If It's Hip, It's Here (Archives): contemporary realism

Showing posts with label contemporary realism. Show all posts

These Are PAINTINGS And No, I'm Not April Fooling You.

I thought this would be the perfect post for the first of April, a day when most people are punking, pranking, and just plain joking, because this artwork is pretty hard to believe. But it's for real.

Pinocchio would probably have gladly swapped his creator, Geppetto, for Italian sculptor Bruno Walpoth. Walpoth's ability to turn a hunk of wood into a lifelike looking figure is impressive, to say the least. His sculpted and painted busts and human forms are anything but "wooden." They seem to be imbued with emotion, capable of possessing a soul and striking the viewer as pensive, thoughtful - even melancholy.

A self-taught artist, Michael Ward captures what British-born philosopher Alan Watts called "the mystery of the ordinary" in his acrylic paintings of things we often overlook in our daily lives. Based on photographic images, his neo-realistic interpretations of unspectacular environments and people in the world around us are composed and rendered in such a way as to bring out the beauty in what one might have previously considered mundane, if not ugly.

Here are several of his paintings:

Biography (courtesy of the artist):
I began my artistic career doing pen and ink renderings of historical architecture. I began painting in 1980, first in gouache, then in acrylics. Artists whose work I admire and draw inspiration from include Edward Hopper, Charles Sheeler, Richard Estes and Vermeer. I am most interested in depicting what Alan Watts called the mystery of the ordinary; the workaday world we live in without seeing until we are forced to focus upon it, as in a painting.

Nearly all my paintings are based on photographs I have taken, primarily of Southern California scenes, over the years. Though it was never my intention to depict nostalgic scenes, many of the images I have painted have disappeared or been radically altered in the ever-changing landscape that is Southern California. Thus nostalgia is thrust upon the works. But what I am really after is bearing witness, and making people stop what they're doing and pay attention, to something they may have never seen before, but that makes them feel “I know this.”

I am currently working on a series of house paintings. These simple, ordinary, unnoticed places have hidden interior lives, though they do not reveal them to us. The houses are from a variety of locations in the United States and Mexico. They are the place you grew up in, a place of nurture, experience, trial, memory and forgetting. They are all a common size, to symbolize our shared experience of being human.

Phyllis Lutjeans, Museum Educator and former curator, has said of my work: “Although Michael Ward may be called a neo-realist painter his work can ultimately be described as abstract realism. The picture image is photographically realistic, but within the context of the painting his compositions are complex and almost abstract. Deciphering the work section by section one sees how a multitiude of individual complete compositions are put together to form the entire work. For me the viewer is confronted by a realistic image that puzzles us and clearly tells the story simultaneously.”

As a painter, I am self-taught.

Michael Ward Art and Design

A book of his works is available here on Blurb

See his paintings at Pasadena's Tirage Gallery

Other galleries that represent Michael Ward:

Mesa Art
789 W. 19th St., Costa Mesa, CA 92627
949.548.3570

Studio Gallery
18001 Skypark Circle, Suite R, Irvine, CA
949.851.9181

Contact the artist directly here.

Consider Your Mind Blown. The Phenomenally Realistic Graphite Drawings of Kelvin Okafor.

above: graphite drawing in progress by Kelvin Okafor

Kelvin Okafor describes himself as a "Passionate penciled artist. Highly interested in detail and precision." I'd say that's an understatement once you see the phenomenally realistic graphite drawings created by this UK Illustrator. As astounding as the finished pieces are (it's truly difficult to discern whether or not they are photographs until you look extremely closely), the evolution of the drawings shown on his blog, and as videos on his YouTube channel, will blow your mind.

above, clockwise from top left: Timeless, Undeviating and Mana drawings by Kelvin Okafor

I'm sharing my five favorite finished works of his along with some images of his work in progress for you to see what I'm talking about. He almost always begins with the eyes and finishes with the clothing. His ability to render hair is beyond compare. My mind is blown and after viewing these yours will be, too.

