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Interesting Facts, Figures, and Tidbits About Mothers And Motherhood




Here are a bunch of interesting statistics about Mothers and Mother's Day for you from the US Census Bureau:

The first Mother’s Day observance was a church service in 1908 requested by Anna Jarvis, of Philadelphia, to honor her deceased mother. Jarvis, at an early age, had heard her mother express hope that a day to commemorate all mothers would be established. Her mother had also expressed the sentiment that there were many days dedicated to men but none to mothers. Two years after her mother’s death, Jarvis and friends began a letter-writing campaign to declare a national Mother’s Day observance to honor mothers. In 1914, Congress passed legislation designating the second Sunday in May as Mother’s Day.

82.5 million
the estimated number of mothers of all ages in the United States. (From unpublished Survey of Income and Program Participation data.)

68%
Percentage of women in Mississippi, ages 15 to 44, who are mothers. This is among the highest rates among states. The national average is 56 percent.

82%
Percentage of women 40 to 44 years old who are mothers. In 1976, 90 percent of women in that age group were mothers.

New Moms

4.0 million
Number of women who have babies each year. Of this number, about 425,000 are teens ages 15 to 19, and more than 100,000 are age 40 or over.

25.1

Average age of women when they give birth for the first time [PDF] — a record high. The average age has risen nearly four years since 1970.

40%
Percentage of births that are the mother’s first [PDF]. Another 32 percent are the second-born; 17 percent, third; and 11 percent, fourth or more.

35,000
Number of births in 2002 [PDF] attended by physicians, midwives or others that do not occur in hospitals.

Remembering Mom

above flowers designed and photographed by Sean Alvarez

23,094
Number of florists nationwide in 2002. The florists’ 119,117 employees will be especially busy preparing, selling and delivering floral arrangements for Mother’s Day.

The flowers bought for mom probably were grown in California or Colombia. Among the 36 surveyed states, California was the leading provider of cut flowers in 2003, accounting for more than two-thirds of the domestic production ($306 million out of $425 million) in those states. Meanwhile, the value of U.S. imports of cut flowers and fresh flower buds in 2004 from Colombia, the leading foreign supplier to the United States, was more than $385 million.

$5 billion

Revenue of greeting-card publishers nationwide in 2002. The 15,859 employees of the 119 greeting-card publishing companies are especially busy creating Mother’s Day greeting cards.

152 million
Number of Mother’s Day cards expected to be given this year in the United States, making Mother’s Day the third-largest card-sending occasion.
(Source: Hallmark research)

1-in-32
The odds of a woman delivering twins. Her odds of having triplets or other multiple births was approximately 1-in-540.


Single Moms

10 million
The number of single mothers living with children under 18 years old, up from 3 million in 1970.

Expectant Mothers

August
The most popular month in which to have a baby, with 359,000 births taking place that month in 2002. July, with 358,000, was just a shade behind.

Tuesday
The most popular day of the week in which to have a baby, with an average of almost 13,000 births taking place on Tuesdays during 2002.

How Many Children

2
Average number of children that women today can expect to have in their lifetime.

3
Average number of children that women in Utah and Alaska can expect to have in their lifetime. These two states top the nation in average number of births per woman.

Only about 10 percent of women today end their childbearing years with four or more children- that compares with 36 percent in 1976.

Working Moms


55%
Among mothers with infant children in 2002, the percentage in the labor force, down from a record 59 percent in 1998. This marks the first significant decline in this rate since the Census Bureau began calculating this measure in 1976. In that year, 31 percent of mothers with infants were in the labor force.

63%
Among college-educated women with infant children, the percentage in the labor force.

Among mothers between ages 15 and 44 who do not have infants, 72 percent are in the labor force.

More than 687,000
Number of child day-care centers across the country in 2002. These include nearly 69,000 centers employing close to 750,000 workers and another 618,000 self-employed persons or other companies without paid employees. Many mothers turn to these centers to help juggle motherhood and career.

About 2 million
Among more than 10 million preschoolers, the number who are cared for in a day-care center during the bulk of their mother’s working hours.

Individual source links for each statement herein may be accessed on the Internet at
http://www.census.gov/Press-Release/www/releases/archives/facts_for_features_special_editions/004109.html>.

