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Showing posts with label coffee tables. Show all posts
Showing posts with label coffee tables. Show all posts

Handcrafted Nintendo NES Controller Coffee Tables - And They Actually Work!





There was such a positive response to the wooden coffee table that was shaped like a cassette, I simply had to share with you these two different versions of Nintendo NES Controller Coffee Tables by Charles Lushear of Venice, California's Bohemian Workbench.

The tables, which can actually function as your game controller, come in two versions. A beautiful handcrafted version in maple, mahogany and walnut with dovetail joinery and mid century modern legs ($3700):






And it's available in a less expensive painted wood version ($1300):





The made to order tables can fully function as a Nintendo NES controller and can be used to play games with the glass removed. The cord is retractable from underneath. They are also available as non-functioning coffee tables.

Dimensions: 42" length x 18.25" width x 18" height


images and video courtesy of Charles Lushear
Buy them from their etsy store.

Reclaimed Wood Mixtape Coffee Table by Jeff Skierka Goes Into Production.




This unique handmade coffee table has been getting so much buzz that Seattle-based designer/craftsman Jeff Skierka and his partner, graphic designer Roslyn Hyde are working as fast as they can to get it into production.



The Mixtape Table is a 12:1 scaled replica of a cassette tape turned into a functional coffee table. Made of reclaimed maple, walnut and lucite, the 47.25" x 30" x 5" handcrafted piece has a protective 3/8" plexiglass top. The table is completely reversible to feature sides A and B.



The first prototype and one of a kind table has been quickly gathering attention across the internet, with many fans requesting its production.




Jeff and Roslyn are responding to the demand with future versions which will be CNC machined out of high grade plywood (with a variety of ply combinations) and a glass top. Both plywood and handmade hardwood versions will be soon available.


above: Jeff and partner Roslyn in their Seattle workshop

According to Roslyn, Jeff is speaking with manufacturers with CNC capabilities, water jet cutters for the glass top, visiting local plywood and hardwood suppliers, among a list of other things over the next couple of weeks. He is planning on having a rough estimate for the plywood Mixtape Table by the end of the week. Jeff will also be creating 1 or 2 more prototypes as well. If you are interested in a hardwood handmade table, those will also be available to order soon.



Please email them at jeffskierkadesigns@gmail.com for more information and to be put on their mailing list.

House Industries Designs Hand-Printed Eames Tables For Herman Miller Asia-Pacific





The very hip type foundry House Industries has teamed up with Herman Miller to produce a limited edition series of 80 Eames wire-base tables.



The Eames wire based low tables (LTR) include letters, numbers and ornaments from their Eames Century Modern font collection.



Each tabletop is hand-printed by House’s own David Dodde in their Grand Rapids, Michigan factory, returned to Herman Miller for assembly then packaged in a special House Industries-designed wooden crate.



Andy Cruz originally showed sketches of a printed LTR table to Yoko Sasaki, Marketing director of Herman Miller Japan, during his trip to Tokyo in 2010. Soon after House Industries got busy with the Eames Office and Herman Miller in Zeeland, Michigan to bring the sketches to life. As with most House Industries projects, they tried their best to make the packaging for this limited edition something you wouldn’t throw away once the table was removed. I believe they succeeded.


Photography by Carlos Alejandro

Forty tables will be available in Hong Kong at the Herman Miller Reach event on September 16, 2011 and 40 will be available at the House Industries exhibition at the Herman Miller Tokyo Showroom on October 27, 2011.

Reach Hong Kong
September 16, 2011
Hong Kong Design Institute
3 King Ling Road,
Tseung Kwan O,
N.T., Hong Kong
http://reach.hermanmillerasia.com/

House at Herman Miller Japan
Opening Reception: October 27, 2011
Herman Miller Japan Showroom
Marunouchi MY PLAZA
2-1-1, Marunouchi, Chiyoda-ku,
Tokyo 100-0005, Japan
http://www.hermanmiller.co.jp/

information courtesy of House Industries

The Private Property Collection Of Graffiti Artist Designed Furniture From Alife X Uhuru.






New York Art Department's PRIVATE PROPERTY is a collaborative project between downtown New York lifestyle brand ALIFE and Brooklyn-based contemporary furniture manufacturer Uhuru (perhaps you recall the post I did on Uhuru's Coney Island furniture line).



The exhibition, which was at The Hole in New York's Bowery, featured sustainable furniture by Graffiti artists Earsnot (Ear) Irak, Semen (Semen Irak aka SeMeN SPeRmS), Jim Joe, KR (Craig Costello aka Krink), Max Fish (Bar and Art Gallery) & ALIFE.



The PRIVATE PROPERTY furniture collection consists of the following pieces:


EARSNOT AND SEMEN IRAK:


EARSNOT IRAK Antique MOD Mirror:
Antique Mod Mirror, steel-framed, floor-length mirror. Etched by EARSNOT, President of NYC's IRAK Crew. Dimensions: 30"x80"Accompanied by a certificate of authenticity. Edition of 2. $7500



SEMEN IRAK Antique MOD Mirror:
Antique Mod Mirror, steel-framed, floor-length mirror. Scratched and cracked by SEMEN of NYCʼs IRAK Crew. Dimensions: 30"x80" Accompanied by a certificate of authenticity. Edition of 2. $7500

Artists Earsnot and Semen at work on the mirrors:





MAX FISH


MAX FISH Slab table and chairs:
One-of-a-kind hardwood slab set on trapezoid steel legs with 4 1X1 metal and wood chairs. Marked by Max Fish patrons overthe month of April 2011.Table dimension: 84"x42"x29.5", Chair dimension: 17"x18"W x35"Accompanied by a certificate of authenticity. One-of-a-kind. $25,000