Mana
His second drawing of model Mana.
Medium: Graphite pencils/Charcoal/black coloured pencil/on sketching paper.
Pencil brand - Faber-Castell
Paper type - Acid Free Cartridge paper 17 x 24 inches

In progress:

Final drawing of Mana on board:

"Undeviating" (Emmanuel)
A drawing of model Emmanuel, entitled "Undeviating"
Medium: Graphite pencils/black charcoal/black coloured pencil/on sketching paper.
Pencil brand - Faber-Castell
Paper type - Acid Free Cartridge paper 18 x 22 inches

In progress:

Final drawing of Undeviating (Emmanuel) on board:

Aisha II
His second drawing of Aisha.
Medium: Graphite pencils/black charcoal/black coloured pencil/on sketching paper.
Pencil brand - Faber-Castell
Paper type - Acid Free Cartridge paper 17 x 24 inches

In progress:

Final drawing of Aisha II on board:

"Timeless" (Jamal)
A drawing of model Jamal, entitled "Timeless."
Medium: Graphite pencils/black charcoal/black coloured pencil/on sketching paper.
Pencil brand - Faber-Castell
Paper type - Acid Free Cartridge paper 17 x 24 inches

In progress:

Final drawing of Timeless (Jamal) on board:

Adam II
His second drawing of Adam.
Medium: Graphite pencils/black charcoal/black coloured pencil/on sketching paper.
Pencil brand - Faber-Castell
Paper type - Acid Free Cartridge paper 15 x 24 inches

In progress:

Final drawing of Adam II on board:

Kelvin is a graduate from Middlesex University with a B.A. (Hon)s in Fine Art. On his flickr profile he claims that "He aspires to create art as vivid as eyes could see."

I think he's done it.

See all of his work over here on his flickr account.

A big thanks to Vicki Mayer for bringing Kelvin's work to my attention.

Paintings That Are Truly Gems. Realistic Crystals and Minerals Rendered In Oils by Carly Waito.

above: Smoky Quartz, 2011

These amazingly realistic oil paintings on masonite by Carly Waito are really precious. Literally and figuratively. The small scale works range in size from 4.5" x 6" to 11" x 12' and impressively capture the way crystals and rocks reflect and refract light. Given the healing properties of many stones and minerals, these works have appeal in both their craft and subject matter. I'd like to own several of them and hang them together. As you can see, they sell quickly (almost every single one shown in this post is sold).

above: Dioptase, 2011 (sold)

above: Amethyst, 2011 (sold)

above: Pyrite, 2011 (sold)

above: Bornite coated Chalcocite, 2011 (sold)

above: Smoky Quartz, 2011 (sold)

above: Amethyst, 2011 (sold)

above: Smoky Quartz, 2011 (sold)

above: Flourite, 2011 (sold)

above: Vesuvianite, 2011 (sold)

above: Smoky Quartz, 2011 (sold)

above: Spessartine, 2011

above: Flourite, 2010 (sold)

above: Sphalerite, 2010 (sold)

above: Barite, 2010 (sold)

above: Amethyst, 2010

above: Rhodocrosite, 2009 (sold)

The following three images represent some of her latest work and as you can see, she is exploring black backgrounds for some of her newer pieces.

above: Amethyst Mountain, 2012

above: Tektite, 2012

above: Dark Crystal, 2012

The following text is courtesy of Narwhal Art Projects:
In these works, diminutive specimens of semi-precious gems and minerals are rendered in meticulous detail, exposing the beauty and logic of their structural minutiae. Yet, beyond simple imitation, Carly Waito’s reproductions imbue further worth to objects that are naturally perfect: where each specimen inherently exudes an aura, Waito has both reiterated and enhanced it. The result is a reverent homage to nature’s marvel, the faculty of humankind and the unconditional value of their synergy.

Through curating minerals, photographing them in macroscopic detail and rendering them in oil paints, Waito employs a layered process highlighting the ties between mimesis and levels of value. From the seemingly limitless depths of Smoky Quartz to the chromatic, reflective facets of Sphalerite, the geometry and beauty of each painted specimen speaks to the incredible complexities of nature’s design as well as Waito’s own facility. Each painting expands the infinitesimal traits of the artist’s tiny subjects, rendering them as detailed maps of an otherwise invisible geological universe.

About the artist:
Toronto-based artist Carly Waito was born in Manitouwadge in 1981 and raised in Thunder Bay. A graduate of the Ontario College of Art and Design, Waito co-founded the ceramic art and design studio coe&waito with Alissa Coe in 2005. The partnership is known for its elegant products and sculptural installations inspired by the natural world. As a painter, Waito has continued to pursue this inspiration, with a focus towards geology, geometry and ideas of wonder and curiosity. She has participated in a number of exhibitions, including Little Crowns (Dec 2009) , The Dazzle (Oct 2010) and Specimens (2011) at Narwhal Projects, and Plus 1(2011) at Sloan Fine Art in New York.

Purchasing inquiries please contact Narwhal Art Projects.

NARWHAL
2988 DUNDAS ST WEST TORONTO ON CANADA M6P 1X6
tel: 647.346.5317

Carly Waito