I'm A Fool for Smool: Robert Bronwasser's Newest Ceramic Designs




Last week at Salone del Mobile, smool of the Netherlands introduced a new design collection of tabletop ceramics by Robert Bronwasser for Royal Goedewaagen.



above: smool booth at Salone Del Mobile

The new collection includes

his fun little ceramic people:


modern money pigs (piggy bank or coin box):



ceramic paper trays:

the tuliptile vase in new patterns:




new tableware:

and nautical service (dinnerware with skulls) for DLS:






Smool
Royal Goedewaagen

That's Not Banksy Who's Coming For Dinner -The Truth Behind The Hoax-Now-Film.






The news is out that "Notorious graffiti artist Banksy stars alongside movie legend Joan Collins in Banksy’s Coming For Dinner; a new film written, directed and produced by Ivan Massow." But is it really Banksy in the film? Nope.

Described as a film within a film, where the viewer can "Experience the clash of celebrity as Hollywood royalty Joan Collins and husband Percy meet Banksy, the most famous living artist in the world. Banksy’s Coming for Dinner is a film within a film and questions the very nature of 'reality' at every level." the entire story is an elaborate hoax, albeit a filmed and edited hoax.

According to the Daily Mail, the entire story was a falsehood designed to dupe the Dynasty actress – and the rest of the world.

In reality, the ‘Banksy’ who Miss Collins spent five hours entertaining was actor Bryan Lawrence – whose career includes bit parts in The Bill and adverts for the Corby Trouser Press – not the controversial guerrilla artist famed for his stenciled, anarchist graffiti works that can sell for up to £250,000.


above: Actor Bryan Lawrence plays Banksy in the film.

The bizarre plot was dreamt up by former Tory adviser Ivan Massow, a colourful character who made and lost a fortune selling insurance to gay men, and a familiar face on the London social scene, who has known Miss Collins for 20 years.

He filmed the charade in the hope of hoodwinking a TV broadcaster into buying the footage, promoting it as the first time Banksy had revealed himself on camera.

In reality Ivan Massow was not really fooling anyone. He knew that his hoax would be discovered. After all, he arranged to have Sam Bloom, sister of actor Orlando Bloom, to be the waitress for the event. In fact, the chef for the dinner was also staged-- actress Helen Lederer played the role. Massow has stated, after being exposed,that he wanted to “investigate the nature of what’s real and what’s not real”. Of the event Massow has stated, “To pull off what was such a massive art fraud would have been really quite spectacular.”.

Massow had originally intended to use the real Banksy in his film. The artist's spokesman confirmed they had been approached last year, but 'turned down his request'. Massow said: "I still think he might be Banksy. Prove it's not him."

Knowing all that, and assuming it doesn't put you off from viewing the upcoming film, here's the Press Release, stills, trailer and info:

Hollywood royalty Joan Collins and husband Percy hold a dinner party for a few of their friends/acquaintances. Among the invited is the acclaimed artist Banksy, renowned for his aversion to the spotlight. Inviting him is fraught with social risk; will he come? How will he behave at table? This would, after all, be the first time he's revealed himself on camera.



The preparations, the dinner and the goodbyes… the characters speak in the shared language of the famous. Or do they? Perhaps they are commenting on this language, creating a second film within the first; the first being a drama, the second a satire.



As a study of our crazed adoration of celebrity and society’s overwhelming need to consume, Banksy’s Coming for Dinner questions the very nature of 'reality'. The film stars Hollywood icon Joan Collins, alongside her husband Percy and daughter Tara, with dinner guests Tamara Beckwith, Stephen K Amos, Paul de Freitas, Ann Mitchell and, of course, Banksy.



Banksy’s (who we now know is played by actor Bryan Lawrence) face is pixelated and his voice is distorted throughout the film, which was shot on location in London and Oxfordshire in June 2008, with post-production in Barcelona and Los Angeles.



The dinner party is shot in ‘real time’ over a single day at Joan’s country estate, within its spectacular, rolling grounds with deer and peacocks. The dinner guests are filmed throughout the day as they prepare and travel from their homes on this perfect summer’s day.



Joan is every inch the glamorous Hollywood mogul throughout, accompanied by her suave, debonair husband Percy. Her perfectionist nature gets the better of her when Ann Mitchell arrives 10 minutes early, complaining, “It’s terribly rude to be early.” Daughter Tara, dutifully helping the staff in the kitchen, predicts, “Mum’s going to have a shit-fit!”

