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Showing posts with label figurative paintings. Show all posts
Showing posts with label figurative paintings. Show all posts
One Subject. One Dress. A Bunch of Fabulous Paintings By Erin Cone.
above: Erin Cone, Evade, 2011, acrylic, 40" x 36"
Texas born artist Erin Cone was named one of Southwest Art Magazine's "21 under 31" to watch in 2003. Since then she has had numerous individual and group shows at galleries all over the United States. Currently showing at San Francisco's Hespe Gallery and having just participated in a group show, In Portrait, at the Blank Space Gallery in New York, Erin's latest works continue her bold take on contemporary figurative realism.
Reminisce:
Looking a bit like a cross between mannequins and photo-shop filtered images, her latest acrylic paintings, clearly self-portraits, avoid direct confrontation with the viewer in almost all instances, like one of my favorite water-colorists, Ali Cavanaugh. This is more prevalent in her work since 2009 - in many her earlier works, specifically in 2005, she confronted the viewer with an almost expressionless gaze.
above: Erin Cone, Underwater, 2005, acrylic, 24" x 26"
In her recent works, she continues to use flat bold colors and geometric shapes to make up the backgrounds, setting off the figure's red dress, which is featured in 15 of the paintings shown in this post. In some cases, small rectangles are represented by negative space as in the case of Repartee 1 and Repartee 2 and in others, small rectangles of color are added as in Allude, Debutante and Assemblage. Still in others, the dress or background is faceted into a series of rectangles, playing up the multiple planes of color.
Here's a look at many of her 2011 pieces.
Repose:
Discourse 1:
Discourse 2:
Debutante:
Charade:
repartee 1:
Repartee 2:
Adieu:
Allude:
Assemblage:
Rouge:
Vignette:
and Ennui:
In addition to the above paintings, other pieces of Erin's newer works feature herself in other clothes, but they still feature one lone figure against flat colored backgrounds, in which the face is partially obscured or turned away from the viewer:
Falter:
Halt:
Yield:
Axis:
Pivotal:
Refuge:
Hold:
Discrete:
Subtle:
Erin Cone:
"I emphasize visual impact over narrative context, focusing on the subtle orchestration of my subject within a framework of design. I create a deliberate push-and-pull between near-photorealistic detail and my own vocabulary of visual glitches that challenge that very realism. This duality is central to my work and allows the figures I paint to remain wholly representational while functioning abstractly — evoking emotion without defining it."
-- Erin Cone
Erin Cone is Represented by:
Hespe Gallery, San Francisco, CA
Lanoue Fine Art, Boston, MA
Melissa Morgan Fine Art, Palm Desert, CA
Nuart Gallery, Santa Fe, NM
Rosenbaum Contemporary, Boca Raton, FL
Lucian Freud Remembered. Images of (and links to) his Astounding Work.
Europe Gets Introduced To A Great American Portraitist, Alice Neel.
above: detail from Alice Neel's 1965 portrait of Hartley, the artist's son.
An inspiring exhibition, and the first major retrospective of one of the 20th century's greatest portrait painters, American artist Alice Neel, has made its way to London's Whitechapel Gallery after debuting last fall at the Museum of Fine Arts, Houston.
The late artist, who passed away in 1984, one of my personal favorites who clearly inspired several of my other favorite portrait painters (Lucian Freud, David Hockney and David Tomb) and is best known for her portraits of celebrated artists and writers.
above: detail from Alice Neel's Portrait of Andy Warhol, 1970
The comprehensive exhibit, Alice Neel: Painted Truths, features 68 paintings divided into sections according to Neel´s thematic preoccupations: allegory, the essential portrait, the psychological portrait, portraits from memory, cityscapes, nudes, parents and children, the detached gaze, and old age.
above: A young Alice Neel surrounded by some of her works in her Harlem Studio, 1944. (photo still courtesy of See Think Studios)
above: Alice Neel stands before her 1980 self-portrait, and a 1970 photo by Brigid Berlin of Andy Warhol sitting for Neel.
If you are not familiar with this monumental talent, here are images of almost half the exhibit, divided up by decades, rather than themes.
