, black, white and orange, the modern looking desk is a perfect example of form as function.



Available colors:




The details:





In situ:





Ernest Igl is best known for his revolutionary designs for Leica and Steelcase

See more details here.


Design: Studio Ernest Igl 1970
A product of Sensufaktur® Tobias Brandstetter
Keplerstr. 9, D-81679 Munich,
www.sensufaktur.de
+49 89 3064 6322,
VAT No. DE 251577490

eMail: tb@sensufaktur.de

Beautiful Losers Boxed Catalog of Original Street Art & Urban Artifacts




Beautiful Losers is an exhibition of multi-media art and design that explores the recent work of a diverse group of visual artists that have emerged from the subcultures of skateboarding, graffiti, punk, and hip hop in U.S. urban centers.

The core of the project involves painting, sculpture, and photography, as well as film, video, performance, and product design by more than thirty individuals who have emerged in the last decade--some now established figures in the art world, but many receiving their first broad exposure via these projects.

Below are images from a boxed edition of the catalog that include signed original silkscreen prints, photographs, objects, vinyl toys, flip books, dvds..... even Terry Richardson glasses.



The limited edition Beautiful Losers boxed catalog includes the following works:


above: Mike Mills - The Architecture Of Reassurance, offset printed book, approx. 6 x 4 inches, open edition

above: Cheryl Dunn - C-4, San Francisco, Tenderloin Hallway, c-print, 6 x 4 inches, printed and signed by the artist, edition of 100 [featured in the Beautiful Losers catalog]

above: Evan Hecox - Chinatown NYC, woodblock print on Japanese rice paper, 10 x 8 inches, printed and signed by the artist, numbered edition of 100

above: Harmony Korine & Mark Gonzales - Adulthood, hand photocopied zine, approx. 8 x 5 inches, edition of 100

above: Tobin Yelland - Untitled, offset printed poster, 16 x 20 inches, signed edition of 100 [featured in the Beautiful Losers catalog]

above: Cynthia Connolly - Page, Arizona [from the portfolio Ice Machines featured in the Beautiful Losers exhibition], silver gelatin print, 4 x 6 inches, printed and signed by the artist, edition of 100

above: Rostarr - Untitled, silkscreen and spray enamel on paper, 11 x 13 inches, hand-painted, printed, and signed by the artist, numbered edition of 100

above: Ryan McGinness - Multiverse Sticker Pack, various stickers in custom package, approx. 5 x 5 inches, signed and numbered edition of 100

above: Ari Marcopoulos - I Might Be Wrong, offset printed zine, approx. 8 x 5 inches

above: Jo Jackson - States [5 different versions], approx, 2.5 x 3.5 inches, handmade flip book

above: Shepard Fairey - Untitled, silkscreen on paper, 10 x 8 inches, printed and signed by the artist, numbered edition of 100

above: James Jarvis - The Thin Blue Line, action figure, approx. 6 x 3.5 inches, signed edition of 100

above: Todd James - Alive With Pleasure, silkscreen on paper, 7 x 5 inches, numbered edition of 100

above: Phil Frost - Poster Marker, custom refillable ink marker, approx. 5 x 1 inches, open edition

above: Andy Jenkins - Untitled, 100 unique inkjet prints on paper, approx. 11 x 9 inches, signed by the artist, edition of 100

above: Chris Johanson - Love Not War, set of 8 buttons pinned to numbered placard, 4 x 7 inches, numbered edition of 100

above: Geoff McFetridge - Kemistry, 1 of 100 original pencil drawings on canson acid free paper with DVD of the complete animated sequence of the 100 drawings in custom packaging, 9 x12 inches, signed edition of 100


above: Barry McGee - Untitled, marker on various sticker papers, dimensions variable, signed by the artist

above: Steve Powers - Handy Signs, custom die cut vinyl sticker sheet, approx. 15 x 8 inches, edition of 100

above: Terry Richardson - Smilen glasses, pair of authentic Terry Richardson eyeglasses, approx. 3 x 8 x 3 inches

above: Craig R. Stecyk III - Untitled, 100 unique silver gelatin prints with silkscreen, 4 x 6 inches, printed and signed by the artist, edition of 100

above: Ed Templeton - Chris Johanson, Beautiful Losers, silver gelatin print, 8 x 10 inches, numbered edition of 100

above: Clare E. Rojas - Faint Humms, limited edition compact disk, approx. 5 x 6 inches

above: Mark Gonzales - Krooked Authentico, limited edition air freshener, approx. 6 x 3 inches

above: Thomas Campbell - T. Moe Wallet, limited edition Paul Frank wallet, approx. 4 x 4 inches

Below are images as to how the works are packaged in the crate:





and yes, it includes the catalog from the exhibit:

Approx 22 x 18 x 9 inches, Numbered edition of 100

The Beautiful Losers Catalog [Boxed Edition], 2006
Custom slipcased First Edition / First Printing catalog packaged in custom military grade wood box with limited editions and original works of art by the Beautiful Losers artists.
Approx 22 x 18 x 9 inches, Numbered edition of 100. $1,500.00
Buy it here.

About the Exhibit:
The exhibition also includes a concise overview of the work of a previous generation of artists who have had a direct influence on the aesthetic development of the artists in question; an environmental soundscape that traces the relationship between these subcultures and various genres of popular music; a selection of ephemeral materials (album covers, skateboard decks, toys, zines, etc.) produced in or related to this milieu; and a film and video program to be screened within the exhibition itself.

The exhibition is conceived and curated by Christian Strike and Aaron Rose of Iconoclast. Beautiful Losers opened in Cincinnati at the Contemporary Arts Center in March 2004 and then traveled to San Francisco’s Yerba Buena Center for the Arts in July of 2004. The exhibit will make stops at the Orange County Museum of Art and The Contemporary in Baltimore in 2005, and then travel to Europe in 2006 and Asia and Australia in 2007.


A fully illustrated 272-page catalogue published by Iconoclast accompanies the exhibition:



Over 250 pages of documenting a rising movement of artists across the world.
Hardcover, 8.5 x 11 in./272 pgs
Buy it here.

You can purchase several individual pieces by the artists mentioned above and many others, as well as do a virtual 'walkthrough' of the exhibit here.

Beautiful Losers has their own site here.

About Iconoclast:
Iconoclast Editions is a project-based studio working in collaboration with artists to produce a wide variety of multi-media endeavors. Iconoclast produces exhibitions, publications, and artist editions. Since 2002, Iconoclast has produced a multitude of exhibitions, books, editions and other projects including the widely acclaimed touring museum exhibition, Beautiful Losers.

information@iconoclastusa.com

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