The Street Art Easter Eggs That Would be Perfect For Banksy. Or Any Graffiti Fan.

So, what would be the perfect Easter Egg for Banksy? Definitely one of the Edible Easter Eggs from this collection of Street Art Easter chocolates from Paris-based Jadis et Gourmande.

Cheez Whiz Graffitti and Other Perishable Logos By Dorota Pankowska

Brand logotypes are publicly executed on the streets and surfaces of downtown Brampton by artist Dorota (Dori) Pankowska using the actual product to create the art. From shaving cream to chocolate hazelnut spread, recognizable product names become a sort of graffiti whose time is limited.



The street art series is titled Pro Bono Promo, the name resulting from poking fun at the fact that these can appear as free advertising for the companies. Left up to diminish naturally over time, Dori says of "This has probably been my favourite project I've done so far."

Spray Cheese:



Peanut Butter:




Instant Coffee:



Shaving Cream:



Mayonnaise:


Chocolate Hazelnut spread:



Permanent Marker:


Toothpaste:


Mustard:



Ketchup / Catsup:

all images courtesy of the artist

Special thanks to Scott Rench

Ian Berry Does It In Denim. Check Out The Fashionable Art of Denimu.

above: Ian Berry AKA Denimu, A Blue Eye (Avalon Pub), denim on denim, 122x61cm (48.03x24.02inches)

UK artist Ian Berry works in a medium usually reserved for fashion - denim. he constructs scenes and figures by cutting and piecing together that well-worn closet staple, jeans. As a result of this, he goes by the name Denimu and has attracted quite a following worldwide.


above: portrait of Lapo Elkann

above: Journey Home

above: Mike and Ike

Using various shades of denim, he cuts and stitches the pieces together to create urban scenes and detailed portraits.




above: Flocking to the Portobello Market (in progress)

Newsstand Installation in New York
His newsstand installation that appeared in New York was phenomenal. Consisting of numerous magazine covers, candy bars and even a vending machine, Denimu pieced together each and every element of the life-sized work:



details:





And here's a look at some of the individual magazine covers created for the above piece:




More pieces of his work.
London Punk:


Before It Went Down:


The Brooklyn Diner:


The Other Side Of The Track:


Artist Biography (courtesy of cattogallery.co.uk):

IAN BERRY Aka DENIMU

We all love denim, don't we? It's the great democratic fabric, worn by everyone from the farmer to the aristocrat, the manual worker to the oligarch.

But for the British artist Ian Berry, it is so much more. It's probably fair to say, Ian is obsessed. This is the guy who changed his stage name to Denimu and made a career out of turning jeans into works of art.

Ian conjures remarkably detailed portraits and urban landscapes using nothing more than discarded jeans. Over many weeks he cuts, stitches and glues using only the varying shades of the fabric to provide contrast and shadow. The effect is extraordinary.

Ian's denim epiphany came during a trip back to his childhood home in Huddersfield. During a big clear-out session, Ian found himself staring at a big pile of unwanted jeans destined for the charity shop. Affectionate memories came flooding back, along with a wave of tactile enthusiasm for the fabric. At that point, he knew he'd found the key to his artistic career.

Born 1984 in Huddersfield, UK, Ian began his artistic experiments with denim while working as an art director in London and Sydney. Despite building a successful career and creating campaigns for brands such as Nissan, Guinness and Talisker Whiskey, the call of the rivets and seams was too deafening to ignore.

Eventually, the public caught on and Ian enjoyed enough commercial success to devote himself full time to his art. He had two near sell-out shows in Sweden, his new adopted home, and also showed in the US and Portugal. His work has since sold across Europe, America, the Middle East and Australasia to private, public and corporate collections, and has been featured in innumerable art and fashion magazines from Elle to Playboy and interviewed on Swedish and Portuguese TV.

Naturally, Ian's enthusiasm for denim goes beyond exploring its artistic potential. He's also become something of a historian of the textile. So you can imagine how delighted he worked with the town of Fairmount, Indiana last year. Fairmount is the home town of James Dean, who arguably launched denim as a fashion item when he wore those Lee Riders in Rebel Without A Cause. So when the James Dean Gallery wanted a mural, they came to Ian. He based his work on the iconic Roy Schatt photograph to create what has become possibly the first denim 'street art' project in the world.

Denimu

A shout out to the fabulous Ellen November for bringing this unusual work to my attention.

New and Beautiful Paintings by Stephen Magsig. City Views Opens At George Billis Gallery.

above: Stephen Magsig, 68 Mercer St., Oil on linen, 30 x 24"

I've been a longtime fan of Stephen Magsig's work having introduced you to his Urban Alphabet paintings and his Postcards From Detroit back in 2009.


above: Magsig's Urban Alphabet, a series of small scale paintings of letters from city signs (I own the "A", the "O" and the "K")

Stephen's latest show, City Views, opened yesterday at the George Billis Gallery in New York and features several new pieces that capture the flavor and ambiance of New York. The oil paintings on linen depict urban storefronts, cast iron facades, street corners, neon signs, bridges and city views in Magsig's inimitable style.


above: Stephen Magisg, Manhattan Bridge, Oil on linen, 30 x 60"

Void of human figures, his paintings combine the early morning light of Edward Hopper with an adept realism. Long shadows, empty street corners and closed cafes exude an emptiness while simultaneously appearing inviting. His work successfully combines the aspects of a large inhabited city with the quietude of a personal and private moment.

168 Mercer St., 40 x 30":


54 White St., 30 x 24":


Brooklyn Bridge Shadows, 30 x 60":


Duane St. Shadows, 48 x 40":


Bass Ale, 42 x 36":


40 Walker St., 62 x 48":


Bleeker St. Shadows:


Lincoln Tunnel Ventilation Tower, 24 x 30":


Rheon Cafe, 42 x 36"


281 Church St at White St., 62 x 48":


Nolita Corner, 30 x 24":


Broadway Shadows, 20 x 16":


108 Franklin St., 20 x 16":


Sunday Morning Shadows, 24" x 30":


The show runs through May 25th.

City Views, George Billis Gallery
521 W. 26th Street, B1
New York, NY 10001
April 23 - May 25, 2013
Reception, Thurs April 25, 6-8 pm
www.georgebillis.com

Stephen Magsig website

If you never saw his Urban Alphabet or Postcards from New York, see those here.