Early works from the 30s and 40s:
Ed Meschi, 1933:
Ninth Avenue El, 1935:
Elenka, 1936:
Jose, 1936: Audrey McMahon, 1940:
T. B. Harlem, 1940:
Dead Father, 1946:
Richard, 1945:
Fire escape, 1948:
Works from the 50s and 60s:
Dor Ashton, 1952:
The Last Sickness, 1953:
Sam, 1958:
Frank O'Hara 2, 1960:
Max White, 1961:
Robert Smithson, 1962:
Hartley, 1965:
Later works from the 70s and 80s:
David Bourdon and Gregory Battcock, 1970:
Andy Warhol, 1970:
Jackie Curtis and Rita, 1970:
Pregnant Woman, 1971:
Nancy and the twins, 1971:
Carmen and Judy, 1972:
Ginny and Elizabeth, 1976:
The De Vegh Twins, 1975:
Victoria and Cat, 1980:
Don Perlis and Jonathan, 1984:
Geoffrey Hendricks and Brian, 1978:
Self-portrait,1980:
Ginny, 1984:
In addition, two archival films play on loop in the gallery: an eight-minute silent film by Neel´s son Hartley, documenting the artist painting her daughter-in-law Ginny; and Michel Auder´s film showing Neel painting Margaret Evans Pregnant.
International Tour
Museum of Fine Arts, Houston: March 21—June 13, 2010
Whitechapel Gallery, London, July 8—September 17, 2010
Moderna Museet, Malmö, Sweden, October 10, 2010—January 2, 2011
from the original press release:
Committed to portraiture throughout her life, an era when the genre was considered practically obsolete, Neel captured both the physical likenesses and the psychological essences of her sitters in bold, sometimes searing paintings. Neel painted neighbors in her gritty Manhattan district and members of the art-world elite, as well as her lovers, friends and children. Alice Neel: Painted Truths is the first major museum exhibition of Neel´s work in ten years, and the first to present her work in Europe. The show examines Neel´s oeuvre from a highly focused perspective, showcasing masterworks culled from the 1920s to the 1980s. Along with her famous portraits, a section of the show will also be devoted to her lesser-known cityscapes that document tenement life from the inside.
Alice Neel: Painted Truths is organized by the MFAH and co-curated by Barry Walker, MFAH curator of modern and contemporary art and curator of prints and drawings, and Jeremy Lewison, former Director of Collections of London´s Tate Gallery and currently an independent curator and advisor of the estate of Alice Neel. After the presentation in Houston, the show will travel to Whitechapel Gallery in London and Moderna Museet in Malmö. The show will be accompanied by a major catalogue distributed by Yale University Press.
"Despite almost single-handedly reviving portraiture in the 20th century—with a little help from contemporaries like Andy Warhol, of course—Neel did not receive recognition until late in life," said Dr. Peter C. Marzio, MFAH director. "Neel´s work is a true tour de force, and the Museum of Fine Arts, Houston, is pleased to present a selection of the most compelling paintings by this seminal American artist. The tour will give European audiences their first opportunity to assess the full range of her achievement in a large-scale museum exhibition."
"Because so many exhibitions have plumbed Alice Neel´s engaging bohemian life to interpret her work, we have focused on the art rather than the biography in Painted Truths, examining it from both traditional and postmodern points of view," states Walker. "This is, to use a politically incorrect term, a ´masterpiece show,´ tracing the evolution of the artist´s work through what are, arguably, her very best paintings."
Alice Neel: Painted Truths is showing at the Whitechapel Gallery from July 8 through September 17, 2010
If you can't see the exhibit in person, a lavishly illustrated book of the exhibit is available with essays by Jeremy Lewison, Barry Walker, Tamar Garb and Robert Storr, appreciations by artists Frank Auerbach and Chris Ofili, and a chronology.
Although this book focuses on Neel’s portraits, it includes a selection of her cityscapes that chronicle the artist’s intense involvement with life in New York City. Structured thematically, sections trace the evolution of Neel’s style and examine themes that she revisited throughout her career.
Hardback, 296 pages, 120 colour and 26 black and white illustrations.
Buy the book here
Alice Neel: Painted Truths, as it appeared at the Museum of Fine Arts, Houston
above photos: courtesy Museum of Fine Arts, Houston
Special thanks to Macolm Varon, the Estate of Alice Neel, and the MFA in Houston for many of the images.
some reviews of the London show:
The Guardian
The Independent
The Telegraph
Shop for Alice Neel Books, catalogs, videos and posters.
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