Percy remains calm throughout, explaining, “It was a hard decision to make, opening up our lives, our home to the cameras. It’s rather undignified, quite frankly. But we decided to go with the way of the modern world.”

Banksy had agreed to pick Tamara Beckwith up from her smart Chelsea townhouse, though nobody could be sure he would arrive at all. At the appointed time, he turns up outside in a London Black Cab driven by his driver Julie, a middle-aged housewife. “Blimey!”, exclaims Tamara, “are we going all the way to Oxford in that? I hope he’s paying!” Having cleared a space for Tamara to sit amongst the discarded sweet wrappers and mess in the back of his cab, they set off, and Banksy chats about art, attacking Tracey Emin’s infamous ‘unmade bed’, saying, “that’s not art, that’s a thought.” Tamara nods in agreement.

Stand-up comedian Stephen K Amos sets off from his London Council Flat, enthusing, “If Banksy’s here... I’m getting some art. That’s my mortgage!” He’s picked up by Paul de Freitas, the exuberant casting director, described by his driver John as “a typical person who likes the nightlife”. Meanwhile, award-winning actress Ann Mitchell sets off from her home in leafy Hampstead commenting that Banksy’s, “Somebody who doesn’t want to be famous, who wants to remain anonymous. I think that’s incredible.”



The guests have arrived and are assembled in one of the reception rooms, making small talk over cocktails with Joan, an incredibly gracious hostess, the centre of attention. The group dynamic changes with the arrival of Banksy and Tamara and the balance of power tilts towards him. “Although he looked perfectly ordinary when he came in, people focused all their energy towards him,' Director of photography Saul Gittens later comments.



Banksy - or 'Bryan', as he introduces himself - presents Joan and Percy with what looks to be a hastily-prepared gift of a can of spray paint mounted on a miniature easel. “Oh Bryan, this is fantastic,” enthuses Percy, somewhat unconvincingly.

In the background, chaotic behind-the-scenes preparations take place in the kitchen, and world-famous pianist Yitkin Seow plays Satie and Mozart alone in a secluded drawing room. Yitkin comments, “I’m used to playing for audiences of up to 60,000 twice a day, but playing in a small room with nobody there can be just as challenging.”

Joan’s Butler leads the guests into the dining room. Joan rings the serving bell, and the games begin...

The Movie Trailer:
 

About The Production of the Film
An August 8 Productions film, Banksy’s Coming for Dinner was written, produced and directed by Ivan Massow, with Editing by Ben Friend and Huw Jenkins (Emmy® Award Winning Editor), Assistant Editing by John William Dunlea, Alexandria Pickering and Monica Alonso as Line Production and Ruth Newman as Consultant Director. Post-production facilities were supplied by Infinia in Barcelona and BRF Productions in Los Angeles. Filming facilities were supplied by ProCam TV, London with Saul Gittens as Director of Photography. Sound facilities were supplied by Total Audio Solutions, London with Paul Scurrell as Sound Supervisor.  

The Cast:

 

above: JOAN COLLINS, PERCY GIBSON, TARA NEWLEY, STEPHEN K AMOS, PAUL DE FREITAS, ANN MITCHELL, TAMARA BECKWITH, HELEN LEDERER, SAMANTHA BLOOM, NICKOLAS GRACE & BRYAN LAWRENCE AS BANKSY  

Additional Credits: AUGUST 8 FILMS presents an IVAN MASSOW film "Banksy’s Coming for Dinner" Editor HUW JENKINS Editor BEN FRIEND Director of Photography SAUL GITTENS Sound Supervisor PAUL SCURRELL Piano by YITKIN SEOW Music by MR SCRUFF Line Producer ALEXANDRIA PICKERING Consultant Director RUTH NEWMAN Production Manager MONICA ALONSO Art Director SEAN CHILES  

The Premiere Party:


The Premiere Launch Party was hosted by Joan Collins at the Paramount Club in London W1, and members of the public had the chance to win a ticket for 2 to the premiere by registering at the film website (link is no longer active).
 www.banksyscomingfordinner.com

Purchase the DVD: Banksy's Coming For Dinner

Just who is Banksy?
If you're not familiar with UK Street Artist Banksy already, you can learn about him and his work here.

 

To see all of Banksy's work, visit his own site here.  

No, really WHO is Banksy?

According to the UK's Daily Mail, Banksy's real name is Robin Gunningham.

Banksy Books and Reference

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