JIM JOE:


JIM JOE on LAP Coffee Table:
1/4" Aluminum plate and solid wood 3"x3" base. Drawn on by Jim Joe.
Dimensions: 46"x46"x16" Signed by the artist and accompanied by a certificate of authenticity. Edition of 4. $7500


underside of the coffee table:


Artist Jim Joe at work on the coffee table:



additional images of Jim Joe coffee table courtesy of Seth Lassman's (Setlasmon) fabulous sets on Flickr

KR aka Krink aka Craig Costello:


KR on SUMMER SNOW Benches:
Solid Ash tops over 1"x1/2" steel tubing powder coated white. Painted by Craig Costello. Dimensions: 60"x16"x18"Signed by the artist and accompanied by a certificate of authenticity. Edition of 5. $7500




ALIFE NYC:


ALIFE NY CRACK Table:
1/4" steel plate with 1/2" glass top. Dimensions: Base: 26.5"x41"x15.5" Top: 48"x34" Signed and numbered. Accompanied by a certificate of authenticity. Edition of 15. $3600



ALIFE Metal STOOLEN:
A metal version of Uhuruʼs signature stool, created in 4 custom colors for ALIFE.Dimensions: 16"x18"Signed and numbered. Accompanied by a certificate of authenticity. Edition of 15. $1800



About the Metal Stoolen: The Metal Stoolen was created using scraps of steel from Brooklyn area metal shops. Bundled together haphazardly and encased in a ring of longer pieces, the hollow ends of metal form the objectʼs top. This produces a dynamic pattern filled with highly charged empty space. The effect is like a photonegative of the original Stoolen. The eye-catching powder coating adds to the pieceʼs sculptural quality and highlights the tension between positive and negative space.



(NY Mag) PRIVATE PROPERTY brings together high-end sustainable furniture design and downtown New York graffiti culture: The project counts on the participation of infamous graffiti writers EARSNOT, SEMEN, JIM JOE and KR; legendary Lower East Side hang out Max Fish and its unruly clientele; and lifestyle brand ALIFE—all of whom have produced self-titled pieces.


To be displayed for sale during New York Design Week, the idea behind the project began as a friendly conversation between Alife and New York Art Department founders Robert Cristofaro and Arnaud Delecolle, and Uhuru founders Jason Horvath and Bill Hilgendorf. The four agreed to collaborate and create a New York-centric project that would represent all partiesʼ respective areas of expertise.

The result is a unique collection of handcrafted sustainable furniture that plays with the concept of vandalism, private property and each's appropriation of the other. PRIVATE PROPERTY is produced by creative consultancy and design company New York Art Department with support of lifestyle brand-consultancy company WhY-Q.

"The collaboration between ALIFE and Uhuru creates a dialogue between designers and artists, Urban landscapes and interiors. Ultimately, it will aim at producing a merging of viewpoints to challenge conceptions between fine art and furniture," says Jason Horvath.

“This project allows ALIFE to play and execute with yet another medium. This is the first time ALIFE applies its vision to furniture, but it's something we've wanted to do for a long time. It's more quality content from the Ê»alifevisionʼ,” says Arnaud Delecolle.

“The artists selected for this project represent Alifeʼs vision of the New York graff scene. Each individual chosen in this lineup is recognized within the New York downtown lifestyle as a trailblazer in his respective niche. Whether it be manufacturer of art supplies, DJ to the “Downtown”, wordsmith or just an infamous personality within the graffiti scene, all have all paid dues and contributed to this art form,” says Rob Cristofaro.

"Getting involved with NYAD to produce Private Property was a no brainer for WhY-Q. For the past 10+ years WhY-Q has produced avant-garde events such as Ryan McGinley's first solo exhibition & the NY Minute Exhibition in Rome, we felt this was one of those events: Real New York street art collaborating with real New York high end furniture design. It hasn't been done before," says Why-Q Partner Teddy Liouliakis.

Alife opened in 1999. One of its main goals then was to showcase people around it whose work enriched our lives with original ideas and the honest commitment to the qualitative execution of those ideas, independently of the medium. From fashion to graffiti, this was the criteria we lived by. Also, we had to like the end product.

the press release:
New York Art Department, 201 —The artists and contributors that are part of this project meet these same requirements and were asked to participate because of their contribution to the downtown graffiti scene:

Earsnot and Semen Sperms of the infamous IRAK crew. Over the years, both—each in their own way--have destroyed vast amounts of private property with undisputed flair and attitude, represented here with two of the most destructive marking techniques.

Craig KR Costello, a downtown ambassador of good taste and purveyor of fine inks and markers to street vandals and studio artists alike, brings controlled chaos with his well-known and often imitated KRINK drips.

A witty newcomer with art school charm, JIM JOE showcases the melding of art education, graffiti culture and his personal obligation to illegally write his name and phrases everywhere, as evidenced by the threatening note attached to The Hole gallery door by a neighbor.

Legendary Lower East Side watering hole and artist safe haven, Max Fish and its patrons provide us with the colorful impromptu composition of layered drunken vandalism characteristic of its bathrooms on Ludlow street.

Finally, Alife comes in as the curator and long-time supporter of the scene with its stamp of approval: NY CRACK



ALIFE X UHURU DESIGN: PRIVATE PROPERTY ran from MAY 14 – MAY 17, 2011, some of the items are now up for auction at Blacklots.

images courtesy of Alife, Uhuru, High Snobiety, Metro Velvet and Alife on Flickr.

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